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Anton Chekhov Net Worth
How rich is Anton Chekhov? For this question we spent 14 hours on research (Wikipedia, Youtube, we read books in libraries, etc) to review the post.
The main source of income: Authors
Total Net Worth at the moment 2024 year – is about $55 Million.
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Biography
Anton Chekhov information Birth date: January 29, 1860 Death date: 0001-07-15 Birth place: Taganrog, Russian Empire [now Rostov Oblast, Russia] Profession:Writer Education:I.M. Sechenov First Moscow State Medical University Nationality:Russian Spouse:Olga Knipper
Height, Weight:
How tall is Anton Chekhov – 1,84m.
How much weight is Anton Chekhov – 74kg
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Biography,Childhood Birth house of Anton ChekhovYoung Chekhov in 1882The Taganrog Boys Gymnasium in the late 19th century. The cross on top is no longer present.Portrait of young Chekhov in country clothesYoung Chekhov (left) with brother Nikolai in 1882Chekhov family and friends in 1890. (Top row, left to right) Ivan, Alexander, Father, (second row) unknown friend, Lika Mizinova, Masha, Mother, Seryozha Kiselev, (bottom row) Misha, AntonChekhovs classic look: pince-nez, hat and bow-tieMelikhovo, now a museumAnton Chekhov in 1893Osip Braz: Portrait of Anton ChekhovChekhov with Leo Tolstoy at Yalta, 1900Chekhov and Olga, 1901, on their honeymoonAnton Chekhov was born on the feast day of St. Anthony the Great (17 January Old Style) 29 January 1860, the third of six surviving children, in Taganrog, a port on the Sea of Azov in southern Russia. His father, Pavel Yegorovich Chekhov, the son of a former serf and his Ukrainian wife,[12] were from the village Vilkhovatka near Kobeliaky (Poltava Region in modern-day Ukraine) and ran a grocery store. A director of the parish choir, devout Orthodox Christian, and physically abusive father, Pavel Chekhov has been seen by some historians as the model for his sons many portraits of hypocrisy.[13] Chekhovs mother, Yevgeniya (Morozova), was an excellent storyteller who entertained the children with tales of her travels with her cloth-merchant father all over Russia.[14][15][16] Our talents we got from our father, Chekhov remembered, but our soul from our mother.[17] In adulthood, Chekhov criticised his brother Alexanders treatment of his wife and children by reminding him of Pavels tyranny: Let me ask you to recall that it was despotism and lying that ruined your mothers youth. Despotism and lying so mutilated our childhood that its sickening and frightening to think about it. Remember the horror and disgust we felt in those times when Father threw a tantrum at dinner over too much salt in the soup and called Mother a fool.[18][19]Chekhov attended the Greek School in Taganrog and the Taganrog Gymnasium (since renamed the Chekhov Gymnasium), where he was kept down for a year at fifteen for failing an examination in Ancient Greek.[20] He sang at the Greek Orthodox monastery in Taganrog and in his fathers choirs. In a letter of 1892, he used the word suffering to describe his childhood and recalled:When my brothers and I used to stand in the middle of the church and sing the trio May my prayer be exalted, or The Archangels Voice, everyone looked at us with emotion and envied our parents, but we at that moment felt like little convicts.[21]He later became an atheist.[22][23][24]In 1876, Chekhovs father was declared bankrupt after overextending his finances building a new house, having been cheated by a contractor called Mironov.[25] To avoid debtors prison he fled to Moscow, where his two eldest sons, Alexander and Nikolay, were attending university. The family lived in poverty in Moscow, Chekhovs mother physically and emotionally broken by the experience.[26] Chekhov was left behind to sell the familys possessions and finish his education.Chekhov remained in Taganrog for three more years, boarding with a man called Selivanov who, like Lopakhin in The Cherry Orchard, had bailed out the family for the price of their house.[27] Chekhov had to pay for his own education, which he managed by private tutoring, catching and selling goldfinches, and selling short sketches to the newspapers, among other jobs.[28] He sent every ruble he could spare to his family in Moscow, along with humorous letters to cheer them up.[28] During this time, he read widely and analytically, including the works of Cervantes, Turgenev, Goncharov, and Schopenhauer,[29][30] and wrote a full-length comic drama, Fatherless, which his brother Alexander dismissed as an inexcusable though innocent fabrication.[31] Chekhov also enjoyed a series of love affairs, one with the wife of a teacher.[28]In 1879, Chekhov completed his schooling and joined his family in Moscow, having gained admission to the medical school at I.M. Sechenov First Moscow State Medical University.[32]Early writingsChekhov now assumed responsibility for the whole family.[33] To support them and to pay his tuition fees, he wrote daily short, humorous sketches and vignettes of contemporary Russian life, many under pseudonyms such as Antosha Chekhonte (Антоша Чехонте) and Man without a Spleen (Человек без селезенки). His prodigious output gradually earned him a reputation as a satirical chronicler of Russian street life, and by 1882 he was writing for Oskolki (Fragments), owned by Nikolai Leykin, one of the leading publishers of the time.[34] Chekhovs tone at this stage was harsher than that familiar from his mature fiction.[35][36]In 1884, Chekhov qualified as a physician, which he considered his principal profession though he made little money from it and treated the poor free of charge.[37]In 1884 and 1885, Chekhov found himself coughing blood, and in 1886 the attacks worsened, but he would not admit his tuberculosis to his family or his friends.[17] He confessed to Leykin, I am afraid to submit myself to be sounded by my colleagues.[38] He continued writing for weekly periodicals, earning enough money to move the family into progressively better accommodations.Early in 1886 he was invited to write for one of the most popular papers in St. Petersburg, Novoye Vremya (New Times), owned and edited by the millionaire magnate Alexey Suvorin, who paid a rate per line double Leykins and allowed Chekhov three times the space.[39] Suvorin was to become a lifelong friend, perhaps Chekhovs closest.[40][41]Before long, Chekhov was attracting literary as well as popular attention. The sixty-four-year-old Dmitry Grigorovich, a celebrated Russian writer of the day, wrote to Chekhov after reading his short story The Huntsman that[42] You have real talent, a talent that places you in the front rank among writers in the new generation. He went on to advise Chekhov to slow down, write less, and concentrate on literary quality.Chekhov replied that the letter had struck him like a thunderbolt and confessed, I have written my stories the way reporters write up their notes about fires — mechanically, half-consciously, caring nothing about either the reader or myself.[43] The admission may have done Chekhov a disservice, since early manuscripts reveal that he often wrote with extreme care, continually revising.[44] Grigorovichs advice nevertheless inspired a more serious, artistic ambition in the twenty-six-year-old. In 1888, with a little string-pulling by Grigorovich, the short story collection At Dusk (V Sumerkakh) won Chekhov the coveted Pushkin Prize for the best literary production distinguished by high artistic worth.[45]Turning pointsIn 1887, exhausted from overwork and ill health, Chekhov took a trip to Ukraine, which reawakened him to the beauty of the steppe.[46] On his return, he began the novella-length short story The Steppe, which he called something rather odd and much too original, and which was eventually published in Severny Vestnik (The Northern Herald).[47] In a narrative that drifts with the thought processes of the characters, Chekhov evokes a chaise journey across the steppe through the eyes of a young boy sent to live away from home, and his companions, a priest and a merchant. The Steppe has been called a dictionary of Chekhovs poetics, and it represented a significant advance for Chekhov, exhibiting much of the quality of his mature fiction and winning him publication in a literary journal rather than a newspaper.[48]In autumn 1887, a theatre manager named Korsh commissioned Chekhov to write a play, the result being Ivanov, written in a fortnight and produced that November.[49] Though Chekhov found the experience sickening and painted a comic portrait of the chaotic production in a letter to his brother Alexander, the play was a hit and was praised, to Chekhovs bemusement, as a work of originality.[50] Although Chekhov did not fully realize it at the time, Chekhovs plays, such as The Seagull (written in 1895), Uncle Vanya (written in 1897), The Three Sisters (written in 1900), and The Cherry Orchard (written in 1903) served as a revolutionary backbone to what is common sense to the medium of acting to this day: an effort to recreate and express the realism of how people truly act and speak with each other and translating it to the stage in order to manifest the human condition as accurately as possible in hopes to make the audience reflect upon their own definition of what it means to be human, warts and all.This philosophy of approaching the art of acting has stood not only steadfast, but as the cornerstone of acting for much of the 20th century to this day. Mikhail Chekhov considered Ivanov a key moment in his brothers intellectual development and literary career.[17] From this period comes an observation of Chekhovs that has become known as Chekhovs gun, a dramatic principle that requires that every element in a narrative be necessary and irreplaceable, and that everything else be removed.[51][52][53]Remove everything that has no relevance to the story. If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off. If its not going to be fired, it shouldnt be hanging there.—?Anton Chekhov[53][54]The death of Chekhovs brother Nikolay from tuberculosis in 1889 influenced A Dreary Story, finished that September, about a man who confronts the end of a life that he realises has been without purpose.[55][56] Mikhail Chekhov, who recorded his brothers depression and restlessness after Nikolays death, was researching prisons at the time as part of his law studies, and Anton Chekhov, in a search for purpose in his own life, himself soon became obsessed with the issue of prison reform.[17]SakhalinIn 1890, Chekhov undertook an arduous journey by train, horse-drawn carriage, and river steamer to the Russian Far East and the katorga, or penal colony, on Sakhalin Island, north of Japan, where he spent three months interviewing thousands of convicts and settlers for a census. The letters Chekhov wrote during the two-and-a-half-month journey to Sakhalin are considered to be among his best.[57] His remarks to his sister about Tomsk were to become notorious.[58][59]Tomsk is a very dull town. To judge from the drunkards whose acquaintance I have made, and from the intellectual people who have come to the hotel to pay their respects to me, the inhabitants are very dull, too.[60]The inhabitants of Tomsk later retaliated by erecting a mocking statue of Chekhov.Chekhov witnessed much on Sakhalin that shocked and angered him, including floggings, embezzlement of supplies, and forced prostitution of women. He wrote, There were times I felt that I saw before me the extreme limits of mans degradation.[61][62] He was particularly moved by the plight of the children living in the penal colony with their parents. For example:On the Amur steamer going to Sakhalin, there was a convict who had murdered his wife and wore fetters on his legs. His daughter, a little girl of six, was with him. I noticed wherever the convict moved the little girl scrambled after him, holding on to his fetters. At night the child slept with the convicts and soldiers all in a heap together.[63]Chekhov later concluded that charity was not the answer, but that the government had a duty to finance humane treatment of the convicts. His findings were published in 1893 and 1894 as Ostrov Sakhalin (The Island of Sakhalin), a work of social science, not literature, that is worthy and informative rather than brilliant.[64][65] Chekhov found literary expression for the Hell of Sakhalin in his long short story The Murder,[66] the last section of which is set on Sakhalin, where the murderer Yakov loads coal in the night while longing for home. Chekhovs writing on Sakhalin is the subject of brief comment and analysis in Haruki Murakamis novel 1Q84.[67] It is also the subject of a poem by the Nobel Prize winner Seamus Heaney, Chekhov on Sakhalin (collected in the volume Station Island).[68]MelikhovoIn 1892, Chekhov bought the small country estate of Melikhovo, about forty miles south of Moscow, where he lived with his family until 1899 . Its nice to be a lord, he joked to his friend Ivan Leontyev (who wrote humorous pieces under the pseudonym Shcheglov),[21] but he took his responsibilities as a landlord seriously and soon made himself useful to the local peasants. As well as organising relief for victims of the famine and cholera outbreaks of 1892, he went on to build three schools, a fire station, and a clinic, and to donate his medical services to peasants for miles around, despite frequent recurrences of his tuberculosis.[13][37][69]Mikhail Chekhov, a member of the household at Melikhovo, described the extent of his brothers medical commitments:From the first day that Chekhov moved to Melikhovo, the sick began flocking to him from twenty miles around. They came on foot or were brought in carts, and often he was fetched to patients at a distance. Sometimes from early in the morning peasant women and children were standing before his door waiting.[70]Chekhovs expenditure on drugs was considerable, but the greatest cost was making journeys of several hours to visit the sick, which reduced his time for writing.[71] However, Chekhovs work as a doctor enriched his writing by bringing him into intimate contact with all sections of Russian society: for example, he witnessed at first hand the peasants unhealthy and cramped living conditions, which he recalled in his short story Peasants. Chekhov visited the upper classes as well, recording in his notebook: Aristocrats? The same ugly bodies and physical uncleanliness, the same toothless old age and disgusting death, as with market-women.[72]In 1894, Chekhov began writing his play The Seagull in a lodge he had built in the orchard at Melikhovo. In the two years since he had moved to the estate, he had refurbished the house, taken up agriculture and horticulture, tended the orchard and the pond, and planted many trees, which, according to Mikhail, he looked after … as though they were his children. Like Colonel Vershinin in his Three Sisters, as he looked at them he dreamed of what they would be like in three or four hundred years.[17]The first night of The Seagull, at the Alexandrinsky Theatre in St. Petersburg on 17 October 1896, was a fiasco, as the play was booed by the audience, stinging Chekhov into renouncing the theatre.[73] But the play so impressed the theatre director Vladimir Nemirovich-Danchenko that he convinced his colleague Konstantin Stanislavski to direct a new production for the innovative Moscow Art Theatre in 1898.[74] Stanislavskis attention to psychological realism and ensemble playing coaxed the buried subtleties from the text, and restored Chekhovs interest in playwriting.[75] The Art Theatre commissioned more plays from Chekhov and the following year staged Uncle Vanya, which Chekhov had completed in 1896.[76]YaltaIn March 1897, Chekhov suffered a major hemorrhage of the lungs while on a visit to Moscow. With great difficulty he was persuaded to enter a clinic, where the doctors diagnosed tuberculosis on the upper part of his lungs and ordered a change in his manner of life.[77]After his fathers death in 1898, Chekhov bought a plot of land on the outskirts of Yalta and built a villa, into which he moved with his mother and sister the following year. Though he planted trees and flowers, kept dogs and tame cranes, and received guests such as Leo Tolstoy and Maxim Gorky, Chekhov was always relieved to leave his hot Siberia for Moscow or travels abroad. He vowed to move to Taganrog as soon as a water supply was installed there.[78][79] In Yalta he completed two more plays for the Art Theatre, composing with greater difficulty than in the days when he wrote serenely, the way I eat pancakes now. He took a year each over Three Sisters and The Cherry Orchard.[80]On 25 May 1901, Chekhov married Olga Knipper quietly, owing to his horror of weddings. She was a former protegee and sometime lover of Nemirovich-Danchenko whom he had first met at rehearsals for The Seagull.[81][82][83] Up to that point, Chekhov, known as Russias most elusive literary bachelor,[84] had preferred passing liaisons and visits to brothels over commitment.[85] He had once written to Suvorin:By all means I will be married if you wish it. But on these conditions: everything must be as it has been hitherto — that is, she must live in Moscow while I live in the country, and I will come and see her … I promise to be an excellent husband, but give me a wife who, like the moon, wont appear in my sky every day.[86]The letter proved prophetic of Chekhovs marital arrangements with Olga: he lived largely at Yalta, she in Moscow, pursuing her acting career. In 1902, Olga suffered a miscarriage, and Donald Rayfield has offered evidence, based on the couples letters, that conception may have occurred when Chekhov and Olga were apart, although Russian scholars have rejected that claim.[87][88] The literary legacy of this long-distance marriage is a correspondence that preserves gems of theatre history, including shared complaints about Stanislavskis directing methods and Chekhovs advice to Olga about performing in his plays.[89]In Yalta, Chekhov wrote one of his most famous stories,[90] The Lady with the Dog[91] (also translated from the Russian as Lady with Lapdog),[92] which depicts what at first seems a casual liaison between a cynical married man and an unhappy married woman who meet while vacationing in Yalta. Neither expects anything lasting from the encounter. Unexpectedly though, they gradually fall deeply in love and end up risking scandal and the security of their family lives. The story masterfully captures their feelings for each other, the inner transformation undergone by the disillusioned male protagonist as a result of falling deeply in love, and their inability to resolve the matter by either letting go of their families or of each other.[93]DeathBy May 1904, Chekhov was terminally ill with tuberculosis. Mikhail Chekhov recalled that everyone who saw him secretly thought the end was not far off, but the nearer [he] was to the end, the less he seemed to realise it.[17] On 3 June, he set off with Olga for the German spa town of Badenweiler in the Black Forest, from where he wrote outwardly jovial letters to his sister Masha, describing the food and surroundings, and assuring her and his mother that he was getting better. In his last letter, he complained about the way German women dressed.[94]Chekhovs death has become one of the great set pieces of literary history,[95] retold, embroidered, and fictionalised many times since, notably in the short story Errand by Raymond Carver. In 1908, Olga wrote this account of her husbands last moments:Anton sat up unusually straight and said loudly and clearly (although he knew almost no German): Ich sterbe (Im dying). The doctor calmed him, took a syringe, gave him an injection of camphor, and ordered champagne. Anton took a full glass, examined it, smiled at me and said: Its a long time since I drank champagne. He drained it and lay quietly on his left side, and I just had time to run to him and lean across the bed and call to him, but he had stopped breathing and was sleeping peacefully as a child …[96]Chekhovs body was transported to Moscow in a refrigerated railway car meant for oysters, a detail that offended Gorky.[97] Some of the thousands of mourners followed the funeral procession of a General Keller by mistake, to the accompaniment of a military band.[98] Chekhov was buried next to his father at the Novodevichy Cemetery.[99][100]
Summary
Wikipedia Source: Anton Chekhov