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Paul Whiteman Net Worth
How rich is Paul Whiteman? For this question we spent 30 hours on research (Wikipedia, Youtube, we read books in libraries, etc) to review the post.
The main source of income: Musicians
Total Net Worth at the moment 2024 year – is about $165,6 Million.
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Biography
Paul Whiteman information Birth date: 1890-03-28 Death date: 1967-12-29 Birth place: Denver, Colorado, U.S.
Height, Weight:
How tall is Paul Whiteman – 1,83m.
How much weight is Paul Whiteman – 51kg
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Wiki
Biography,Early life and careerWhiteman was born in Denver, Colorado. He came from a musical family: his mother Elfrida was a former opera singer, and his father, Wilburforce James Whiteman was the supervisor of music for the Denver Public Schools, a position he held for fifty years. His father insisted that he learn an instrument, preferably the violin. But young Paul preferred the viola, and that was what he learned to play.His skill at playing the viola led him to an opportunity to perform in the Denver Symphony Orchestra, he was a member from 1907, and in the San Francisco Symphony Orchestra from 1914. From 1917 to 1918, Whiteman conducted a 40-piece U.S. Navy band. After the war, he formed the Paul Whiteman Orchestra.Moreover, with his classical violinist and violist start, he led a jazz-influenced dance band, which became popular locally in San Francisco, California in 1918. In 1920 he moved with his band to New York City where they started recording for the Victor Talking Machine Company which made the Paul Whiteman Orchestra famous nationally. (In his first five recordings sessions for Victor, August 9 – October 28, 1920, Whiteman used the name Paul Whiteman and His Ambassador Orchestra, presumably because he had been playing at the Ambassador Hotel in Atlantic City, from November 3, 1920, he started using Paul Whiteman and His Orchestra.)Whiteman became the most popular band director of that decade. In a time when most dance bands consisted of six to ten men, Whiteman directed a much larger and more imposing group of up to 35 musicians. By 1922, Whiteman already controlled some 28 ensembles on the East Coast and was earning over a $1,000,000 a year.Whiteman recorded Hoagy Carmichael singing and playing Washboard Blues to the accompaniment of his orchestra in 1927.[11] In May 1928 Whiteman signed with Columbia Records, and recorded for the label until September 1931, when he returned to RCA Victor. He would remain with Victor until March 1937. In the early 1960s, he played in Las Vegas before retiring.The King of JazzPlay mediaPaul Whiteman in Scheveningen (1926)The members of Whitemans Orchestra in 1930In the 1920s the media referred to Whiteman as The King of Jazz.[12] Whiteman emphasized the way he had approached the already well-established style of music, while also organizing its composition and style in his own fashion.While most jazz musicians and fans consider improvisation to be essential to the musical style, Whiteman thought the genre could be improved by orchestrating the best of it, with formal written arrangements. There were musicians, such as Eddie Condon, who criticized Whiteman for being a bad influence on the music due to his attempts to make a lady out of jazz. However, Whitemans recordings were still popular critically and successful commercially, and his style of jazz was often the first jazz of any form that many Americans heard during the era. In all, the King of Jazz wrote more than 3000 arrangements.[13]For more than 30 years Whiteman, referred to as Pops, sought and encouraged musicians, vocalists, composers, arrangers, and entertainers who looked promising. In 1924 Whiteman commissioned George Gershwins Rhapsody in Blue, which was premiered by Whitemans orchestra with George Gershwin at the piano. Another familiar piece in Whitemans repertoire was Grand Canyon Suite, by Ferde Grofe.Whiteman hired many of the best jazz musicians for his band, including Bix Beiderbecke, Frankie Trumbauer, Joe Venuti, Eddie Lang, Steve Brown, Mike Pingitore, Gussie Mueller, Wilbur Hall (billed by Whiteman as Willie Hall), Jack Teagarden, and Bunny Berigan. He encouraged upcoming African American musical talents and initially planned to hire black musicians, but Whitemans management eventually persuaded him that doing so would be career suicide due to racial tension and Americas segregation of that time. However, Whiteman crossed racial lines behind-the-scenes, hiring black arrangers like Fletcher Henderson and engaging in mutually beneficial efforts with recording sessions and scheduling of tours.[citation needed]In late 1926 Whiteman signed three candidates for his orchestra: Bing Crosby, Al Rinker, and Harry Barris. Whiteman billed the singing trio as The Rhythm Boys. Crosbys prominence in the Rhythm Boys helped launch his career as one of the most successful singers of the 20th century. Paul Robeson (1928) and Billie Holiday (1942) also recorded with the Paul Whiteman Orchestra. Whiteman had 28 number one records during the 1920s and 32 during his career. At the height of his popularity, eight out of the top ten sheet music sales slots were by the Paul Whiteman Orchestra.[citation needed]He provided music for six Broadway shows and produced more than 600 phonograph recordings.[13] His recording of Jose Padillas Valencia topped the charts for 11 weeks, beginning March 30, 1926, becoming the #1 record of 1926.[14]Whiteman signed singer Mildred Bailey in 1929 to appear on his radio program. She first recorded with the Whiteman Orchestra in 1931.[citation needed]Jazz musician and leader of the Mound City Blue Blowers Red McKenzie and cabaret singer Ramona Davies (billed as Ramona and her Grand Piano) joined the Whiteman group in 1932. The Kings Jesters were with Paul Whiteman in 1931. In 1933, Whiteman had a #2 hit on the Billboard charts with Ann Ronells Willow Weep for Me.[15]In 1934 Paul Whiteman had his last two #1 hits, Smoke Gets in Your Eyes, with vocals by Bob Lawrence, which was #1 for six weeks, and Wagon Wheels, which was #1 for one week, his final number one pop hit. From 1920 to 1934 Whiteman had 32 #1 recordings, charting 28 of them by 1929. By contrast, during the same period, the 1920s Jazz Age, Louis Armstrong had none.[citation needed]In 1942 Whiteman began recording for Capitol Records, cofounded by songwriters Buddy DeSylva and Johnny Mercer and music store owner Glenn Wallichs. Whiteman and His Orchestras recordings of I Found a New Baby and The General Jumped At Dawn was the labels first single release.[16] Another notable Capitol record he made is the 1942 Travlin Light featuring Billie Holiday (billed as Lady Day, due to her being under contract with another label).[16]Personal lifeWhiteman was married four times, to Nellie Stack in 1908, to Miss Jimmy Smith, to Mildred Vanderhoff in 1922. He had a son, Paul Whiteman, Jr., with Mildred Vanderhoff. In 1931 Whiteman married motion picture actress Margaret Livingston following his divorce from Vanderhoff that same year. They had three daughters, Margo, Julie, and Jan. The marriage to Livingston lasted until his death.[citation needed]Whiteman lived at Walking Horse Farm near the village of Rosemont in Delaware Township, Hunterdon County, New Jersey from 1938 to 1959. After selling the farm to agriculturalist Lloyd Wescott, Whiteman moved to New Hope, Pennsylvania, for his remaining years.[17][18][19] He died of a heart attack on December 29, 1967 in Doylestown, Pennsylvania, aged 77.[20]
Summary
Wikipedia Source: Paul Whiteman