George Balanchine Net Worth
How rich is Georgy Melitonovich Balanchivadze? For this question we spent 11 hours on research (Wikipedia, Youtube, we read books in libraries, etc) to review the post.
The main source of income: Celebrities
Total Net Worth at the moment 2022 year – is about $190,5 Million.
Georgy Melitonovich Balanchivadze information Birth date: January 22, 1904, Saint Petersburg, Russia Death date: April 30, 1983, New York City, New York, United States Birth place: St. Petersburg, Russia Profession:Miscellaneous Crew, Actor, Director Spouse:Tanaquil le Clerq (m. 1952–1969)Awards:Kennedy Center Honors
:How tall is George Balanchine – 1,77m.
How much weight is George Balanchine – 76kg
George Balanchine (born Giorgi Melitonovitch Balanchivadze, Georgian: ?????? ???????????, Russian: Гео?ргий Баланчива?дзе) (January 22 [O.S. January 9] 1904 – April 30, 1983) was one of the 20th century', s most prolific choreographers. Styled as the father of American ballet, he took the standards and technique from his education at the Imperial Ballet School and fused it with other schools of movement that he had adopted during his tenure as a guest choreographer on Broadway and in Hollywood, creating his signature ", neoclassical style", . He was a choreographer known for his musicality, he expressed music with dance and worked extensively with leading composers of his time like Igor Stravinsky.He was invited to America in 1933, by a young arts patron named Lincoln Kirstein who shared Balanchine', s attitude regarding the importance of high quality dance training in America and together they founded the School of American Ballet. Along with Kirstein he co-founded the New York City Ballet (NYCB) and remained its Artistic Director until his death.
Biography,Georgia and RussiaBalanchines father MelitonBalanchine was born Giorgi Melitonovitch Balanchivadze (Georgian: ?????? ????????? ?? ???????????) in Saint Petersburg, Russian Empire, in the family of noted Georgian opera singer and composer Meliton Balanchivadze, who was one of the founders of the Tbilisi Opera and Ballet Theatre and later served as the culture minister of Democratic Republic of Georgia, which became independent in 1918, but was later subsumed into the Soviet Union. The rest of Balanchines Georgian side of the family comprised largely artists and soldiers. Little is known of Balanchines Russian, maternal side. His mother, Melitons second wife, Maria Nikolayevna Vasilyeva, was fond of ballet and viewed it as a form of social advancement from her lower reaches of the St. Petersburg society.:23 She was eleven years younger than Meliton and rumored to have been his former housekeeper, although she had at least some culture in her background as she could play piano well.As a child, Balanchine was not particularly interested in ballet, but his mother insisted that young Giorgi audition with his sister Tamara, who shared her mothers interest in the art. Georges brother Andria Balanchivadze instead followed his fathers love for music and became a well-known composer in what became then Soviet Georgia. Tamaras career, on the other hand, was cut short by her death in unknown circumstances as she was trying to escape on a train from besieged Leningrad to Georgia.:248Based on his audition, during 1913 (at age nine) Balanchine relocated from rural Finland to Saint Petersburg and was accepted into the Imperial Ballet School, principal school of the Imperial Ballet, where he was a student of Pavel Gerdt and Samuil Andrianov (Pavels son-in-law).After graduating in 1921, Balanchine enrolled in the Petrograd Conservatory while working in the corps de ballet at the State Academic Theater for Opera and Ballet (formerly the State Theater of Opera and Ballet and known as the Mariinsky Ballet). His studies at the conservatory included advanced piano, music theory, counterpoint, harmony, and composition. Balanchine graduated from the conservatory during 1923, and danced as a member of the corps until 1924. While still in his teens, Balanchine choreographed his first work, a pas de deux named La Nuit (1920, music by Anton Rubinstein). This was followed by another duet, Enigma, with the dancers in bare feet rather than ballet shoes. During 1923, with fellow dancers, Balanchine formed a small ensemble, the Young Ballet.Young Balanchine, pictured in the 1920s.Ballets RussesMain article: Ballets RussesOn a 1924 visit to Germany with the Soviet State Dancers, Balanchine, his wife, Tamara Geva, and dancers Alexandra Danilova and Nicholas Efimov fled to Paris, where there was a large Russian community. At this time, the impresario Sergei Diaghilev invited Balanchine to join the Ballets Russes as a choreographer.Diaghilev soon promoted Balanchine to ballet master of the company and encouraged his choreography. Between 1924 and Diaghilevs death in 1929, Balanchine created nine ballets, as well as lesser works. During these years, he worked with composers such as Sergei Prokofiev, Igor Stravinsky, Claude Debussy, Erik Satie, and Maurice Ravel, and artists who designed sets and costumes, such as Pablo Picasso, Georges Rouault, and Henri Matisse, creating new works that combined all the arts. Among his new works, during 1928 in Paris, Balanchine premiered Apollon musagete (Apollo and the muses) in a collaboration with Stravinsky, it was one of his most innovative ballets, combining classical ballet and classical Greek myth and images with jazz movement. He described it as the turning point in my life. Apollo is regarded as the original neoclassical ballet. Apollo brought the male dancer to the forefront, giving him two solos within the ballet. Apollo is known for its minimalism, utilizing simple costumes and sets. This allowed the audience not to be distracted from the movement. Balanchine considered music to be the primary influence on choreography,as opposed to the narrative.Apollo, 1928Suffering a serious knee injury, Balanchine had to limit his dancing, effectively ending his performance career.After Diaghilevs death, the Ballets Russes went bankrupt. To earn money, Balanchine began to stage dances for Charles B. Cochrans revues and Sir Oswald Stolls variety shows in London. He was retained by the Royal Danish Ballet in Copenhagen as a guest ballet master.In 1931, with the help from financier Serge Denham, Rene Blum and Colonel Wassily de Basil formed the Ballet Russe de Monte Carlo, a successor to Ballets Russes. The new company hired Leonide Massine and Balanchine as choreographers. Featured dancers included David Lichine and Tatiana Riabouchinska. In 1933, without consulting Blum, Col. de Basil dropped Balanchine after one year — ostensibly because he thought that audiences preferred the works choreographed by Massine. Librettist Boris Kochno was also let go, while dancer Tamara Toumanova (a strong admirer of Balanchines) left the company when Balanchine was fired.Balanchine and Kochno immediately founded Les Ballets 1933, with Kochno, Diaghilevs former secretary and companion, serving as artistic advisor. The company was financed by Edward James, a British poet and ballet patron. The company lasted only a couple of months during 1933, performing only in Paris and London, when the Great Depression made arts more difficult to fund. Balanchine created several new works, including collaborations with composers Kurt Weill, Darius Milhaud, Henri Sauguet and designer Pavel Tchelitchew.United StatesArchitect Philip Johnson designed the New York State Theater to Balanchines specifications.Balanchine insisted that his first project would be to establish a ballet school because he wanted to develop dancers who had the strong technique and style he wanted. Compared to his classical training, he thought they could not dance well. With the assistance of Lincoln Kirstein and Edward M.M. Warburg, the School of American Ballet opened to students on January 2, 1934, less than 3 months after Balanchine arrived in the U.S. Later that year, Balanchine had his students perform in a recital, where they premiered his new work Serenade to music by Tchaikovsky at the Warburg summer estate.Between his ballet activities in the 1930s and 1940s, Balanchine choreographed for musical theater with such notables as Richard Rodgers, Lorenz Hart and Vernon Duke. Balanchine choreographed Broadways On Your Toes, in 1936. This musical featured the ballet Slaughter On Tenth Avenue, in which a tap dancer falls in love with a stripper. His choreography in musicals was unique at the time because it furthered the plot of the story. Relocation to West CoastBalanchine relocated his company to Hollywood during 1938, where he rented a white two-story house with Kolya, Nicholas Kopeikine, his rehearsal pianist and lifelong colleague, on North Fairfax Avenue not far from Hollywood Boulevard. Balanchine created dances for five movies, all of which featured Vera Zorina, whom he met on the set of The Goldwyn Follies and who subsequently became his third wife. He reconvened the company as the American Ballet Caravan and toured with it throughout North and South America, but it folded after several years. From 1944 to 1946, during and after World War II, Balanchine served as resident choreographer for Blum & Massines new iteration of Ballet Russe de Monte Carlo.Return to New YorkSoon Balanchine formed a new dance company, Ballet Society, again with the generous help of Lincoln Kirstein. He continued to work with contemporary composers, such as Paul Hindemith, from whom he commissioned a score in 1940 for The Four Temperaments. First performed on November 20, 1946, this modernist work was one of his early abstract and spare ballets, angular and very different in movement. After several successful performances, the most notable featuring the ballet Orpheus created in collaboration with Stravinsky and sculptor and designer Isamu Noguchi, the City of New York offered the company residency at the New York City Center.In 1955, Balanchine created his version of The Nutcracker, in which he played the mime role of Drosselmeyer. The company has since performed the ballet every year in New York City during the Christmas season.Balanchine with Suzanne Farrell in Don Quixote.Mstislav Rostropovich (left), George Balanchine (middle) and Yuri GrigorovichIn 1967, Balanchines ballet, Jewels displayed specific characteristics of Balanchines choreography. The corps dancers execute rapid footwork and precise movements. The choreography is difficult to execute and every dancer must do their job in order to hold the integrity of the piece. Balanchines use of musicality can also be seen in this work.DeathAfter years of illness, Balanchine died on April 30, 1983, aged 79, in Manhattan from Creutzfeldt–Jakob disease, which was diagnosed only after his death. He first showed symptoms during 1978 when he began losing his balance while dancing. As the disease progressed, his equilibrium, eyesight, and hearing deteriorated. By 1982, he was incapacitated. The night of his death, the company went on with its scheduled performance, which included Divertimento No. 15 and Symphony in C at Lincoln Center. In his last years, Balanchine suffered from angina and underwent heart bypass surgery. Clement Crisp, one of the many writers who eulogized Balanchine, assessed his contribution: It is hard to think of the ballet world without the colossal presence of George Balanchine …He had a Russian Orthodox funeral, and was interred at the Oakland Cemetery at Sag Harbor, Suffolk County, New York at the same cemetery where Alexandra Danilova was later interred.
Wikipedia Source: George Balanchine