Danny Tenaglia Net Worth
How rich is Danny Tenaglia? For this question we spent 25 hours on research (Wikipedia, Youtube, we read books in libraries, etc) to review the post.
The main source of income: DJs
Total Net Worth at the moment 2021 year – is about $5 Million.
Danny Tenaglia information Birth date: March 7, 1961 Birth place: Brooklyn, New York City, New York, United States Profession:Disc jockey, Record producer Nationality:United States of America Nominations:Grammy Award for Best Remixed Recording, Non-Classical
:How tall is Danny Tenaglia – 1,71m.
How much weight is Danny Tenaglia – 69kg
Daniel Danny Tenaglia is a New York-based DJ and Grammy nominated record producer.
Biography,Early lifeAt the age of ten, Tenaglia first started to collect records. In 1979, he began going to nightclub Paradise Garage, where DJ Larry Levans genre-less blend of music appealed to him. This was the club model Tenaglia would one day emulate: Levans bold style, the venues plain decor, and the partys warmth and inclusiveness.Tenaglia left New York in 1985 and started DJ-ing in Miami as a resident at Cheers nightclub, playing classic New York and Chicago house. He returned to New York five years later. At this time, he started to create some remixes, including Right Said Freds Im Too Sexy (1991), Jamiroquais Emergency on Planet Earth (1993), and Madonnas Human Nature (1994).DJ careerTenaglias first mainstream success was with a remix of The Daous Surrender Yourself (1993). The title of his 1995 debut artist album on New Yorks Tribal Records described the genre as Hard & Soul. Tenaglia cited his influences ranged from Patti LaBelle to Kraftwerk, with many lesser-known soul, R&B, Latin, samba and disco artists in between.Subsequent to this Tenaglia released three label compilations – Mix This Pussy (1994) and Can Your Pussy Do The Dog? (1995) for Tribal, and Gag Me With A Tune (1996) for Maxi.As a producerIn 1996, after working for a short time at the New York nightclub Roxy, Tenaglia started a Saturday night residency at Twilo, a position that brought him some public attention. Contrary to the music popular in New York at the time, Tenaglia was producing the more minimal, tech-y grooves originating in European production studios. This period produced remixes like Graces Not Over Yet (1996) and Janet Jacksons The Pleasure Principle (1996). In 1998, he moved his residency over to NY club Tunnel.In 1998, Danny released another full-length LP titled Tourism. The album featured the track Elements, an instant classic. With his own warped voice providing the narration, Elements walked the listener through the different components of a dance track in real time, going from kick to drum loop to snare hit, letting each layer over the other until the track exploded with dark, drum-heavy energy. Elements was #1 on the Billboard Dance Chart for two weeks in 1998. Music is the answer featuring Celeda (also on the LP Tourism) was on the top 40 charts in the UK. Next to ostentatious radio anthems, its simplicity was a revelation.The release of his first installment in the UK-based Global Underground series of DJ mixes, titled Athens (2000), lit the international fire. Athens (meant to reflect the set he played at the Greek capitals club King Size) remains one of the darkest, strangest, sexiest sets ever released by Danny. Its tame cover photo of a gentle-looking man in a Yankee cap just didnt seem to fit. DJ dates across Europe dispelled the mystery and started to clue people in as to what Dannys sets were like.Back in New York, Tenaglia was tiring of the cavernous gloom of Tunnel and longed for a weekly home that better resembled where the DJ bug first bit him – the Paradise Garage. He landed at Vinyl, a black-walled, single-environment, no-liquor club about one-quarter the size of Tunnel. He named the night Be Yourself, after the self-affirming, heavy-bottomed vocal track he had recently recorded with Chicagos Celeda. And he took the name to heart: Without the pressure of bar minimums or an expectant crowd, Tenaglia spread his DJ wings. Next to new tracks he played tracks by the artists who inspired him during his youth. If he wanted to launch into a two-hour set of straight-up techno, he did. If he wanted to play old Michael Jackson records, he did. If he wanted to get on the mic and tell the crowd the name of the sound he was about to play, or who next weeks guest opening DJ would be, or just give everyone a verbal handshake to welcome them to the club, he did. And a city tired of drama embraced the barebones, music-centered night.The world caught up to Tenaglia in 2000. His annual party during Miamis Winter Music Conference outgrew its home at the cramped Groovejet and moved to just-opened superclub Space. DJ giants like Carl Cox danced on top of the speakers with the Deep Dish boys, Fatboy Slim mingled on the patio, and for a day the ego inherent to DJ culture evaporated: Tenaglia was hailed as the DJs DJ. His roof-raising revamp of Green Velvets Flash won Best Remix at the UKs Muzik Awards, where he was also awarded the Best International DJ prize.In the two years that followed, Tenaglia released another Global Underground installment titled London, toured the world, took the party island of Ibiza by storm, remixed Billy Nichols Give Your Body Up To The Music (a Garage anthem), got nominated for a Grammy (for his remix of Depeche Modes I Feel Loved, also nominated for Best Dance Song), returned to Twilo for two special gigs – a Presidents Day marathon with Carl Cox that shattered all its attendance records, and the clubs sixth anniversary party with John Digweed, which turned out to be even more meaningful than it seemed at the time (Twilo was shut down permanently a week later), graced the cover of every major dance music magazine, and won a Dancestar Lifetime Achievement award… all while keeping the Be Yourself party buzzing every Friday.In 2003, Danny came full circle with the release of Choice: A Collection Of Classics, a two-CD mixed compilation that let him pay direct tribute to many of the artists who had influenced his sound and style. It featured everyone from Blaze to Adeva to Imagination, as well as hefty liner notes explaining the significance of each track, penned by Danny himself. He also remixed another Garage classic (Yoko Onos Walking On Thin Ice, which became her first Billboard number one ever), opened another Space during Winter Music Conference (the new location down the block), and took another Dancestar award, this time Best Party for Be Yourself.Be Yourself took the same honor again in 2004, but this time the win was bittersweet. At the time of the ceremony, Vinyl, now called Arc, had already been sold to condo developers. Danny closed the classic club on Sunday, April 25, 2004, with an emotional set that lasted well into Monday afternoon, and culminated with his mix of Kings Of Tomorrows paean to unending love, Finally.Present daySince then Danny has remained prolific in the clubs and has graced the decks in all the big rooms in NYC including Avalon, Crobar, Pacha NYC, Roxy and Webster Hall. After a long studio silence, Danny re-emerged in 2008 with a single on Tommy Boy Records, The Space Dance. It was named in honor of his first weekly residency during the summer season of 2008 at renowned global clubbing institution Space Ibiza. The track reached number 1 on the Billboard Club Charts during November 2008.Immediately following that, Danny released his first compilation album in five years, entitled Futurism, also on Tommy Boy Records, with a nod to the modern dance floor and Dannys outlook for tomorrows sounds. The compilation featured tracks from artists whom Danny had been championing for several years including Davide Squillace, The Wighnomy Brothers and Afefe Iku. On January 24th, 2016, Danny was the closing DJ of yet another club, Pacha NYC. At the end of his 7 hour set, while taking requests, he made reference to his multiple club-closings, by rejecting some songs by stating that they were already played at the closing of Vinyl / Arc and others.After over 30 years of DJing Danny still continues to tour around the world. His commitment to playing new music and incorporating it with music from his past is still a very big part of his performances.
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