Allen Toussaint Net Worth 2021 Update: Bio, Age, Height, Weight

January 1, 2020

Allen Toussaint Net Worth

Allen Toussaint how much money? For this question we spent 14 hours on research (Wikipedia, Youtube, we read books in libraries, etc) to review the post.

The main source of income: Celebrities
Total Net Worth at the moment 2021 year – is about $3 Million.



Allen Toussaint information Birth date: January 14, 1938 Birth place: Gert Town, New Orleans, Louisiana, United States Height:6 ft 1 in (1.87 m) Profession:Record producer, Songwriter, Musician, Composer, Music Arranger, Actor, Film Score Composer Nationality:United States of America Parents:Naomi Neville Movies:Eves Bayou, Make It Funky!, Hurricane on the Bayou

Height, Weight

:How tall is Allen Toussaint – 1,65m.
How much weight is Allen Toussaint – 60kg


Allen Toussaint Net Worth
Allen Toussaint Net Worth
Allen Toussaint Net Worth
Allen Toussaint Net Worth


Allen Toussaint is an American musician, composer, record producer, and influential figure in New Orleans R&B. Many of Toussaints songs have become familiar through versions by other musicians, including Working in the Coal Mine, Ride Your Pony, Fortune Teller, Play …
Biography,Early life and careerThe youngest of three children, Toussaint was born in 1938 in New Orleans and grew up in a shotgun house in the Gert Town neighborhood, where his mother, Naomi Neville (whose name he later adopted pseudonymously for some of his works), welcomed and fed all manner of musicians as they practiced and recorded with her son. His father, Clarence, worked on the railway and played trumpet. Allen Toussaint learned piano as a child and took informal music lessons from an elderly neighbor, Ernest Pinn. In his teens he played in a band, the Flamingos, with the guitarist Snooks Eaglin, before dropping out of school. A significant early influence on Toussaint was the syncopated second-line piano style of Professor Longhair.After a lucky break at age 17, in which he stood in for Huey Piano Smith at a performance with Earl Kings band in Prichard, Alabama, Toussaint was introduced to a group of local musicians led by Dave Bartholomew, who performed regularly at the Dew Drop Inn, a nightclub on Lasalle Street in Uptown New Orleans. His first recording was in 1957 as a stand-in for Fats Domino on Dominos record I Want You to Know, on which Toussaint played piano and Domino overdubbed his vocals. His first success as a producer also came in 1957 with Lee Allens Walking with Mr. Lee. He began performing regularly in Bartholomews band, and he recorded with Fats Domino, Smiley Lewis, Lee Allen and other leading New Orleans performers.After being spotted as a sideman by the A&R man Danny Kessler, he initially recorded for RCA Records as Al Tousan. In early 1958 he recorded an album of instrumentals, The Wild Sound of New Orleans, with a band including Alvin Red Tyler (baritone sax), either Nat Perrilliat or Lee Allen (tenor sax), either Justin Adams or Roy Montrell (guitar), Frank Fields (bass), and Charles Hungry Williams (drums). The recordings included Toussaint and Tylers composition Java, which first charted for Floyd Cramer in 1962 and became a number 4 pop hit for Al Hirt (also on RCA) in 1964. Toussaint also recorded and co-wrote songs with Allen Orange in the early 1960s.Success in the 1960sMinit and Instant RecordsIn 1960, Joe Banashak, of Minit Records and later Instant Records, hired Toussaint as an A&R man and record producer. He also did freelance work for other labels, such as Fury. Toussaint played piano, wrote, arranged and produced a string of hits in the early and mid-1960s for New Orleans R&B artists such as Ernie K-Doe, Chris Kenner, Irma Thomas, Art and Aaron Neville, the Showmen, and Lee Dorsey, whose first hit Ya Ya he produced in 1961.The early to mid-1960s are regarded as Toussaints most creatively successful period. Notable examples of his work are Jessie Hills Ooh Poo Pah Doo (written by Hill and arranged and produced by Toussaint), Ernie K-Does Mother-in-Law, and Chris Kenners I Like It Like That.[11][12] A two-sided 1962 hit by Benny Spellman comprised Lipstick Traces (on a Cigarette) (covered by the OJays, Ringo Starr, and Alex Chilton) and the simple but effective Fortune Teller (covered by various 1960s rock groups, including the Rolling Stones, the Nashville Teens, the Who, the Hollies, the Throb, and ex-Searchers founder Tony Jackson).[13][14] Ruler of My Heart, written under his pseudonym Naomi Neville, first recorded by Irma Thomas for the Minit label in 1963, was adapted by Otis Redding under the title Pain in My Heart later that year, prompting Toussaint to file a lawsuit against Redding and his record company, Stax (the claim was settled out of court, with Stax agreeing to credit Naomi Neville as the songwriter).[15] Reddings version of the song was also recorded by the Rolling Stones on their second album.[16] In 1964, A Certain Girl (originally by Ernie K-Doe) was the B-side of the first single release by the Yardbirds. The song was released again in 1980 by Warren Zevon and (as A Certain Guy) in 2007 by Mary Weiss, the former lead singer of the Shangri-Las.[17]Toussaint credited about twenty songs to his parents, Clarence and Naomi, sometimes using the pseudonym Naomi Neville.[18][19] These include Fortune Teller, first recorded by Benny Spellman in 1961, and Work, Work, Work, recorded by the Artwoods in 1966. Alison Krauss and Robert Plant covered Fortune Teller on their 2007 album Raising Sand.[20]Sansu: Soul and early New Orleans funkSee also: soul music and funkToussaint was drafted into the US Army in 1963 but continued to record when on leave. After his discharge in 1965, he joined forces with Marshall Sehorn[21] to form Sansu Enterprises, which included a record label, Sansu, variously known as Tou-Sea, Deesu, or Kansu, and recorded Lee Dorsey, Chris Kenner, Betty Harris, and others. Dorsey had hits with several of Toussaints songs, including Ride Your Pony (1965), Working in the Coal Mine (1966), and Holy Cow (1966).[21] The core players of the rhythm section used on many of the Sansu recordings from the mid- to late 1960s, Art Neville and the Sounds, consisted of Art Neville on keyboards, Leo Nocentelli on guitar, George Porter on bass, and Zigaboo Modeliste on drums. They later became known as the Meters.[22] Their backing can be heard in songs such as Dorseys Ride Your Pony and Working in the Coal Mine, sometimes augmented by horns, which were usually arranged by Toussaint.[23] The Toussaint-produced records of these years backed by the members of the Meters, with their increasing use of syncopation and electric instrumentation, built on the influences of Professor Longhair and others before them, but updated these strands, effectively paving the way for the development of a modern New Orleans funk sound. [22][24]1970s to 1990sMess of LoveWords and music by Allen Toussaint, from John Mayalls 1976 album Notice to AppearProblems playing this file? See media help.Toussaint continued to produce the Meters when they began releasing records under their own name in 1969. As part of a process begun at Sansu and reaching fruition in the 1970s, he developed a funkier sound, writing and producing for a host of artists, such as Dr. John (backed by the Meters, on the 1973 album In the Right Place, which contained the hit Right Place, Wrong Time) and an album by the Wild Tchoupitoulas, a New Orleans Mardi Gras Indians tribe led by Big Chief Jolly (George Landry) (backed by the Meters and several of his nephews, including Art and Cyril Neville of the Meters and their brothers Charles and Aaron, who later performed and recorded as the Neville Brothers).[25][26][27] One of his compositions, Here Come the Girls, recorded by Ernie K-Doe in 1970, formed the basis of the Sugababes 2008 hit Girls.[28]In the 1970s Toussaint began to work with artists from beyond New Orleans artists, such as B. J. Thomas, Robert Palmer, Willy DeVille, Sandy Denny, Elkie Brooks, Solomon Burke, Scottish soul singer Frankie Miller (High Life), and southern rocker Mylon LeFevre.[29][30] He arranged horn music for the Bands albums Cahoots (1971) and Rock of Ages (1972) and for the documentary film The Last Waltz (1978).[31][32][33] Boz Scaggs recorded Toussaints What Do You Want the Girl to Do? on his 1976 album Silk Degrees, which reached number 2 on the U.S. pop albums chart. The song was also recorded by Bonnie Raitt for her 1975 album Home Plate and by Geoff Muldaur (1976), Lowell George (1979), Vince Gill (1993), and Elvis Costello (2005).[34] In 1976 he also collaborated with John Mayall on the album Notice to Appear.[35]In 1973 Toussaint and Sehorn created the Sea-Saint recording studio in the Gentilly section of eastern New Orleans.[36][37] Toussaint also began recording under his own name, contributing vocals as well as piano. His solo career peaked in the mid-1970s with the albums From a Whisper to a Scream and Southern Nights.[38][39] During this time he teamed with Labelle and produced their acclaimed 1975 album Nightbirds, which contained the number one hit Lady Marmalade. The same year, Toussaint collaborated with Paul McCartney and Wings for their hit album Venus and Mars and played on the song Rock Show. Also in 1973, his Yes We Can Can was covered by The Pointer Sisters for their self-titled debut album, released as a single, it became both a pop and R&B hit and served as the groups introduction to popular culture. Two years later, Glen Campbell covered Toussaints Southern Nights and carried the song to number one on the pop, country and adult contemporary charts.[40]In 1987, he was the musical director of an off-Broadway show, Staggerlee, which ran for 150 performances.[41] Like many of his contemporaries, Toussaint found that interest in his compositions was rekindled when his work began to be sampled by hip hop artists in the 1980s and 1990s.[42][43]2000sToussaint performing in Stockholm in 2009Most of Toussaints possessions, including his home and recording studio, Sea Saint, were lost during Hurricane Katrina in 2005.[44][45] He initially sought shelter at the Astor Crowne Plaza Hotel on Canal Street.[44] Following the hurricane, whose aftermath left most of the city flooded, he left New Orleans for Baton Rouge, Louisiana, and for several years settled in New York City.[44][45] His first television appearance after the hurricane was on the September 7, 2005, episode of the Late Show with David Letterman, sitting in with Paul Shaffer and his CBS Orchestra. Toussaint performed regularly at Joes Pub in New York City through 2009.[46] He eventually returned to New Orleans and lived there for the rest of his life.[47]The River in Reverse, Toussaints collaborative album with Elvis Costello, was released on May 29, 2006, in the UK on Verve Records by Universal Classics and Jazz UCJ.[48] It was recorded in Hollywood and, more notably, at the Piety Street Studio in the Bywater section Toussaints native New Orleans, as the first major studio session to take place after Hurricane Katrina.[49] In 2007, Toussaint performed a duet with Paul McCartney of a song by New Orleans musician and resident Fats Domino, I Want to Walk You Home, as their contribution to Goin Home: A Tribute to Fats Domino (Vanguard Records).[50]In 2008, Toussaints song Sweet Touch of Love was used in a deodorant commercial for the Axe (Lynx) brand. The commercial won a Gold Lion at the 2008 Cannes Lions International Advertising Festival. In February 2008, Toussaint appeared on Le Show, the Harry Shearer show broadcast on KCRW. He appeared in London in August 2008, where he performed at the Roundhouse.[51] In October 2008 he performed at Festival New Orleans at The O2 alongside acts such as Dr. John and Buckwheat Zydeco.[52] Sponsored by Quint Davis of the New Orleans Jazz & Heritage Festival and Philip Anschutz, the event was intended to promote New Orleans music and culture and to revive the once lucrative tourist trade that had been almost completely lost following the flooding that came with Hurricane Katrina.[52] After his second performance at the festival, Toussaint appeared alongside Louisiana Lieutenant Governor Mitch Landrieu.[53]Toussaint performed instrumentals from his album The Bright Mississippi and many of his older songs for a taping of the PBS series Austin City Limits, which aired on January 9, 2015.[54][55] In December 2009, he was featured on Elvis Costellos Spectacle program on the Sundance Channel,[56] singing A Certain Girl.[57] Toussaint appeared on Eric Claptons 2010 album, Clapton, in two Fats Waller covers, My Very Good Friend the Milkman and When Somebody Thinks Youre Wonderful.[58]His late-blooming career as a performer began when he accepted an offer to play a regular Sunday brunch session at an East Village pub. Interviewed in 2014 by The Guardian?s Richard Williams, Toussaint said, I never thought of myself as a performer…. My comfort zone is behind the scenes. In 2013 he collaborated on a ballet with the choreographer Twyla Tharp. Toussaint was a musical mentor to Swedish-born New Orleans songwriter and performer Theresa Andersson.[59]


Wikipedia Source: Allen Toussaint

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