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Alida Valli Net Worth
Alida Valli makes how much a year? For this question we spent 24 hours on research (Wikipedia, Youtube, we read books in libraries, etc) to review the post.
The main source of income: Actors
Total Net Worth at the moment 2024 year – is about $86,6 Million.
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Biography
Alida Valli information Birth date: May 31, 1921 Death date: 2006-04-22 Birth place: Pola, Istria, Italy [now Pula, Istria, Croatia] Height:5 5 (1.65 m) Profession:Actress, Soundtrack, Director Children:Carlo de Mejo, Lorenzo Larry de Mejo, Lorenzo Larry De Mejo
Height, Weight:
How tall is Alida Valli – 1,63m.
How much weight is Alida Valli – 65kg
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Biography,Early lifeValli was born in Pola, Istria, Italy (today Pula, Croatia, until 1918 it had formed part of Austria-Hungary). Her paternal grandfather was the Baron Luigi Altenburger (also: Altempurger), an Austrian-Italian from Trento, a descendant of the Counts dArco, her paternal grandmother was Elisa Tomasi from Trento, a cousin of the Roman senator Ettore Tolomei. Vallis mother, Silvia Oberecker della Martina, born in Pola, was the daughter of Felix Oberecker (also: Obrekar) from Laibach, Austria (now Ljubljana, Slovenia), her mother was Virginia della Martina from Pola, Istria (then part of Austria). Vallis maternal granduncle, Rodolfo, was a close friend of Gabriele DAnnunzio. Valli was christened Baroness Alida Maria Laura Altenburger von Marckenstein-Frauenberg. During her lifetime she also gained the titles Dr.h.c. of the III. University of Rome, Chevalier of Arts of France and Cavaliere of the Italian Republic.CareerAlida Valli with Farley Granger, scene from the film Senso, 1954At fifteen, she went to Rome, where she attended the Centro Sperimentale di Cinematografia, a school for film actors and directors. At that time, she lived with her uncle Ettore Tolomei. Valli started her movie career in 1934, in Il cappello a tre punte (The Three Cornered Hat) during the so-called Telefoni Bianchi cinema era. Her first big success came with the movie Mille lire al mese (1939). After many roles in a large number of comedies, she earned her success as dramatic actress in Piccolo mondo antico (1941), directed by Mario Soldati, for which she won a special Best Actress award at Venice Film Festival. During the Second World War, she starred in many movies including Stasera niente di nuovo (1942) (whose song Ma lamore no became the leitmotif of the Italian forties) and the diptych Noi Vivi / Addio Kira! (1943) (based on Ayn Rands novel We the Living). These latter two movies were nearly censored by the Italian government under Benito Mussolini, but they were finally permitted because the novel upon which they were based was anti-Soviet. The films were successful, and the public easily realized that they were as much against Fascism as Communism. After several weeks, however, the films were pulled from theaters as the German and Italian governments, which abhorred communism, found out the story also carried an anti-fascist message.By her early 20s already widely regarded as the most beautiful woman in the World, Valli had a career in English-language films through David Selznick, who signed her to a contract, thinking that he had found a second Ingrid Bergman. In Hollywood, she performed in several movies: she was the murder suspect Maddalena Paradine in Alfred Hitchcocks The Paradine Case (1947), and the mysterious Czech refugee wanted by the Soviets in post-war Vienna in Carol Reeds The Third Man (1949). But her foreign experience was not a great success, owing to the financial problems of Selznicks production company.She returned to Europe in the early 1950s, and starred in many French and Italian films. In 1954, she had great success in the melodrama Senso, directed by Luchino Visconti. In that film, set in mid-19th century Venice during the Risorgimento, she played a Venetian countess torn between nationalistic feelings and an adulterous love for an officer (played by Farley Granger) of the occupying Austrian forces.In 1956, Valli decided to stop making movies, concentrating instead on the stage. She was in charge of a company that produced Broadway plays in Italy.In 1959, she appeared in Georges Franjus horror masterpiece Les Yeux sans visage (Eyes Without a Face). From the 1960s, she worked in several pictures with famous directors, such as Pier Paolo Pasolinis Edipo re (Oedipus Rex), 1967, Bernardo Bertoluccis La strategia del ragno, 1972, Novecento, 1976, and Dario Argentos Suspiria, 1977. Her final movie role was in Semana Santa (2002), with Mira Sorvino. In Italy, she was also well known for her stage appearances in such plays as Ibsens Rosmersholm, Pirandellos Henry IV, John Osbornes Epitaph for George Dillon, and Arthur Millers A View from the Bridge. At the 54th Venice International Film Festival in 1997 Alida Valli obtained the Golden Lion award for her career.Name used in billingWhen Valli came to the United States, she was billed by only her last name to make her sound even more exotic. In 1951, she complained that she disliked the single-name reference. I feel silly going around with only one name, she said. People get me mixed up with Rudy Vallee.Personal lifeHer teenage love, Carlo Cugnasca, was a famous Italian aerobatic pilot. He served as a fighter pilot with the Regia Aeronautica and was killed during a mission over British-held Tobruk on 14 April 1941.Vallis movie career suffered in 1953 from a scandal surrounding the death of Wilma Montesi, whose body was found on a public beach near Ostia, prolonged investigations resulted, involving allegations of drug and sex orgies in Roman society. Among the accused – all of whom were acquitted, leaving the case unsolved – was Vallis lover, jazz musician Piero Piccioni (son of the Italian Minister of Foreign Affairs).Valli married Oscar de Mejo in 1943 and filed for divorce from him in 1949, but they reconciled. She had two sons with him.
Summary
Wikipedia Source: Alida Valli