Contents
Brent Mydland Net Worth
Brent Mydland how much money? For this question we spent 29 hours on research (Wikipedia, Youtube, we read books in libraries, etc) to review the post.
The main source of income: Actors
Total Net Worth at the moment 2024 year – is about $241,7 Million.
Youtube
Biography
Brent Mydland information Birth date: October 21, 1952 Death date: 1990-07-26 Birth place: Munich, Bavaria, Germany
Height, Weight:
How tall is Brent Mydland – 1,88m.
How much weight is Brent Mydland – 85kg
Pictures
Wiki
Template:Multiple issuesBrent Mydland (October 21, 1952 – July 26, 1990) was an American keyboardist, best known as the fourth keyboardist to play with the American rock band the Grateful Dead. He was with the band for eleven years, longer than any other keyboardist in the band.
Biography,Early lifeThis section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (July 2013) (Learn how and when to remove this template message)Born in Munich, Germany, as the child of a U.S. Army chaplain, Mydland moved to San Francisco with his parents at the age of one. Mydland spent most of his childhood living in Antioch, California, an hour east of San Francisco. He started piano lessons at age six and had formal classical lessons through his junior year in high school. In an interview he commented that: my sister took lessons and it looked fun to me, so I did too. There was always a piano around the house and I wanted to play it. When I couldnt play it I would beat on it anyway. His mother, a graveyard shift nurse, encouraged Mydlands talents by insisting that he practice his music for two hours each day. He played trumpet from elementary till his senior year in high school, his schoolmates remember him practicing on an accordion, as well as the piano, every day after school.In my late teens I went and saw a lot of groups, and thank God I did, because it didnt last much longer. When asked if he had musical aspirations in high school he admitted to wanting to originally be a high school band teacher or something, I played trumpet in the [marching] band … then my senior year I got kicked out of the [marching] band for having long hair … they told me sorry well lose points for your long hair, so that was the end of my [marching] band career. I gave up the trumpet and concentrated on the keyboards. Brent graduated from Liberty High in nearby Brentwood, California, in 1971.Beginning of music careerThis section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (July 2013) (Learn how and when to remove this template message)Of his early musical experiences Mydland has stated: Late into high school I got into playing rock n roll with friends and it was like I had to start from the beginning almost, because if I didnt have a piece of music in front of me I couldnt do much. I changed my outlook on playing real fast after that. I think dope had something to do with that.Influenced by rock organists such as Lee Michaels, Ray Manzarek and Goldie McJohn of Steppenwolf. Mydland was in a series of local bands. In the late 1960s he bought the first albums by Jefferson Airplane and the Grateful Dead, and during this interview he stated that he was in a band where I used to sing Morning Dew and we did Good Morning Little Schoolgirl too.When asked if that scene, which was based heavily on extended jams, had influenced him musically at all he said: For a while, yes, but I could never find people that could make that kind of music sound good. Wed jam along and then. Its nice to have people who add to it and change it instead of Ok, Ive got my part, that gets boring really fast.He went on to state that: In senior year I got together with a guitar player, he knew a drummer and bass player who were both pretty good. We were serious about it for about six weeks or so and then it kind of fell apart. I ended up living in a quonset hut in Thousand Oaks, California, writing songs and eating a lot of peanut butter and bread and whatever else was around. In one of the bands, I played with a guy named Rick Carlos and he got a call from John Batdorf of Batdorf & Rodney asking him to come to L.A, to play with them. A couple months later they were looking for a keyboard player who could sing the high parts, so I went down there and joined the band. I got to do a tour with them which was great experience. Then after that fell apart John and I put together Silver, Silver lasted about two years. We put out an album on Arista and were going to do a second but Clive Davis, Aristas president, kind of choked it.After Silver I bummed around L.A for about six months and then hooked up with Weir through John Mauceri, who Id played with back in Batdorf & Rodney, and I joined the Bob Weir Band. With Bobby, at first, Id say to him: Well, should I play this instrument on this song, or this other instrument? And hed say, I dont care. Why not play one this time and the other the next time if you feel like it. It loosened me up a lot and it got me more into improvisation. I liked it a lot.Grateful DeadMydland joined the Grateful Dead in April 1979, replacing Keith and Donna Godchaux who had decided to start their own band. After two weeks of rehearsals, he played his first concert with the band at the Spartan Stadium, San Jose, on April 22.Mydland quickly became an integral part of the Dead owing to his vocal and songwriting skills as much as his keyboard playing. He quickly combined his tenor singing with founder members Weir and Jerry Garcia to provide strong three-part harmonies on live favourites including I Know You Rider, Eyes of the World and Truckin. He easily fit into the bands sound and added his own contributions, such as in Go to Heaven (1980) which featured two of Mydlands songs, Far From Me and Easy to Love You, the latter written with frequent Weir collaborator John Perry Barlow. On the next album, In the Dark (1987), Mydland co-wrote the defiant favorite Hell in a Bucket with Weir and Barlow, he also penned the train song Tons of Steel.Built to Last (1989) featured several more of Mydlands songs: the moody Just a Little Light, the environmental song We Can Run, the live performance driven Blow Away and the poignant I Will Take You Home, a lullaby written with Barlow for Mydlands two daughters.Mydland wrote several other songs that were played live but not released on any studio albums, such as Dont Need Love, Never Trust A Woman, Maybe You Know, Gentlemen Start Your Engines, and Love Doesnt Have To Be Pretty, the latter two written with Barlow. He also co-wrote Revolutionary Hamstrung Blues with Phil Lesh collaborator Bobby Petersen, although the song was performed live only once.His high, gravelly vocal harmonies and emotional leads added to the bands singing strength, and he even occasionally incorporated scat singing into his solos. Mydlands vocals added colour to old favorites such as Cassidy, Mississippi Half-Step Uptown Toodeloo, Ramble on Rose, the Bands The Weight, and even wrote his own verse for Willie Dixons Little Red Rooster. He sang lead on many covers, including Traffics Dear Mr. Fantasy, the Beatles Hey Jude, and the Meters Hey Pocky Way.Mydlands last show with the Grateful Dead was on July 23, 1990 at the World Music Theater, in Tinley Park, Illinois. The last song he sang that day was The Weight. His portion concluded with the words, I gotta go, but my friends can stick around.In 1994, he was inducted into the Rock and Roll Hall of Fame as a member of the Grateful Dead.Keyboards used when with the Grateful DeadWhile Godchaux had preferred to play only piano at concerts, Mydland was keen to experiment with different sounds during live performances. He frequently changed his setup to add new sounds whenever possible. However, Mydland would have liked to be able to play an acoustic grand piano during concerts as well, telling Keyboard Magazine in 1982 Id like to use an acoustic more often, but theres just no room for it. He had used an acoustic grand only during the Grateful Deads acoustic concerts in the fall of 1980. He also used a rented harpsichord during these acoustic concerts, but told Keyboard Magazine I never did feel comfortable with that thing.Mydland played several different electric pianos and synthesizers throughout his tenure. His early piano sounds came from a Fender Rhodes from 1979 through 1981, and a Yamaha CP-70 in 1982. During this time he also used analog synthesizers including a Minimoog, and a Sequential Circuits Prophet-5. In 1983, he began using the Yamaha GS-1 digital synthesizer, replacing his analog synthesizers and electric piano. In the mid eighties, he also added an E-mu Emulator II to his arsenal. In mid 1987, Brents setup changed once again. Bob Bralove had been hired by the Grateful Dead to program and maintain new MIDI systems. The GS-1 and Emulator II were replaced by a new Kurzweil Midiboard MIDI controller, connected to a Roland MKS-20 piano synthesizer, as well as other controllers with custom voices created by Bralove and Mydland.He is perhaps best known for his mastery of the Hammond organ, and owned several B-3 model organs at the time of his passing. The Grateful Dead also purchased three B-3 organs for his use when he joined the band. The B-3 he played for the majority of his tenure with the Grateful Dead, known for once being covered with several stickers, is currently used by keyboardist Jeff Chimenti during live performances. It was present at the 50th anniversary Fare Thee Well concerts in July 2015.Other bands/activities during his tenure with the Grateful DeadAfter joining the Grateful Dead, Mydland played in Bob Weirs Bobby and the Midnites during 1980 and 1981.In 1982, he recorded and mastered a solo studio album, but it was never released.In the Summer of 1985, he performed with fellow band member Bill Kreutzmann in their band Kokomo along with 707s Kevin Russell and Santanas David Margen.In 1985, he performed at the Haight Street Fair with Weir, John Cipollina, and Merl Saunders, among others.In 1986, Mydland formed Go Ahead with several San Francisco Bay area musicians, including Bill Kreutzmann, also former Santana members Alex Ligertwood on vocals and David Margen on bass, as well as guitarist Jerry Cortez. The band toured during the time Jerry Garcia was recovering from a diabetic coma, and also briefly reunited in 1988.He also did numerous solo projects and performances, as well as duo performances with Bob Weir numerous times throughout the 1980s, with Weir on acoustic guitar and Mydland on grand piano.Brent had a love for Harley Davidson motorcycles, and was an avid rider. A Harley which was owned by Mydland was featured on a 2013 episode of Pawn Stars.DeathMydland was known mostly as a drinker, but in his later years he turned to hard drugs as he was struggling to cope with family issues and severe depression. He died from a speedball overdose at his home on My Road in Lafayette, California, on July 26, 1990, shortly after completing the Grateful Deads summer tour. He was buried at Oakmont Memorial Park in Lafayette.LegacyMydlands contributions to the Deads sound were wide-ranging. His chemistry with the late band is catalogued well in the Grateful Deads album Spring 1990 which features six full-length shows from his last year with the band. In the liner notes, Grateful Dead lyricist Robert Hunter said this of Mydland:“The fourth major Grateful Dead era ends with the passing of Brent Mydland. The first concluded with Pigpen, the second with the departure of Keith and Donna. The third began when Brent joined and began learning the ropes and culminated with Garcias physical collapse. The fourth era started with an unexpectedly successful comeback, fully integrating Brents vocal and keyboard virtuosity. He improved the blend, adding, embellishing and sometimes leading the music.Without distorting the character of what was uniquely Grateful Dead, the old songs came magically into tune and richly harmonized while new songs of Brents own composition added diversity to the bands repertoire. The shows reached a performance peak which now passes into Deadhead history. From here on, the sound of the Grateful Dead will be different. The challenge or reconfiguration, resculpting and refining will be a mighty one. What else should be said of Brent? He rode hard, he drank hard, he played with the Dead. He also played with death and lost. He will be conspicuous in his absence.”
Summary
Wikipedia Source: Brent Mydland