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Raymond Briggs Net Worth – Short bio, age, height, weight

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January 1, 2020

Raymond Briggs Net Worth

How much is Raymond Redvers Briggs worth? For this question we spent 9 hours on research (Wikipedia, Youtube, we read books in libraries, etc) to review the post.

The main source of income: Authors
Total Net Worth at the moment 2021 year – is about $222,8 Million.

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Raymond Redvers Briggs information Birth date: January 18, 1934 Birth place: Wimbledon, London, United Kingdom Profession:Writer, Actor Partner:Liz Spouse:Jean Briggs (m. ?–1973) Parents:Ethel Briggs, Ernest Briggs Movies:The Snowman and the Snowdog, The Snowman, When the Wind Blows, The Bear, Father Christmas, Ivor the Invisible

Height, Weight

:How tall is Raymond Briggs – 1,64m.
How much weight is Raymond Briggs – 73kg

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Raymond Briggs Net Worth
Raymond Briggs Net Worth
Raymond Briggs Net Worth
Raymond Briggs Net Worth

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Raymond Redvers Briggs (born 18 January 1934) is an English illustrator, cartoonist, graphic novelist and author who has achieved critical and popular success among adults and children. He is best known in Britain for his story The Snowman, a book without words whose cartoon adaptation is televised and whose musical adaptation is staged every Christmas.Briggs won the 1966 and 1973 Kate Greenaway Medals from the British Library Association, recognising the year&#39, s best children&#39, s book illustration by a British subject. For the 50th anniversary of the Medal (1955–2005), a panel named Father Christmas (1973) one of the top-ten winning works, which composed the ballot for a public election of the nation&#39, s favourite.For his contribution as a children&#39, s illustrator Briggs was a runner-up for the Hans Christian Andersen Award in 1984.
Biography,Raymond Briggs was born in Wimbledon, Surrey, England, to parents Ernest (1900-1971), a milkman, and Ethel Briggs (1895-1971), a former ladys maid-turned-housewife. He attended Rutlish School, then a grammar school, pursued cartooning from an early age and, despite his fathers attempts to discourage him from this unprofitable pursuit, attended the Wimbledon School of Art from 1949 to 1953 to study painting, and Central School of Art to study typography.From 1953 to 1955 he was a conscript in the Royal Corps of Signals at Catterick where he was made a draughtsman. After these two years of National Service, he returned to the study of painting at Slade School of Fine Art at University College, London, graduating in 1957.After briefly pursuing painting, he became a professional illustrator, and soon began working in childrens books. In 1958, he illustrated Peter and the Piskies: Cornish Folk and Fairy Tales, a fairy tale anthology by Ruth Manning-Sanders that was published by Oxford University Press. They would collaborate again for the Hamish Hamilton book of magical beasts (Hamilton, 1966). In 1961, Briggs began teaching illustration part-time at Brighton School of Art, which he continued until 1986. He was a commended runner-up for the 1964 Kate Greenaway Medal (Fee Fi Fo Fum, a collection of nursery rhymes)[11][a] and won the 1966 Medal for illustrating a Hamilton edition of Mother Goose. According to a retrospective presentation by the librarians, The Mother Goose Treasury is a collection of 408 traditional and well loved poems and nursery rhymes, illustrated with over 800 colour pictures by a young Raymond Briggs.The first three important works that Briggs both wrote and illustrated were in comics format rather than the separate text and illustrations typical of childrens books, all three were published by Hamish Hamilton. Father Christmas (1973) and its sequel Father Christmas Goes on Holiday (1975) both feature a curmudgeonly Father Christmas who complains incessantly about the blooming snow. For the former, he won his second Greenaway. Much later they were jointly adapted as a film entitled Father Christmas. The third early Hamilton comics was Fungus the Bogeyman (1977), featuring one day in the life of a working class Bogeyman with the mundane job of scaring human beings.The Snowman (Hamilton, 1978) was entirely wordless, and illustrated with only pencil crayons.[12] Briggs said that it was partly inspired by his previous book, For two years I worked on Fungus, buried amongst muck, slime and words, so… I wanted to do something which was clean, pleasant, fresh and wordless and quick.[13] For that work Briggs was a Highly Commended runner-up for his third Greenaway Medal, no one has won three.[11][a]An American edition was produced by Random House in the same year, for which Briggs won the Boston Globe–Horn Book Award, picture book category. In 1982, it was adapted by British Channel 4 as an animated cartoon, which was nominated for the annual Oscar and has since been shown every year (except 1984) on British television. On Christmas Eve 2012 the 30th anniversary of the original was marked by the airing of the sequel The Snowman and the Snowdog.Briggs continued to work in a similar format, but with more adult content, in Gentleman Jim (1980), a sombre look at the working class trials of Jim and Hilda Bloggs, closely based on his parents. When the Wind Blows (1982) confronted the trusting, optimistic Bloggs couple with the horror of nuclear war, and was praised in the British House of Commons for its timeliness and originality. The topic was inspired after Briggs watched a Panorama documentary on nuclear contingency planning, and the dense format of the page was inspired by a Swiss publishers miniature version of Father Christmas.[14] This book was turned into a two-handed radio play with Peter Sallis in the male lead role, and subsequently an animated film, featuring John Mills and Peggy Ashcroft.[15] The Tin-Pot Foreign General and the Old Iron Woman (1984) was a scathing denunciation of the Falklands War. However, Briggs continued to produce humour for children, in works such as the Unlucky Wally series and The Bear.Briggs won the 1992 Kurt Maschler Award, or the Emil, both for writing and for illustrating The Man, a short graphic novel featuring a boy and a homunculus. The award annually recognised one British childrens book for integration of text and illustration.[16] In 1993, he was named Childrens Author of the Year by the British Book Awards.[citation needed] His graphic novel Ethel & Ernest, which portrayed his parents 41-year marriage, won Best Illustrated Book in the 1999 British Book Awards. In 2016, it was turned into a hand-drawn animated film.His wife Jean, who suffered from schizophrenia, died from leukaemia in 1973, only two years after his parents.[17] They did not have any children.As of 2010, Briggs lives in a small house in Westmeston, Sussex,[18] because of the clutter and lack of light, he kept a separate home from his long-term partner, Liz, her children and grandchildren. Liz died in October 2015 after a long battle with Parkinsons disease. Briggs continues to work on writing and illustrating books.[19]In 2012, he was the first person to be inducted into the British Comic Awards Hall of Fame.[20]

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Bill Brammer Net Worth 2021 Update – Short bio, age, height, weight

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January 1, 2020

Bill Brammer Net Worth

How much is Bill Brammer worth? For this question we spent 6 hours on research (Wikipedia, Youtube, we read books in libraries, etc) to review the post.

The main source of income: Authors
Total Net Worth at the moment 2021 year – is about $210 Million.

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Biography

Bill Brammer information Birth date: April 21, 1929, Dallas, Texas, United States Death date: February 11, 1978, Austin, Texas, United States Profession:Writer Education:University of North TexasBooks:The Gay Place, The Gay Place, Being Three Related Novels

Height, Weight

:How tall is Bill Brammer – 1,62m.
How much weight is Bill Brammer – 88kg

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Bill Brammer Net Worth
Bill Brammer Net Worth
Bill Brammer Net Worth

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William Lee Brammer (April 21, 1929 – February 11, 1978) was an author, journalist, and political staffer in Texas and Washington, D.C.. He is best known for his set of three linked novellas, The Gay Place.
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Edward Behr Net Worth, Bio

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January 1, 2020

Edward Behr Net Worth

How rich is Edward Samuel Behr? For this question we spent 15 hours on research (Wikipedia, Youtube, we read books in libraries, etc) to review the post.

The main source of income: Authors
Total Net Worth at the moment 2021 year – is about $56 Million.

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Edward Samuel Behr information Birth date: May 7, 1926, Paris, France Death date: May 27, 2007, Paris, France Birth place: Paris, France Profession:Writer, Miscellaneous Crew Education:Magdalene College, Cambridge

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:How tall is Edward Behr – 1,81m.
How much weight is Edward Behr – 67kg

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Edward Behr Net Worth
Edward Behr Net Worth
Edward Behr Net Worth
Edward Behr Net Worth

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Clifford Bax Net Worth 2021 Update: Bio, Age, Height, Weight

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January 1, 2020

Clifford Bax Net Worth

How much is Clifford Bax worth? For this question we spent 26 hours on research (Wikipedia, Youtube, we read books in libraries, etc) to review the post.

The main source of income: Authors
Total Net Worth at the moment 2021 year – is about $94,8 Million.

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Biography

Clifford Bax information Birth date: July 13, 1886, Tooting Bec, London, United Kingdom Death date: November 18, 1962, London, United Kingdom Birth place: London, England, UK Profession:Writer, Soundtrack Siblings:Arnold Bax

Height, Weight

:How tall is Clifford Bax – 1,77m.
How much weight is Clifford Bax – 80kg

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Clifford Bax Net Worth
Clifford Bax Net Worth
Clifford Bax Net Worth
Clifford Bax Net Worth

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Clifford Bax (13 July 1886 – 18 November 1962) was a versatile English writer, known particularly as a playwright, a journalist, critic and editor, and a poet, lyricist and hymn writer. He also was a translator (for example, of Goldoni). The composer Arnold Bax was his brother, and set some of his words to music.
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Carl Barks Net Worth 2021 Update – Short bio, age, height, weight

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January 1, 2020

Carl Barks Net Worth

How rich is Carl Barks? For this question we spent 23 hours on research (Wikipedia, Youtube, we read books in libraries, etc) to review the post.

The main source of income: Authors
Total Net Worth at the moment 2021 year – is about $161,7 Million.

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Biography

Carl Barks information Birth date: March 27, 1901, Merrill, Oregon, United States Death date: August 25, 2000, Grants Pass, Oregon, United States Birth place: Merrill, Oregon, USA Profession:Writer, Animation Department Spouse:Margaret Wynnfred Williams (m. 1954–1993), Clara Balken (m. 1938–1951), Pearl Turner (m. 1921–1930) Children:Dorothy Barks, Peggy Barks

Height, Weight

:How tall is Carl Barks – 1,66m.
How much weight is Carl Barks – 50kg

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Carl Barks Net Worth
Carl Barks Net Worth
Carl Barks Net Worth
Carl Barks Net Worth

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Carl Barks (March 27, 1901 – August 25, 2000) was an American cartoonist, author, and painter. He is best known for his comics about Donald Duck and as the creator of Scrooge McDuck. He worked anonymously until late in his career, fans dubbed him The Duck Man and The Good Duck Artist. In 1987, Barks was one of the three inaugural inductees of the Will Eisner Comic Book Hall of Fame.Barks worked for the Disney Studio and Western Publishing where he created Duckburg and many of its inhabitants, such as Scrooge McDuck (1947), Gladstone Gander (1948), the Beagle Boys (1951), The Junior Woodchucks (1951), Gyro Gearloose (1952), Cornelius Coot (1952), Flintheart Glomgold (1956), John D. Rockerduck (1961) and Magica De Spell (1961). Cartoonist Will Eisner called him the Hans Christian Andersen of comic books.
Biography,Barks was born in Merrill, Oregon to William Barks and his wife Arminta Johnson. He had an older brother named Clyde. His paternal grandparents were David Barks and his wife Ruth Shrum. His maternal grandparents were Carl Johnson and his wife Suzanna Massey, but little else is known about his ancestors. Barks was the descendant of Jacob Barks who came to Missouri from North Carolina around 1800. They lived in Marble Hill in Bollinger County. Jacob Barks son Isaac was the father of the David Barks noted above.ChildhoodAccording to Barks description of his childhood, he was a rather lonely child. His parents owned one square mile (2.6 km?) of land that served as their farm. The nearest neighbor lived half a mile (800 m) away, but he was more an acquaintance to Barks parents than a friend. The closest school was about two miles (3 km) away and Barks had to walk that distance every day. The rural area had few children, though, and Barks later remembered that his school had only about eight or ten students including him. He had high praise for the quality of the education he received in that small school. Schools were good in those days, he used to say. The lessons lasted from nine oclock in the morning to four oclock in the afternoon and then he had to return to the farm. There he remembered not having anybody to talk to, as his parents were busy and he had little in common with his brother.In 1908, William Barks (in an attempt to increase the family income) moved with his family to Midland, Oregon, some miles north of Merrill, to be closer to the new railway lines. He established a new stock-breeding farm and sold his produce to the local slaughterhouses.Nine-year-old Clyde and seven-year-old Carl worked long hours there. But Carl later remembered that the crowd which gathered at Midlands market place made a strong impression on him. This was expected, as he was not used to crowds up until then. According to Barks, his attention was mostly drawn to the cowboys that frequented the market with their revolvers, strange nicknames for each other and sense of humor.By 1911, they had been successful enough to move to Santa Rosa, California. There they started cultivating vegetables and set up some orchards. Unfortunately, the profits were not as high as William expected and they started having financial difficulties. Williams anxiety over them was probably what caused his first nervous breakdown.As soon as William recovered, he made the decision to move back to Merrill. The year was 1913, and Barks was already 12 years old, but, due to the constant moving, he had not yet managed to complete grade school. He resumed his education at this point and finally managed to graduate in 1916.1916 served as a turning point in Barks life for various reasons. First, Arminta, his mother, died in this year. Second, his hearing problems, which had already appeared earlier, had at the time become severe enough for him to have difficulties listening to his teachers talking. His hearing would continue to get worse later, but at that point he had not yet acquired a hearing aid. Later in life, he couldnt do without one. Third, the closest high school to their farm was five miles (8 km) away and even if he did enroll in it, his bad hearing was likely to contribute to his learning problems. He had to decide to stop his school education, much to his disappointment.From job to jobBarks started taking various jobs but had little success in such occupations as a farmer, woodcutter, turner, mule driver, cowboy and printer. From his jobs he learned, he later averred, how eccentric, stubborn and unpredictable men, animals and machines can be. At the same time he interacted with colleagues, fellow breadwinners who had satirical disposition towards even their worst troubles. Barks later declared that he was sure that if not for a little humor in their troubled lives, they would certainly go insane. It was an attitude towards life that Barks would adopt. Later he would say it was natural for him to satirize the secret yearnings and desires, the pompous style and the disappointments of his characters. According to Barks, this period of his life would later influence his best known fictional characters: Walt Disneys Donald Duck and his own Scrooge McDuck.Donalds drifting from job to job was reportedly inspired by Barks own experiences. So was his usual lack of success. And even in those that he was successful this would be temporary, just until a mistake or chance event caused another failure, another disappointment for the frustrated duck. Barks also reported that this was another thing he was familiar with.Scrooges main difference to Donald, according to Barks, was that he too had faced the same difficulties in his past but through intelligence, determination and hard work, he was able to overcome them. Or, as Scrooge himself would say to Huey, Dewey and Louie: by being tougher than the toughies and smarter than the smarties. In Barkss stories Scrooge would work to solve his many problems, even though the stories would often point out that his constant efforts seemed futile at the end. In addition, Scrooge was quite similar to his creator in appearing often to be as melancholic, introspective and secretive as he was.Through both characters Barks would often exhibit his rather sarcastic sense of humor. It seems that this difficult period for the artist helped shape many of his later views in life that were expressed through his characters.Professional artistAt the same time Barks had started thinking about turning a hobby that he always enjoyed into a profession: that of drawing. Since his early childhood he spent his free time by drawing on any material he could find. He had attempted to improve his style by copying the drawings of his favorite comic strip artists from the newspapers where he could find them. As he later said, he wanted to create his own facial expressions, figures and comical situations in his drawings but wanted to study the master comic artists use of the pen and their use of color and shading.Among his early favorites were Winsor McCay (mostly known for Little Nemo) and Frederick Burr Opper (mostly known for Happy Hooligan) but he would later study any style that managed to draw his attention.At 16 he was mostly self-taught but at this point he decided to take some lessons through correspondence. He only followed the first four lessons and then had to stop because his working left him with little free time. But as he later said, the lessons proved very useful in improving his style.By December 1918, he left his fathers home to attempt to find a job in San Francisco, California. He worked for a while in a small publishing house while attempting to sell his drawings to newspapers and other printed material with little success.First and second marriagesWhile he continued drifting through various jobs, he met Pearl Turner (1904–1987). In 1921 they married and had two daughters:Peggy Barks, born in 1923 and deceased in 1963.Dorothy Barks, born in 1924.In 1923 he returned to his paternal farm in Merrill in an attempt to return to the life of a farmer, but that ended soon. He continued searching for a job while attempting to sell his drawings. He soon managed to sell some of them to Judge magazine and then started having success submitting to the Minneapolis-based Calgary Eye-Opener, a racy mens cartoon magazine of the era. He was eventually hired as editor and scripted and drew most of the contents while continuing to sell occasional work to other magazines. His salary of 90 dollars a month was considered respectable enough for the time. A facsimile of one of the racy magazines he did cartoons for in this period, Coo Coo #1, was published by Hamilton Comics in 1997.Meanwhile, he had his first divorce. He and Pearl were separated in 1929 and divorced in 1930. After he moved to Minneapolis, Minnesota, where Calgary-Eye-Opener had its offices he met Clara Balken who in 1938 became his second wife.DisneyIn November 1935, when he learned that Walt Disney was seeking more artists for his studio, Barks decided to apply. He was approved for a try-out which entailed a move to Los Angeles, California. He was one of two in his class of trainees who was hired. His starting salary was 20 dollars a week. He started at Disney Studios in 1935, more than a year after the debut of Donald Duck on June 9, 1934 in the short animated film The Wise Little Hen.Barks initially worked as an inbetweener. This involved being teamed and supervised by one of the head animators who did the key poses of character action (often known as extremes) for which the inbetweeners did the drawings between the extremes to create the illusion of movement. While an inbetweener, Barks submitted gag ideas for cartoon story lines being developed and showed such a knack for creating comical situations that by 1937 he was transferred to the story department. His first story sale was the climax of Modern Inventions, for a sequence where a robot barber chair gives Donald Duck a haircut on his bottom.In 1937 when Donald Duck became the star of his own series of cartoons instead of co-starring with Mickey Mouse and Goofy as previously, a new unit of storymen and animators was created devoted solely to this series. Though he originally just contributed gag ideas to some duck cartoons by 1937 Barks was (principally with partner Jack Hannah) originating story ideas that were storyboarded and (if approved by Walt) put into production. He collaborated on such cartoons as Donalds Nephews (1938), Donalds Cousin Gus (1939), Mr. Duck Steps Out (1940),Timber (1941), The Vanishing Private (1942) and The Plastics Inventor (1944).The Good Duck ArtistOmelet opening pageUnhappy at the emerging wartime working conditions at Disney, and bothered by ongoing sinus problems caused by the studios air conditioning, Barks quit in 1942. Shortly before quitting, he moonlighted as a comic book artist, contributing half the artwork for a one-shot comic book (the other half of the art being done by story partner Jack Hannah) titled Donald Duck Finds Pirate Gold. This 64-page story was adapted by Donald Duck comic strip writer Bob Karp from an unproduced feature, and published in October 1942 in Dell Comics Four Color Comics #9. It was the first Donald Duck story originally produced for an American comic book and also the first involving Donald and his nephews in a treasure hunting expedition, in this case for the treasure of Henry Morgan. Barks would later use the treasure hunting theme in many of his stories. This actually was not his first work in comics, as earlier the same year Barks along with Hannah and fellow storyman Nick George scripted Pluto Saves the Ship, which was among the first original Disney comic book stories published in the United States.After quitting the Disney Studio, Barks relocated to the Hemet/San Jacinto area in the semi-desert inland empire region east of Los Angeles where he hoped to start a chicken farm.When asked which of his stories was a favorite in several interviews Barks cited the ten-pager in Walt Disneys Comics and Stories #146 (Nov. 1952) in which Donald tells the story of the chain of unfortunate events that took place when he owned a chicken farm in a town which subsequently was renamed Omelet. Likely one reason it was a favorite is that it was inspired by Barks own experiences in the poultry business.But to earn a living in the meantime he inquired whether Western Publishing, which had published Pirate Gold, had any need for artists for Donald Duck comic book stories. He was immediately assigned to illustrate the script for a ten-page Donald Duck story for the monthly Walt Disneys Comics and Stories. At the publishers invitation he revised the storyline and the improvements impressed the editor sufficiently to invite Barks to try his hand at contributing both the script and the artwork of his follow-up story. This set the pattern for Barks career in that (with rare exceptions) he provided art (pencil, inking, solid blacks and lettering) and scripting for his stories.The Victory Garden, that initial ten-page story published in April, 1943 was the first of about 500 stories featuring the Disney ducks Barks would produce for Western Publishing over the next three decades, well into his purported retirement. These can be mostly divided into three categories:One-page gag stories like Coffee for Two and Sorry to be Safe. These one-pagers were usually printed in black and white (or black and white and red) on the inside front, inside back, and outside back covers. These stories focused on one joke.Ten-pagers, comedic Donald Duck stories that were the lead for the monthly flagship title Walt Disneys Comics and Stories, whose circulation peaked in the mid-1950s at 3 million copies sold a month.Humorous adventure stories, usually 24-32 pages in length. In the 1940s these were one-shots in the Four Color series (issued 4–6 times a year) that starred Donald and his nephews. Starting in the early 1950s (and through his retirement) Barks longer stories were almost exclusively published in Uncle Scrooges own quarterly title.Barks artistic growth during his first decade in comics saw a transformation from rather rudimentary storytelling derived from his years as an animation artist and storyman into a virtuoso creator of complex narratives, notably in his longer adventure tales. According to critic Geoffrey Blum, the process that saw its beginnings in 1942s Pirate Gold first bore its full fruit in 1950s Vacation Time, which he describes as a visual primer for reading comics and understanding… the form….He surrounded Donald Duck and nephews Huey, Dewey and Louie with a cast of eccentric and colorful characters, such as the aforementioned Scrooge McDuck, the wealthiest duck in the world, Gladstone Gander, Donalds obscenely lucky cousin, inventor Gyro Gearloose, the persistent Beagle Boys, the sorceress Magica De Spell, Scrooges rivals Flintheart Glomgold and John D. Rockerduck, Daisys nieces April, May and June, Donalds neighbor Jones, and The Junior Woodchucks organization.Barkss stories (whether humorous adventures or domestic comedies) often exhibited a wry, dark irony born of hard experience. The ten-pagers showcased Donald as everyman, struggling against the cruel bumps and bruises of everyday life with the nephews often acting as a Greek chorus commenting on the unfolding disasters Donald wrought upon himself. Yet while seemingly defeatist in tone, the humanity of the characters shines through in their persistence despite the obstacles. These stories found popularity not only among young children but adults as well. Despite the fact that Barks had done little traveling his adventure stories often had the duck clan globe-trotting to the most remote or spectacular of places. This allowed Barks to indulge his penchant for elaborate backgrounds that hinted at his thwarted ambitions of doing realistic stories in the vein of Hal Fosters Prince Valiant.Third marriageAs Barks blossomed creatively, his marriage to Clara deteriorated. This is the period referred to in Barks famed quip that he could feel his creative juices flowing while the whiskey bottles hurled at him by a tipsy Clara flew by his head. They were divorced in 1951, his second and last divorce. In this period Barks dabbled in fine art, exhibiting paintings at local art shows. It was at one of these in 1952 he became acquainted with fellow exhibitor Margaret Wynnfred Williams (1917 – March 10, 1993), nicknamed Gare. She was an accomplished landscape artist, some of whose paintings are in the collection of the Leanin Tree Museum of Western Art. During her lifetime, and to this day, note cards of her paintings are available from Leanin Tree. Her nickname appears as a store name in the story Christmas in Duckburg, featured on page 1 of Walt Disney’s Christmas Parade #9, published in 1958. Soon after they met, she started assisting Barks, handling the solid blacks and lettering, both of which he had found onerous. They married in 1954 and the union lasted until her death.No longer anonymousPeople who worked for Disney (and its comic book licensees) generally did so in relative anonymity, stories would only carry Walt Disneys name and (sometimes) a short identification number. Prior to 1960 Barks identity remained a mystery to his readers. However, many readers recognized Barks work and drawing style—he signed many stories with a small image of a barking dog—and began to call him the Good Duck Artist, a label that stuck even after his true identity was discovered by fans in the late 1950s. Malcolm Willits was the first person to learn Barkss name and address, but two brothers named John and Bill Spicer became the first fans to contact Barks after independently discovering the same information. After Barks received a 1960 visit from the Spicer brothers and Ron Leonard, he was no longer anonymous, as word of his identity spread through the emerging network of comic book fandom fanzines and conventions.Later lifeCarl Barks visiting Finland in June, 1994.Carl Barks retired in 1966, but was persuaded by editor Chase Craig to continue to script stories for Western. The last new comic book story drawn by Carl Barks was a Daisy Duck tale (The Dainty Daredevil) published in Walt Disney Comics Digest issue 5 (Nov. 1968). When bibliographer Michael Barrier asked Barks why he drew it, Barks vague recollection was no one was available and he was asked to do it as a favor by Craig.He wrote one Uncle Scrooge story, three Donald Duck stories and from 1970–1974 was the main writer for the Junior Woodchucks comic book (issues 6 through 25). The latter included environmental themes that Barks first explored in 1957 [Land of the Pygmy Indians, Uncle Scrooge #18]. Barks also sold a few sketches to Western that were redrawn as covers. For a time the Barkses lived in Goleta, California before returning to the Inland Empire by moving to Temecula.To make a little extra money beyond what his pension and scripting earnings brought in, Barks started doing oil paintings to sell at the local art shows where he and Gare exhibited. Subjects included humorous depictions of life on the farm and portraits of Native American princesses. These skillfully rendered paintings encouraged fan Glenn Bray to ask Barks if he could commission a painting of the ducks (A Tall Ship and a Star to Steer Her By, taken from the cover of Walt Disneys Comics and Stories #108 by Barks). This prompted Barks to contact George Sherman at Disneys Publications Department to request permission to produce and sell oil paintings of scenes from his stories. In July 1971 Barks was granted a royalty-free license by Disney. When word spread that Barks was taking commissions from those interested in purchasing an oil of the ducks, much to his astonishment the response quickly outstripped what he reasonably could produce in the next few years.Ode to the Disney DucksThey ride tall ships to the far away,and see the long ago.They walk where fabled people trod,and Yetis trod the snow.They meet the folks who live on stars,and find them much like us,With food and love and happinessthe things they most discuss.The world is full of clans and cultsabuzz as angry bees,And Junior Woodchucks snapping jeersat Littlest Chickadees.The ducks show us that part of lifeis to forgive a slight.That black eyes given in revengekeep hatred burning bright.So when our walks in sun or shadepass graveyards filled by wars,Its nice to stop and read of duckswhose battles leave no scars.To read of ducks who parodyour vain attempts at glory,They dont exist, but somehow leaveus glad we bought their story.— Carl Barks, 1999When Barks expressed dismay at coping with the backlog of orders he faced, fan/dealers Bruce Hamilton and Russ Cochran suggested Barks instead auction his paintings at conventions and via Cochrans catalog Graphic Gallery. By September 1974 Barks had discontinued taking commissions.At Bostons NewCon convention, in October 1975, the first Carl Barks oil painting auctioned at a comic book convention (She Was Spangled and Flashy) sold for $2,500. Subsequent offerings saw an escalation in the prices realized.In 1976, Barks and Gare went to Boston for the NewCon show, their first comic convention appearance. Among the other attendees was famed Little Lulu comic book scripter John Stanley, despite both having worked for Western Publishing this was the first time they met. The highlight of the convention was the auctioning of what was to that time the largest duck oil painting Barks had done, July Fourth in Duckburg, which included depictions of several prominent Barks fans and collectors. It sold for a then record high amount: $6,400.Soon thereafter a fan sold unauthorized prints of some of the Scrooge McDuck paintings, leading Disney to withdraw permission for further paintings. To meet demand for new work Barks embarked on a series of paintings of non-Disney ducks and fantasy subjects such as Beowulf and Xerxes. These were eventually collected in the limited-edition book Animal Quackers.As the result of heroic efforts by Star Wars producer Gary Kurtz and screenwriter Edward Summer, Disney relented and in 1981, allowed Barks to do a now seminal oil painting called Wanderers of Wonderlands for a breakthrough limited edition book entitled Uncle Scrooge McDuck: His Life and Times. The book collected 11 classic Barks stories of Uncle Scrooge colored by artist Peter Ledger along with a new Scrooge story by Barks done storybook style with watercolor illustrations, Go Slowly, Sands of Time. After being turned down by every major publisher in New York City, Kurtz and Summer published the book through Celestial Arts, which Kurtz acquired partly for this purpose. The book went on to become the model for virtually every important collection of comic book stories. It was the first book of its kind ever reviewed in Time Magazine and subsequently in Newsweek, and the first book review in Time Magazine with large color illustrations.In 1977 and 1982, Barks attended the San Diego Comic Con. As with his appearance in Boston, the response to his presence was overwhelming, with long lines of fans waiting to meet Barks and get his autograph.In 1981, Bruce Hamilton and Russ Cochran, two long-time Disney comics fans, decided to combine forces to bring greater recognition to the works of Carl Barks. Their first efforts went into establishing Another Rainbow Publishing, the banner under which they produced and issued the award-winning book, The Fine Art of Walt Disney?s Donald Duck by Carl Barks, a comprehensive collection of the Disney duck paintings of this artist and storyteller. Not long after, the company began producing fine art lithographs of many of these paintings, in strictly limited editions, all signed by Barks, who eventually produced many original works for the series.In 1983 Another Rainbow took up the daunting task of collecting the entire Disney comic book ouvre of Barks—over 500 stories in all—in the ten-set, thirty-volume Carl Barks Library. These oversized hardbound volumes reproduced Barks? pages in pristine black and white line art, as close as possible to the way he would originally drawn them, and included mountains of special features, articles, reminiscences, interviews, storyboards, critiques, and more than a few surprises. This monumental project was finally completed in mid-1990.In 1985 a new division was founded, Gladstone Publishing, which took up the then-dormant Disney comic book license. Gladstone introduced a whole new generation of Disney comic book readers to the wondrous storytelling of such luminaries as Barks, Paul Murry, and Floyd Gottfredson, as well as presenting the first works of modern Disney comics masters Don Rosa and William Van Horn. Seven years after Gladstones founding, the Carl Barks Library was revived as the Carl Barks Library in Color, a full-color, high-quality squarebound comic albums (including the first-ever Carl Barks trading cards).Barks relocated one last time to Grants Pass, Oregon near where he grew up, partly at the urging of friend and Broom Hilda artist Russell Myers, who lived in the area. The move also was motivated, Barks stated in another famous quip, by Temecula being too close to Disneyland and thus facilitating a growing torrent of drop-in visits by vacationing fans. In this period Barks made only one public appearance, at a comic book shop near Grants Pass.From 1993 to 1998, Barks career was managed by the Carl Barks Studio (Bill Grandey and Kathy Morby—They had sold Barks original art since 1979). This involved numerous art projects and activities, including a tour of 11 European countries in 1994, Iceland being the first foreign country he ever visited. Barks appeared at the first of many Disneyana conventions in 1993. Silk screen prints of paintings along with high-end art objects (such as original water colors, bronze figurines and ceramic tiles) were produced based on designs by Barks.During the summer of 1994 and until his death, Carl Barks & his studio personally assigned Peter Reichelt, a museum exhibition producer from Mannheim, Germany, as his agent for Europe. Publisher Edition 313 put out numerous lithographs. In 1997, tensions between Barks and the Studio eventually resulted in a lawsuit that was settled with an agreement that included the disbanding of the Studio. Barks never traveled to make another Disney appearance. He was represented by Rev. Ed Bergen, as he completed a final project. Gerry Tank and Jim Mitchell were to assist Barks in his final years.During his Carl Barks Studio years, Barks created two more stories: the script for the final Uncle Scrooge story Horsing Around with History, which was first published in Denmark in 1994 with Bill Van Horn art. The Barks outlines for Barks final Donald Duck story Somewhere in Nowhere, were first published in 1997, in Italy, with art by Pat Block.Austrian artist Gottfried Helnwein curated and organized the first solo museum-exhibition of Carl Barks. Between 1994 and 1998 the retrospective was shown in ten European museums and seen by more than 400,000 visitors.At the same time in spring 1994, Reichelt and Ina Brockmann designed a special museum exhibition tour about Barks life and work. Also represented for the first time at this exhibition were Disney artists Al Taliaferro and Floyd Gottfredson. Since 1995, more than 500,000 visitors have attended the shows in Europe.Reichelt also translated Michael Barriers Biography, of Barks into German and published it in 1994.Final days and deathBarks spent his final years in a new home in Grants Pass, Oregon, which he and Gare, who died in 1993, had built next door to their original home. In July 1999, he was diagnosed with chronic lymphocytic leukemia, a form of cancer arising from the white blood cells in the bone marrow, for which he received oral chemotherapy. However, as the disease progressed, causing him great discomfort, the ailing Barks decided to stop receiving treatment in June 2000. In spite of his terminal condition, Barks remained, according to caregiver Serene Hunicke, funny up to the end.The year before, Barks, an atheist, had told the university professor Donald Ault:I have no apprehension, no fear of death. I do not believe in an afterlife. […] I think of death as total peace. Youre beyond the clutches of all those who would crush you.[11]On August 25, 2000, shortly after midnight, Carl Barks died quietly in his sleep.[12] He was interred in Hillcrest Memorial Cemetery in Grants Pass, beside Gares grave.[13]

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Armenia Balducci Net Worth – Short bio, age, height, weight

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January 1, 2020

Armenia Balducci Net Worth

How rich is Armenia Balducci? For this question we spent 5 hours on research (Wikipedia, Youtube, we read books in libraries, etc) to review the post.

The main source of income: Authors
Total Net Worth at the moment 2021 year – is about $168,7 Million.

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Armenia Balducci information Birth date: March 13, 1933 Birth place: Rome, Lazio, Italy Profession:Writer, Actress, Director

Height, Weight

:How tall is Armenia Balducci – 1,68m.
How much weight is Armenia Balducci – 64kg

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Armenia Balducci Net Worth
Armenia Balducci Net Worth
Armenia Balducci Net Worth
Armenia Balducci Net Worth

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Mikael Erlandsson Net Worth 2021 Update – Short bio, age, height, weight

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January 1, 2020

Mikael Erlandsson Net Worth

Mikael Erlandsson makes how much a year? For this question we spent 14 hours on research (Wikipedia, Youtube, we read books in libraries, etc) to review the post.

The main source of income: Authors
Total Net Worth at the moment 2021 year – is about $28,6 Million.

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Biography

Mikael Erlandsson information Birth date: 1963-01-01

Height, Weight

:How tall is Mikael Erlandsson – 1,67m.
How much weight is Mikael Erlandsson – 51kg

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Mikael Erlandsson Net Worth
Mikael Erlandsson Net Worth
Mikael Erlandsson Net Worth
Mikael Erlandsson Net Worth

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Template:Multiple issuesMikael Erlandsson (born 1963) is a singer, songwriter and keyboardist born in Gothenburg, Sweden. He recorded four solo albums which has also been released in Japan and the Far East. He is also known in Europe since his participation in 2003 Melodifestivalen edition.Since 2002 he has been fronting Swedish/German band Last Autumns Dream and he has been chosen for various AOR projects like Tommy Denanders Radioactive, Northern Light and Heartbreak Radio.
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How rich is Emma Donoghue? Net Worth

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January 1, 2020

Emma Donoghue Net Worth

How much is Emma Donoghue worth? For this question we spent 8 hours on research (Wikipedia, Youtube, we read books in libraries, etc) to review the post.

The main source of income: Authors
Total Net Worth at the moment 2021 year – is about $193,5 Million.

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Biography

Emma Donoghue information Birth date: 1969-10-24 Birth place: Dublin, Ireland Profession:Writer

Height, Weight

:How tall is Emma Donoghue – 1,78m.
How much weight is Emma Donoghue – 82kg

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Emma Donoghue Net Worth
Emma Donoghue Net Worth
Emma Donoghue Net Worth

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Emma Donoghue (born 24 October 1969) is an Irish-born playwright, literary historian and novelist now living in Canada. Her 2010 novel Room was a finalist for the Man Booker Prize and an international best-seller. Donoghues 1995 novel Hood won the Stonewall Book Award and Slammerkin (2000) won the Ferro-Grumley Award for Lesbian Fiction.
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Todd Martin Net Worth 2021 Update: Bio, Age, Height, Weight

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January 1, 2020

Todd Martin Net Worth

How Much money Todd Martin has? For this question we spent 11 hours on research (Wikipedia, Youtube, we read books in libraries, etc) to review the post.

The main source of income: Authors
Total Net Worth at the moment 2021 year – is about $51,3 Million.

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Biography

Todd Martin information Birth date: 1970-07-08 Height:1.98 Weight:93.44 Profession:Writer, Actor

Height, Weight

:How tall is Todd Martin – 1,86m.
How much weight is Todd Martin – 81kg

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Todd Martin Net Worth
Todd Martin Net Worth
Todd Martin Net Worth
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Todd Martin grew up in Irvington, a small town in Kentucky. Thanks to his mother, father, and favorite uncle he started watching horror films at a very young age and has been a horror geek ever since. He is basically a walking encyclopedia of horror flicks (especially the 80s slashers) and has been writing for the biggest majority of his life. …
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Antonio Caballero Net Worth, Bio

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January 1, 2020

Antonio Caballero Net Worth

How Much money Antonio Caballero has? For this question we spent 25 hours on research (Wikipedia, Youtube, we read books in libraries, etc) to review the post.

The main source of income: Authors
Total Net Worth at the moment 2021 year – is about $158,3 Million.

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Antonio Caballero information Birth date: 1967-06-24 Profession:Writer

Height, Weight

:How tall is Antonio Caballero – 1,69m.
How much weight is Antonio Caballero – 83kg

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Antonio Caballero Net Worth
Antonio Caballero Net Worth
Antonio Caballero Net Worth
Antonio Caballero Net Worth

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Antonio Caballero Bravo (born June 24, 1967 in Guip?zcoa) is a retired boxer from Spain, who represented his native country at the 1988 Summer Olympics in Seoul, South Korea. There he was stopped in the second round of the light flyweight division (– 48 kg) by Vietnams Dang Nieu Hu.
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