Contents
Django Reinhardt Net Worth
Django Reinhardt how much money? For this question we spent 15 hours on research (Wikipedia, Youtube, we read books in libraries, etc) to review the post.
The main source of income: Musicians
Total Net Worth at the moment 2024 year – is about $181,1 Million.
Youtube
Biography
Django Reinhardt information Birth date: January 23, 1910 Death date: 1953-05-16 Birth place: Liberchies, Pont-?-Celles, Belgium Profession:Soundtrack, Composer, Music Department
Height, Weight:
How tall is Django Reinhardt – 1,63m.
How much weight is Django Reinhardt – 87kg
Pictures
.jpg)
Wiki
Biography,Early lifeReinhardt was born on 23 January 1910 in Liberchies, Pont-a-Celles, Belgium, into a Belgian family of Manouche Romani descent. His father was Jean Eugene Weiss, but domiciled in Paris with his wife, he went by Jean-Baptiste Reinhardt, his wifes surname, to avoid French military conscription. His mother, Laurence Reinhardt, was a dancer. The birth certificate refers to Jean Reinhart, son of Jean Baptiste Reinhart, artist, and Laurence Reinhart, housewife, domiciled in Paris.Reinhardts nickname, Django, is Romani for I awake.:4–5 Reinhardt spent most of his youth in Romani encampments close to Paris, where he started playing the violin, banjo, and guitar. He became adept at stealing chickens, which was viewed as a noble skill by the Romani, because part of their means of survival on the road was to steal from the non-Gypsy world around them.:5 His family made cane furniture for a living. Several members of the family were keen amateur musicians.:14Reinhardt was attracted to music at an early age, first playing the violin. At the age of 12 he received a banjo-guitar as a gift. He quickly learned to play, mimicking the fingerings of musicians he watched. His first known recordings, made in 1927, were of him playing the banjo and guitar. Reinhardt was able to make a living playing music by the time he was 15. He received little formal education and acquired the rudiments of literacy only in adult life.:13Marriage and injuryAt the age of 17 Reinhardt married Florine Bella Mayer, a girl from the same gypsy settlement.[11]:9 The following year he recorded his first record, playing the banjo, with name on the label.[11]:9 His name was now drawing international attention, such as from British bandleader Jack Hylton, who came to France just to hear him play.[11]:10 He offered him a job on the spot, and Reinhardt accepted.[11]:10Before he had a chance to start with the band, however, he nearly lost his life when the caravan he and his wife lived in caught fire when he knocked over a candle on his way to bed. His wife made artificial flowers from extremely flammable celluloid. They caught fire, engulfing the wagon in flames almost immediately. Django dragged himself and his wife through the fire to safety, but suffered extensive burns all over his left hand and other areas. [12] He received first- and second-degree burns over half his body. His right leg was paralyzed, and the fourth and fifth fingers of his left hand were badly burned. Doctors believed that he would never play guitar again, and they intended to amputate one of his legs.:43–44 Reinhardt refused to have the surgery and left the hospital after a short time, he was able to walk within a year with the aid of a cane.[11]:10But two of his fingers remained paralyzed. By sheer will, he taught himself to overcome his now permanent handicap by using only his thumb and two fingers.[11]:10[13] In 1929, his wife gave birth to a son, Henri Lousson Reinhardt. But partly as a result of the trauma and injuries, he and his wife divorced soon after. His son later took the surname of his mothers new husband, Baumgartner. He later recorded with Django.[14]His brother Joseph Reinhardt, also an accomplished guitarist, bought Django a new guitar. With rehabilitation and practice, he relearned his craft in a completely new way. He played all his guitar solos with only the index and middle fingers and used the two injured fingers only for chord work.:31–35Discovery of jazzThe years between 1925 and 1933 were formative for Reinhardt, personally and musically. He had divorced his wife and had formed a relationship with one of his distant cousins, Sophie Ziegler, nicknamed Naguine.[11]:11 They traveled throughout France with Reinhardt getting occasional jobs playing at small clubs. He had no definite goals, living a hand-to-mouth existence.[11]:11 The concept of money and saving was foreign to him, and he spent his earnings as quickly as he made them.[11]:11One change during this period was his abandonment of the banjo in favor of the guitar. He was playing all types of music previously but began to appreciate American jazz a little during this period, when an acquaintance, Emile Savitry, played him a number of records from his collection.[11]:12 It was the first time Reinhardt heard leading American jazz musicians, such as Louis Armstrong and Duke Ellington. The new sounds gave Reinhardt a vision and goal of becoming a jazz professional.[11]:12He later met Stephane Grappelli, a young violinist with similar musical interests. In the absence of paid work in their radical new music, the two would jam together, along with a loose circle of other musicians.:26 Finally, Reinhardt acquired his first Selmer guitar in the mid-1930s. He used the volume and expressiveness of the instrument as integral elements of his style.Formation of the quintetReinhardt and GrappelliFrom 1934 until the outbreak of World War II in 1939, Reinhardt and Grappelli worked together as the principal soloists of their newly formed Hot Club, in Paris. It became the most accomplished and innovative European jazz group of the period.[15]Reinhardts brother Joseph and Roger Chaput also played on guitar, and Louis Vola was on bass.[16]:45–49 The Quintette was one of the few well-known jazz ensembles composed only of stringed instruments.:64–66In Paris on 14 March 1933, Reinhardt recorded two takes each of Parce-que je vous aime and Si, jaime Suzy, vocal numbers with lots of guitar fills and guitar support. He used three guitarists along with an accordion lead, violin, and bass. In August 1934, he made other recordings with more than one guitar (Joseph Reinhardt, Roger Chaput, and Django), including the first recording by the Quintette. In both years the great majority of their recordings featured a wide variety of horns, often in multiples, piano, and other instruments,[17] but the all-string instrumentation is the one most often adopted by emulators of the Hot Club sound.Decca Records in the United States released three records of Quintette songs with Reinhardt on guitar, and one other, lcredited to Stephane Grappelli & His Hot 4 with Django Reinhardt, in 1935.[18]Reinhardt also played and recorded with many American jazz musicians, such as Adelaide Hall, Coleman Hawkins, Benny Carter, and Rex Stewart (who later stayed in Paris). He participated in a jam session and radio performance with Louis Armstrong. Later in his career, Reinhardt played with Dizzy Gillespie in France. Also in the neighborhood was the artistic salon R-26, at which Reinhardt and Grappelli performed regularly as they developed their unique musical style.[19]In 1938 Reinhardts quintet played to thousands at an all-star show held in Londons Kilburn State auditorium.:92 While playing, he noticed American film actor Eddie Cantor in the front row. When their set ended, Cantor rose to his feet, then went up on stage and kissed Reinhardts hand, paying no concern to the audience.:93 A few weeks later the quintet played at the London Palladium.:93World War IIWhen World War II broke out, the original quintet was on tour in the United Kingdom. Reinhardt returned to Paris at once,:98–99 leaving his wife in the UK. Grappelli remained in the United Kingdom for the duration of the war. Reinhardt re-formed the quintet, with Hubert Rostaing on clarinet replacing Grappelli.[20]In 1943, Reinhardt married Sophie Naguine Ziegler in Salbris. They had a son, Babik Reinhardt, who later became a respected guitarist in his own right.[20] Thanks to his superior music talent, Reinhardt would survive the war unscathed, unlike many Gypsies who were interned and killed in the Porajmos, the Nazi regimes systematic murder of several hundred thousand European Gypsies.In addition, the German attitude toward jazz from the time of World War I had been one of general hostility.[21]:82 Between 1916 and 1920 all jazz was banned in Germany. From 1922 on, jazz was mostly suppressed, and after 1933 Hitler banned most jazz, which he and his minister, Goebbels, felt was part of an international conspiracy to undermine Germanys greatness.:154[22] It would not be until the mid-1950s that Germany reopened itself to European jazz.[21]:82But beginning in 1933, all German Gypsies were doomed, states Dregni.:168 They were barred from living in cities and were herded into settlement camps. Nazi doctors began sterilizing them, and like the yellow Stars of David that Jews had to subsequently wear,[23] Gypsies were required to wear a brown Gypsy ID triangle sewn on their chest.:168 By 1942, Gypsies and Jews were systematically being killed at new camps such as Auschwitz.:169 Other Gypsies, such as those in France, were used as slave labor on farms and factories.:169 Some 600,000 Gypsies throughout Europe were eventually killed.:154Because Reinhardt and his family were Gypsies, and he was also a jazz musician, he tried to escape from occupied France with his family. After his first attempt, he survived when a secretly jazz-loving German, Luftwaffe officer Dietrich Schulz-Kohn, let him go back to France after he was captured.[24] But still desperate to get out of France, knowing that Gypsies were being rounded up and killed in concentration camps, he tried again to cross into Switzerland a few days later, this time in the dead of night. But he was stopped by Swiss border guards who forced him to return to Paris.[25]In this [Nuages] graceful and eloquent melody, Django evoked the woes of the war that weighed on peoples souls—and then transcended it all.biographer Michael Dregni[16]:93During the occupation of France, Reinhardt continued playing and composing. One of his songs, Nuages,[26] became an unofficial anthem in Paris to signify hope for liberation.[16]:93 During a concert at the Salle Pleyel, the popularity of the song was such that the crowd made him replay the song three times in a row.[16]:93 The 78 of the song sold over 100,000 copies.[16]:93Since the Nazis officially disapproved of jazz,[27] Reinhardt tried to develop other musical directions. He tried to write a Mass for the Gypsies and a symphony (he worked with an assistant to notate what he was improvising). His modernist piece Rhythm Futur was intended to be acceptable.United States tourReinhardt and Duke Ellington at the Aquarium in New York, c. November 1946After the war, Reinhardt rejoined Grappelli in the UK. In the autumn of 1946, he made his first tour in the United States, debuting at Cleveland Music Hall[28] as a special guest soloist with Duke Ellington and His Orchestra. He played with many notable musicians and composers, such as Maury Deutsch. At the end of the tour, Reinhardt played two nights at Carnegie Hall in New York City, he received a great ovation and took six curtain calls on the first night.Despite his pride in touring with Ellington (one of his two letters to Grappelli relates his excitement), he was not fully integrated into the band. He played a few tunes at the end of the show, backed by Ellington, with no special arrangements written for him. After the tour, Reinhardt secured an engagement at Cafe Society Uptown, where he played four solos a day, backed by the resident band. These performances drew large audiences.:138–139 Having failed to take along a Selmer Modele Jazz, which he had made famous, he had to play on a borrowed electric guitar, with which he was unable to express the delicacy of his style.:138 He had been promised some jobs in California, but they failed to develop. Tired of waiting, Reinhardt returned to France in February 1947.:141After the quintetAfter his return, Reinhardt became re-immersed in Gypsy life, finding it difficult to adjust to the postwar world. He sometimes showed up for scheduled concerts without a guitar or amplifier, or wandered off to the park or beach. On a few occasions he refused to get out of bed. Reinhardt developed a reputation among his band, fans, and managers as being extremely unreliable. He skipped sold-out concerts to walk to the beach or smell the dew.:145 During this period he continued to attend the R-26 artistic salon in Montmartre, improvising with his devoted collaborator, Stephane Grappelli.[29][30]In Rome in 1949, Reinhardt recruited three Italian jazz players (on bass, piano, and snare drum) and recorded over 60 tunes in an Italian studio. He was united with Grappelli, and used his acoustic Selmer-Maccaferri. The recording was discovered in the late 1950s, when it was issued for the first time.[31]Back in Paris in June 1950, Reinhardt was invited to join an entourage to welcome the return of Benny Goodman. He also attended a reception for Goodman, who after the war ended had asked Reinhardt to join him in the U.S. He asked him again, and out of politeness, Reinhardt agreed. But he later had second thoughts about what role he could play alongside Goodman, who was the King of Swing, and instead remained in France.:251In 1973 Stephane Grappelli formed a successful Quintette-style band with the British guitarists Diz Disley and Denny Wright. Grappelli formed many other musical partnerships, including collaborations with John Etheridge, Nigel Kennedy and David Grisman, and became very popular. He influenced other musicians, such as the Dutch violinist Tim Kliphuis.Final yearsPlaque commemorating Reinhardt at Samois-sur-SeineIn 1951, Reinhardt retired to Samois-sur-Seine, near Fontainebleau, where he lived until his death. He continued to play in Paris jazz clubs and began playing electric guitar. (He often used a Selmer fitted with an electric pickup, despite his initial hesitation about the instrument.) In his final recordings, made with his Nouvelle Quintette in the last few months of his life, he had begun moving in a new musical direction, in which he assimilated the vocabulary of bebop and fused it with his own melodic style.[32]While walking from the Avon railway station after playing in a Paris club, he collapsed outside his house from a brain hemorrhage.:160 It was a Saturday and it took a full day for a doctor to arrive.:161 Reinhardt was declared dead on arrival at the hospital in Fontainebleau, at the age of 43.
Summary
Wikipedia Source: Django Reinhardt