John Webster Net Worth 2019 Update – Short bio, age, height, weight

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March 10, 2018

John Webster Net Worth

How rich is John Webster? For this question we spent 17 hours on research (Wikipedia, Youtube, we read books in libraries, etc) to review the post.

The main source of income: Celebrities
Total Net Worth at the moment 2019 year – is about $58,3 Million.

Youtube

Biography

John Webster information Birth date: 1580-01-01 Death date: 1634-01-01 Birth place: London, England Profession:Miscellaneous Crew Spouse:Sara Peniall

Height, Weight

:How tall is John Webster – 1,67m.
How much weight is John Webster – 60kg

Pictures

John Webster Net Worth
John Webster Net Worth
John Webster Net Worth
John Webster Net Worth

Wiki

John Webster (c. 1580 – c. 1634) was an English Jacobean dramatist best known for his tragedies The White Devil and The Duchess of Malfi, which are often regarded as masterpieces of the early 17th-century English stage. He was a contemporary of William Shakespeare.
Biography,Websters life is obscure, and the dates of his birth and death are not known. His father, a carriage maker also named John Webster, married a blacksmiths daughter named Elizabeth Coates on 4 November 1577, and it is likely that Webster was born not long after in or near London. The family lived in St. Sepulchres parish. Father John, and Uncle, Edward Webster, were Freemen of the Merchant Taylors Company and Webster attended Merchant Taylors School in Suffolk Lane, London. On 1 August 1598, John Webster, lately of the New Inn was admitted to the Middle Temple, one of the Inns of Court, in view of the legal interests evident in his dramatic work, this is possibly the playwright. Webster married the 17-year-old Sara Peniall on 18 March 1606 at St Marys Church, Islington. A special licence had to be obtained to permit a wedding in Lent, which was necessary as at the date of their marriage, Sara was seven months pregnant. Their first child, John, was baptised at the parish of St Dunstan-in-the-West on 8 March 1605 or 1606. Bequests in the will of a neighbour who died in 1617, indicate that other children were born to him.Most of what is otherwise known of him relates to his theatrical activities. Webster was still writing plays as late as the mid-1620s, but Thomas Heywoods Hierarchie of the Blessed Angels (licensed 7 November 1634) speaks of him in the past tense, implying he was then dead.Early collaborationsBy 1602, Webster was working with teams of playwrights on history plays, most of which were never printed. These included a tragedy Caesars Fall (written with Michael Drayton, Thomas Dekker, Thomas Middleton and Anthony Munday), and a collaboration with Thomas Dekker Christmas Comes but Once a Year (1602). With Dekker he also wrote Sir Thomas Wyatt, which was printed in 1607, and probably first performed in 1602. He worked with Thomas Dekker again on two city comedies, Westward Ho in 1604 and Northward Ho in 1605. Also in 1604, he adapted John Marstons The Malcontent for staging by the Kings Men.The major tragediesTitle page of The Duchess of Malfi, 1623Despite his ability to write comedy, Webster is best known for his two brooding English tragedies based on Italian sources. The White Devil, a retelling of the intrigues involving Vittoria Accoramboni, an Italian woman assassinated at the age of 28, was a failure when staged at the Red Bull Theatre in 1612 (published the same year), being too unusual and intellectual for its audience. The Duchess of Malfi, first performed by the Kings Men about 1614 and published nine years later, was more successful. He also wrote a play called Guise, based on French history, of which little else is known as no text has survived.The White Devil was performed in the Red Bull Theatre, an open-air theatre that is believed to have specialised in providing simple, escapist drama for a largely working class audience, a factor that might explain why Websters highly intellectual and complex play was unpopular with its audience. In contrast, The Duchess of Malfi was probably performed by the Kings Men in the smaller, indoor Blackfriars Theatre, where it would have played to a better educated audience that might have appreciated it better. The two plays would thus have been very different in their original performances. The White Devil would have been performed, probably in one continuous action, by adult actors, with elaborate stage effects a possibility. The Duchess of Malfi was performed in a controlled environment, with artificial lighting, and musical interludes between acts, which allowed time, perhaps, for the audience to accept the otherwise strange rapidity with which the Duchess is able to have babies.Late playsWebster wrote one more play on his own: The Devils Law Case (c. 1617–1619), a tragicomedy. His later plays were collaborative city comedies: Anything for a Quiet Life (c. 1621), co-written with Thomas Middleton, and A Cure for a Cuckold (c. 1624), co-written with William Rowley. In 1624, he also co-wrote a topical play about a recent scandal, Keep the Widow Waking (with John Ford, Rowley and Dekker). The play itself is lost, although its plot is known from a court case. He is believed to have contributed to the tragicomedy The Fair Maid of the Inn with John Fletcher, Ford, and Phillip Massinger. His Appius and Virginia, probably written with Thomas Heywood, is of uncertain date.

Summary

Wikipedia Source: John Webster

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