How rich is Gustavo Adolfo B?cquer? Net Worth

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March 10, 2018

Gustavo Adolfo B?cquer Net Worth

How Much money Gustavo Adolfo Domnguez de la Bastida has? For this question we spent 29 hours on research (Wikipedia, Youtube, we read books in libraries, etc) to review the post.

The main source of income: Authors
Total Net Worth at the moment 2019 year – is about $109,3 Million.

Youtube

Biography

Gustavo Adolfo Dom?nguez de la Bastida information Birth date: February 17, 1836, Seville, Spain Death date: December 22, 1870, Madrid, Spain Birth place: Sevilla, Andaluc?a, Spain Profession:Writer Spouse:Casta Esteban Navarro (m. 1861–1870) Children:Emilio Eusebio B?cquer, Jorge B?cquer, Gregorio Gustavo Adolfo Parents:Joaquina Bastida de Vargas, Juan de Vargas, Jos? Dom?nguez B?cquer, Mar?a BastidaBooks:El gnomo, Rimas, Leyendas and Narraciones

Height, Weight

:How tall is Gustavo Adolfo B?cquer – 1,75m.
How much weight is Gustavo Adolfo B?cquer – 60kg

Pictures

Gustavo Adolfo B?cquer Net Worth
Gustavo Adolfo B?cquer Net Worth
Gustavo Adolfo B?cquer Net Worth
Gustavo Adolfo B?cquer Net Worth

Wiki

Gustavo Adolfo Claudio Dom?nguez Bastida, better known as Gustavo Adolfo B?cquer, (February 17, 1836, Seville – December 22, 1870) was a Spanish post-romanticist poet and writer (mostly short stories), also a playwright, literary columnist, and talented drawer. Today he is considered one of the most important figures in Spanish literature, and is considered by some as the most read writer after Cervantes. He adopted the alias of B?cquer as his brother Valeriano B?cquer, a painter, had done earlier. He was associated with the post-romanticism movement and wrote while realism was enjoying success in Spain. He was moderately well known during his life, but it was after his death that most of his works were published. His best known works are the Rhymes and the Legends, usually published together as Rimas y leyendas. These poems and tales are essential to the study of Spanish literature and common reading for high-school students in Spanish-speaking countries.His work approached the traditional poetry and themes in a modern way, and he is considered the founder of modern Spanish lyricism. B?cquers influence on 20th-century poets of the Spanish language can be felt in the works of Luis Cernuda, Octavio Paz, and Giannina Braschi.His Rimas also have been very important in the study of the music of the 19th century because of his poetry is the most set to music in the whole history. The Rimas have about two hundred versions put on music by composers such as Isaac Alb?niz or Joaqu?n Turina.
Biography,Gustavo Adolfo Becquer was born in 1836 with the last name of Dominguez Bastida, but he chose his Flemish fathers second last name of Becquer, as the family was known around town. His father, Jose Dominguez Becquer, who descended from an originally-Flemish family that was well respected in Seville, was a painter of relatively good repute in his native town. His paintings were sought after, particularly among tourists visiting the area. Jose had a great talent, and this greatly influenced young Gustavo, who showed a love for painting and an innate ability for drawing and sketching at an early age. He was very talented, and continued drawing throughout his life, though it was never his main focus.Glorieta de Becquer in Seville, SpainBecquer was left an orphan at an early age: he lost his father at age 5, and his mother only 6 years later. Young Gustavo began his education at San Antonio Abad school, until he was admitted as a student of San Telmo school in 1846, a nautical institution. It was at that school that he met Narciso Campillo, with whom he built a strong friendship. It was also with Campillo that Becquer began to show his literary vocation, as the two boys started writing while sharing time at San Telmo. A year later, the school was closed by royal order. Gustavo and his siblings were then taken in by their uncle, Don Juan de Vargas, who cared for the children as if they were his own. Shortly after, Gustavo went on to live with his godmother, Dona Manuela Monahay, whose extensive library provided young Becquer with endless hours of entertainment, which Dona Manuela allowed with pleasure. During this period, Campillo remembers that the poet barely left his godmother’s house, as he spent hours devouring the volumes of her library. Gustavo’s godmother, a well-educated person and also well-to-do, supported his passion for study of the arts and history. However, she wanted Gustavo to have a profession, so in 1850 she got him admitted as a pupil into the studio of Don Antonio Cabral Bejarano, at the Santa Isabel de Hungria school. Gustavo worked at the studio for only two years, when he moved to his uncle Joaquin’s studio and continued developing his skills alongside his brother Valeriano, who was already studying there. Gustavo and Valeriano became from this point very close friends, and they both influenced each other greatly throughout their lives. Luciano, another brother of the poet, also studied with them during this period. Studying the art of drawing did not distract Gustavo from his passion for poetry, furthermore, his uncle Joaquin paid for his Latin classes, which brought him closer to his beloved Horace, one of his earliest influences. Joaquin also noticed the great aptitude of his nephew for words, and encouraged him to pursue writing as a career, contrary to the designs of Dona Manuela, with whom Gustavo was still living at the time.In 1853, at the age of seventeen, he moved to Madrid to follow his dream of making a name for himself as a poet. Along with his friends Narciso Campillo and Julio Nombela, both poets also, they had dreamed of moving to Madrid together and selling their poetry for good money, though reality proved to be quite different. Nombela was the first to leave for Madrid that year, alongside his family. After long arguments over the trip with Dona Manuela, who resisted the idea, Becquer finally left for Madrid in October of that same year, alone and quite poor, except for the little money that his uncle provided for him. The third friend, Campillo, did not leave Seville until some time later.Becquer at 19Life in Madrid was not easy for the poet. The dream of fortune that had guided his steps towards the city were replaced by a reality of poverty and disillusionment. The two friends were soon joined by Luis Garcia Luna, also a poet from Seville, who shared the same dreams of greatness. The three began writing and trying to make themselves known as authors, without much luck. Becquer, the only one of the three without a real job and a steady income, went to live with an acquaintance of Luna, Dona Soledad. A year later, in 1854, he moved to Toledo with his brother Valeriano, a lovely place in which he was able to write his book: History of the Spanish temples. The poet was interested in Lord Byron and his Hebrew Melodies or his Heine del Intermezzo, with Eulogio Florentinos help in the translation.The poet died on the 22 December 1870 from tuberculosis, an illness known as the romantic illness because of how common it was during the romantic period in Spain. Before this tragic sickness took his life away, Becquer asked his good friend, Augusto Ferran, also a poet, to burn all his letters and publish his poems instead, since he thought once he was dead, his work would be more valuable. His body was buried in Madrid, and afterwards was moved to Seville along with his brothers.

Summary

Wikipedia Source: Gustavo Adolfo B?cquer

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