Fred Silverman Net Worth
Fred Silverman how much money? For this question we spent 27 hours on research (Wikipedia, Youtube, we read books in libraries, etc) to review the post.
The main source of income: Directors
Total Net Worth at the moment 2022 year – is about $122,1 Million.
Fred Silverman information Birth date: 1937-09-13 Birth place: New York City, New York, U.S. Profession:Director, Writer, Producer Spouse:Catherine Ann Kihn
:How tall is Fred Silverman – 1,83m.
How much weight is Fred Silverman – 74kg
Fred Silverman (born September 13, 1937 in New York City) is an American television executive and producer. He worked as an executive at the CBS, ABC and NBC networks, and was responsible for bringing to television such programs as the series Scooby-Doo (1969–present), All in the Family (1971–1979), The Waltons (1972–1981), and Charlies Angels (1976–1981), as well as the miniseries Roots (1977) and Sh?gun (1980).
Biography,Early life and careerSilverman was born in New York City. He graduated from Syracuse University, where he was a member of Alpha Epsilon Pi fraternity, and then earned a Masters degree from the Ohio State University. He went to work for WGN-TV in Chicago, Illinois, overseeing program development and childrens programming, as well as at WPIX in New York City. His masters thesis analyzed ten years of ABC programming and was so good it got him hired as an executive at CBS at the age of 25 in 1963. There, he took over responsibility for all daytime network programming and later, took charge of all of entertainment programming, day and night. Silverman married his assistant, Cathy Kihn, and they had a daughter, Melissa, and son, William.CBSIn 1970, Silverman was promoted from vice-president of program planning and development to Vice President, Programs – heading the entire program department at CBS. Silverman was brought in to bring a change in perspective for the network, as it had just forced out the previous man in that position, Michael Dann, Danns philosophy was to draw as many viewers as possible without regard to key demographics, which the network found to be unacceptable, as advertisers were becoming more specific about what kind of audience they were looking for. To boost viewership in demographics that were believed to be more willing to respond to commercials, Silverman orchestrated the rural purge of 1971, which eventually eliminated many popular country-oriented shows, such as Green Acres, Mayberry R.F.D., Hee Haw and The Beverly Hillbillies from the CBS schedule. In their place, however, came a new wave of classics aimed at the upscale baby boomer generation, such as All in the Family, Mary Tyler Moore, M*A*S*H, The Waltons, Cannon, Barnaby Jones, Kojak and The Sonny & Cher Comedy Hour.Silverman had an uncanny ability to spot burgeoning hit material, especially in the form of spin-offs, new TV series developed with characters that appeared on an existing series. For example, he spun off Maude and The Jeffersons from All in the Family, and Rhoda from Mary Tyler Moore (as well as The Bob Newhart Show from MTMs writers). In early 1974, Silverman ordered a Maude spin-off titled Good Times, that shows success led Silverman to schedule it against ABCs new hit, Happy Days, the following fall.In other dayparts, Silverman also reintroduced game shows to the networks daytime lineups in 1972 after a four-year absence, among the shows Silverman introduced was an updated version of the 1950s game show The Price Is Right, which remains on the air more than four decades later.After the success of The Price Is Right, Silverman had established a working relationship with Mark Goodson and Bill Todman in which most of their game shows would appear on CBS, including a revival of Match Game.Under Silvermans tenure, CBS also ended the practice of wiping and saved as much of their recorded content as possible, while other networks recycled tapes constantly to save money.On Saturday mornings, Silverman commissioned Hanna-Barbera to produce the series Scooby-Doo, Where Are You!, and the character Fred Jones is named after Silverman. The success of Scooby-Doo led to several other Hanna-Barbera series airing on CBS in the early 1970s.Move to ABCIronically, he was named president of ABC Entertainment in 1975, putting him in the awkward position of saving Happy Days, the very show that Good Times had brought to the brink of cancellation. Silverman succeeded in bringing Happy Days to the top of the ratings and generating a hit spin-off from that show, Laverne & Shirley.At ABC, Silverman also greenlit other popular shows such as The Bionic Woman (a Six Million Dollar Man spin-off), Family, Charlies Angels, Donny & Marie, Threes Company, Eight Is Enough, The Love Boat, Soap, Fantasy Island, Good Morning America, long form pioneer Rich Man, Poor Man and the award-winning mini-series, Roots. These moves brought ABCs long-dormant ratings from third place to first place. However, Silverman was criticized during this period for relying heavily on escapist fare (it was Silverman who conceived the infamous The Brady Bunch Hour with Sid and Marty Krofft in late 1976) and for bringing T&A or jiggle TV to the small screen with numerous ABC shows featuring buxom, attractive, and often scantily-clad young women (such as the popular Battle of the Network Stars).ABC Daytime had mediocre ratings, so in order to increase them, Silverman hired Gloria Monty to produce the ailing General Hospital. He gave Monty thirteen weeks to increase the serials ratings or it would be cancelled. He later expanded General Hospital and One Life to Live to hours, and created a 3 1/2 hour afternoon serial block. Among game shows, Silverman introduced Goodson-Todmans Family Feud to the network. ABC also abandoned wiping under Silvermans watch, ending the practice in 1978, shortly before his departure.During Silvermans time at ABC, he overhauled the networks Saturday-morning cartoon output, dumping Filmation (which had produced the failed Uncle Crocs Block) and replacing it with content from Hanna-Barbera, including a continuation of Scooby-Doo.Move to NBCAlthough Silvermans tenure at ABC was very successful, he left to become President and CEO of NBC in 1978. His three-year tenure at the network proved to be a difficult period, marked by several high-profile failures such as the sitcom Hello, Larry, the variety shows The Big Show and Pink Lady, the drama Supertrain, and the Jean Doumanian era of Saturday Night Live. (Silverman hired Doumanian after Al Franken, the planned successor for outgoing Lorne Michaels, castigated Silvermans failures on-air in a way that Silverman took very personally.)Despite these failures, there were high points in Silvermans tenure at NBC, including the launch of the critically lauded Hill Street Blues (1981), the epic mini-series Shogun, and The David Letterman Show (daytime, 1980), which would lead to Lettermans successful late night program in 1982. Silverman had Letterman in a holding deal after the morning show which kept the unemployed Letterman from going to another network. However, Silverman nearly lost his then-current late night host, market leader Johnny Carson, after Carson sued NBC in a contract dispute, the case was settled out of court and Carson remained with NBC in exchange for the rights to his show and a reduction in time on air.Silverman also developed successful comedies such as Diffrent Strokes, The Facts of Life, and Gimme a Break!, and made the series commitments that led to Cheers and St. Elsewhere. Silverman also pioneered entertainment reality programming with the 1979 launch of Real People. His contributions to the networks game show output included Goodson-Todmans Card Sharks and a revival of Password, both of which enjoyed great success in the morning schedule, although he also canceled several other relatively popular series, including The Hollywood Squares and High Rollers, to make way for The David Letterman Show (those cancellations also threatened Wheel of Fortune, whose host, Chuck Woolery, departed the show in a payment dispute during Silvermans tenure, although the show survived). Silverman also oversaw the hiring of Pat Sajak as the new host of Wheel of Fortune, a position Sajak holds to this day, although Silverman himself objected to Sajaks hiring. On Saturday mornings, in a time when most of the cartoon output of the three networks were similar, Silverman oversaw the development of an animated series based on The Smurfs, the animated series The Smurfs ran from 1981 to 1989, well after Silvermans departure, making it one of his longest-lasting contributions to the network. He also oversaw a revival of The Flintstones.In other areas of NBC, Silverman revitalized the news division, which resulted in Today and NBC Nightly News achieving parity with their competition for the first time in years. He created a new FM Radio Division, with competitive full-service stations in New York, Chicago, San Francisco and Washington. During his NBC tenure, Silverman also brought in an entirely new divisional and corporate management, a team that stayed in place long after Silvermans departure. (Among this group was a new Entertainment President, Brandon Tartikoff, who would help get NBC back on top by 1985.) Silverman also reintroduced the peacock as NBCs corporate logo.Foundation of The Fred Silverman CompanyIn 1981, Silverman left NBC and formed The Fred Silverman Company (formerly Intermedia Entertainment) to produce shows to sell to television. The company would generate several hits including the Perry Mason TV movie series (1985–1994) Matlock (1986–1995), Jake and the Fatman (1987–1992), In the Heat of the Night (1988–1995), Father Dowling Mysteries (1987–1991), and Diagnosis: Murder (1993–2001). Most of these continue to run in syndication. Most of these series were co-produced with Dean Hargrove and Viacom Productions.During the game-show revival that followed the success of Who Wants to Be a Millionaire, Silverman resurrected the 1950s game show Twenty One for NBC in 2000. A few years later, he returned to ABC in an advisory capacity.In 1995, he was awarded the Women in Film Lucy Award in recognition of excellence and innovation in creative works that have enhanced the perception of women through the medium of television. In 1999, Silverman was inducted into the Academy of Television Arts and Sciences Hall of Fame.
Wikipedia Source: Fred Silverman