Konstantin Korovin Net Worth: Age, Height, Weight, Bio

January 1, 2020

Konstantin Korovin Net Worth

How rich is Konstantin Korovin? For this question we spent 3 hours on research (Wikipedia, Youtube, we read books in libraries, etc) to review the post.

The main source of income: Celebrities
Total Net Worth at the moment 2021 year – is about $41,9 Million.



Konstantin Korovin information Birth date: 0001-12-05 Death date: 1939-09-11 Profession:Art Department

Height, Weight

:How tall is Konstantin Korovin – 1,75m.
How much weight is Konstantin Korovin – 61kg


Konstantin Korovin Net Worth
Konstantin Korovin Net Worth
Konstantin Korovin Net Worth
Konstantin Korovin Net Worth


Konstantin Korovin was born on December 5, 1861 in Moscow. He was the second son in the family of a merchant. He studied painting with his brother Sergei at the Moscow School of Painting, where his teachers were Vasili Perov and Alexei Savrasov. In 1881-82 he studied at the Imperial Academy of Arts in St. Petersburg. Later he returned to Moscow …
Biography,Youth and educationKonstantin was born in Moscow to a merchant family officially registered as peasants of Vladimir Gubernia. His father, Aleksey Mikhailovich Korovin, earned a university degree and was more interested in arts and music than in the family business established by Konstantins grandfather. Konstantins older brother Sergei Korovin was a notable realist painter. Konstantins relative Illarion Pryanishnikov was also a prominent painter of the time and a teacher at the Moscow School of Painting, Sculpture and Architecture.In 1875 Korovin entered the Moscow School of Painting, Sculpture and Architecture, where he studied with Vasily Perov and Alexei Savrasov. His brother Sergei was already a student at the school. During their student years, the Korovins became friends with fellow students Valentin Serov and Isaac Levitan, Konstantin maintained these friendships throughout his life.In 1881–1882, Korovin spent a year at the Imperial Academy of Arts in St. Petersburg, but returned disappointed to the Moscow School of Painting, Sculpture and Architecture. He studied at the school under his new teacher Vasily Polenov until 1886.In 1885 Korovin traveled to Paris and Spain. Paris was a shock for me … Impressionists… in them I found everything I was scolded for back home in Moscow, he later wrote.Early worksKorovin. On the Balcony, Spanish Women Leonora and Ampara, 1897–1898Polenov introduced Korovin to Savva Mamontovs Abramtsevo Circle: Viktor Vasnetsov, Apollinary Vasnetsov, Ilya Repin, Mark Antokolsky and others. The groups love for stylized Russian themes is reflected in Korovins picture A Northern Idyll. In 1885 Korovin worked for Mamontovs opera house, designing the stage decor for Giuseppe Verdis Aida, Leo Delibes Lakme and Georges Bizets Carmen.St. Triphons Brook in Pechenga, 1894In 1888 Korovin traveled with Mamontov to Italy and Spain, where he produced the painting On the Balcony, Spanish Women Leonora and Ampara. Konstantin traveled within Russia, the Caucasus and Central Asia and exhibited with the Peredvizhniki. He painted in the Impressionist, and later in the Art Nouveau, styles.In the 1890s Korovin became a member of the Mir iskusstva art group.Korovins subsequent works were strongly influenced by his travels to the north. In 1888 he was captivated by the stern northern landscapes seen in The Coast of Norway and the Northern Sea.His second trip to the north, with Valentin Serov in 1894, coincided with the construction of the Northern Railway. Korovin painted a large number of landscapes: Norwegian Port, St. Triphons Brook in Pechenga, Hammerfest: Aurora Borealis, The Coast at Murmansk and others. The paintings are built on a delicate web of shades of grey. The etude style of these works was typical for Korovins art of the 1890s.Using material from his trip, Korovin designed the Far North pavilion at the 1896 All Russia Exhibition in Nizhny Novgorod. He painted ten big canvasses for the pavilion as well, depicting various aspects of life in the northern and Arctic regions. After the closure of the Exhibition, the canvasses were eventually placed in the Yaroslavsky Rail Terminal in Moscow. In the 1960s, they were restored and transferred to the Tretyakov Gallery.In 1900 Korovin designed the Central Asia section of the Russian Empire pavilion at the Paris World Fair and was awarded the Legion of Honour by the French government.In the beginning of the 20th century, Korovin focused his attention on the theater. He moved from Mamontovs opera to the Mariinsky Theatre in St. Petersburg. Departing from traditional stage decor, which only indicated the place of action, Korovin produced a mood decor conveying the general emotions of the performance. Korovin designed sets for Konstantin Stanislavskys dramatic productions, as well as Mariinskys operas and ballets. He did the stage design for such Mariinsky productions as Faust (1899), The Little Humpbacked Horse (1901), and Sadko (1906) that became famous for their expressiveness.In 1905 Korovin became an Academician of Painting and in 1909–1913 a professor at the Moscow School of Painting, Sculpture and Architecture.One of the artists favourite themes was Paris. He painted A Paris Cafe (1890s), Cafe de la Paix (1905), La Place de la Bastille (1906), Paris at Night, Le Boulevard Italien (1908), Night Carnival (1901), Paris in the Evening (1907), and others.During World War I Korovin worked as a camouflage consultant at the headquarters of one of the Russian armies and was often seen on the front lines. After the October Revolution Korovin continued to work in the theater, designing stages for Richard Wagners Die Walkure and Siegfried, as well as Pyotr Ilyich Tchaikovskys The Nutcracker (1918–1920).In 1923 Korovin moved to Paris on the advice of Commissar of Education Anatoly Lunacharsky to cure his heart condition and help his handicapped son. There was supposed to be a large exhibition of Korovins works, but the works were stolen and Korovin was left penniless. For years, he produced the numerous Russian Winters and Paris Boulevards just to make ends meet.In the last years of his life he produced stage designs for many of the major theatres of Europe, America, Asia and Australia, the most famous of which is his scenery for the Turin Opera Houses production of Nikolai Rimsky-Korsakovs The Golden Cockerel.Korovin died in Paris on 11 September 1939.Konstantins son Alexey Korovin (1897–1950) was a notable Russian-French painter. Because of an accident during his childhood he had both feet amputated. Alexey committed suicide in 1950.


Wikipedia Source: Konstantin Korovin

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