Norman Whitfield Net Worth: Age, Height, Weight, Bio

January 1, 2020

Norman Whitfield Net Worth

Norman Jesse Whitfield how much money? For this question we spent 23 hours on research (Wikipedia, Youtube, we read books in libraries, etc) to review the post.

The main source of income: Musicians
Total Net Worth at the moment 2021 year – is about $10 Million.



Norman Jesse Whitfield information Birth date: May 12, 1941 Death date: 2008-09-16 Birth place: New York City, New York, USA Profession:Soundtrack, Music Department, Composer

Height, Weight

:How tall is Norman Whitfield – 1,68m.
How much weight is Norman Whitfield – 60kg


Norman Whitfield Net Worth
Norman Whitfield Net Worth
Norman Whitfield Net Worth
Norman Whitfield Net Worth


Music producer, arranger, and songwriter Norman Jessie Whitfield was born on May 12, 1941 in New York City. A native of Harlem, Whitfield spent his early teen years hanging out in local pool halls. Norman moved with his family to Detroit, Michigan when he was in his late teens. At age 18 he wrote and produced songs for Detroits Thelma Records. …
Biography,Early life and careerWhitfield was a native of Harlem, New York, and spent much of his teen years in local pool halls. In his late teens, he and his family moved to Detroit, Michigan, so that his father could join his sister and work in her husbands chain of drug stores, Barthwell Drugs. He attended Northwestern High School.At 19, Whitfield began frequenting Motowns Hitsville U.S.A. offices for a chance to work for the growing label. Founder Berry Gordy Jr. recognized Whitfields persistence and hired him for the quality control department, which determined which songs would or would not be released. Whitfield eventually joined Motowns in-house songwriting staff.Whitfield had a few early successes, including co-writing the Marvin Gaye hit Pride & Joy, The Marvelettess Too Many Fish in the Sea and The Velvelettess Needle in a Haystack, but he found his place at Motown when he began producing. His big break came when he took over Smokey Robinsons role as the main producer for The Temptations in 1966, after his Aint Too Proud to Beg performed better than Robinsons Get Ready on the pop charts.The TemptationsFrom 1966 to 1974, Whitfield produced virtually all of the Temptations material, experimenting with sound effects and other production techniques. He found a songwriting collaborator in lyricist Barrett Strong, the performer on Motowns first hit record, Money (Thats What I Want), and wrote material for the Temptations and other Motown artists such as Marvin Gaye and Gladys Knight & the Pips, both of whom recorded Whitfield-produced hit versions of the Whitfield/Strong composition I Heard It Through the Grapevine. The Gladys Knight & the Pips version was the best-selling Motown single ever to that point, but it was replaced a year later by Gayes version.After Temptations lead singer David Ruffin was replaced with Dennis Edwards in 1968, Whitfield moved the group into a harder, darker sound that featured a blend of psychedelic rock and funk heavily inspired by the work of Sly & the Family Stone and Funkadelic. He also began changing the subject matter of the songs, moving away from love songs to the social issues of the time, such as war, poverty and politics. The first Temptations single to feature this new psychedelic soul style was Cloud Nine in late 1968, which earned Motown its first Grammy award (for Best Rhythm & Blues Performance by a Duo or Group). A second Best R&B Group Performance Grammy for Whitfield and the Temptations came in 1973 with Papa Was A Rollin Stone. The singles instrumental B-side earned Whitfield a Grammy with arranger Paul Riser for Best R&B Instrumental Performance, and Whitfield and Strong shared the songwriters award for Best R&B Song.Psychedelic soul and the break with MotownThe psychedelic soul records Whitfield produced for The Temptations and other artists such as Edwin Starr and The Undisputed Truth experimented with and updated the Motown sound for the late-1960s. Longer songs, distorted guitars, multitracked drums, and inventive vocal arrangements became trademarks of Whitfields productions, and later of records produced by Motown staffers he coached, including Frank Wilson. But friction and antagonism grew between Whitfield and the Temptations, the group hated how Whitfield put more emphasis on the instrumentation instead of their vocals, and that he was writing fewer romantic ballads for them.Whitfield would often record notably different versions of songs with different artists in search of a hit, and did so successfully in the cases of Edwin Starr, with War (1970, originally recorded by The Temptations), and The Undisputed Truth, with Smiling Faces Sometimes (1971, also originally by The Temptations). Papa Was A Rollin Stone (1972) was done first by The Undisputed Truth, before Whitfield rerecorded the song with The Temptations for a longer, more definitive (and massively successful) version. One of Whitfields last major hits at Motown was Yvonne Fairs It Should Have Been Me (1975), a song he had written in 1963 and recorded originally with Kim Weston.Whitfield Records and later yearsIn 1975, Whitfield left Motown, following its move from Detroit, to form his own label, Whitfield Records. His first act was The Undisputed Truth, whom he had convinced to leave Motown, followed by Rose Royce, Willie Hutch, Nytro, Mammatapee and Junior Walker. The Undisputed Truth scored their second biggest hit in 1976 with the disco song You + Me = Love, their first single on Whitfield Records. Norman Whitfield had an international smash hit in 1976 with Rose Royces Car Wash, issued on MCA Records. Rose Royce (whose members were originally Edwin Starrs backing band while at Motown) went on to record three more popular albums, and had two huge UK hits with Wishing on a Star (1977) and Love Dont Live Here Anymore (1978), but could never top the success of Car Wash, which served as the theme song to the 1976 motion picture Car Wash. The Car Wash soundtrack won Whitfield a 1977 Grammy Award for Best Score Soundtrack Album. He also composed the theme song for the 1977 motion picture Which Way Is Up?, performed by Stargard.In the early 1980s, Whitfield began working as a producer for Motown again, helming the Temptations 1983 hit single Sail Away and the soundtrack to The Last Dragon.On January 18, 2005, Whitfield pleaded guilty for failing to report royalty income he earned from 1995 to 1999 to the Internal Revenue Service. Facing charges of tax evasion on more than $2 million worth of income, he was sentenced to six months of house confinement and a $25,000 fine. He was not imprisoned because of health problems such as diabetes.During his last months alive, Whitfield was bed-ridden at Los Angeless Cedars-Sinai Medical Center, where he underwent treatment for diabetes and other ailments. Whitfield fell into a coma, briefly improved, but he eventually succumbed to diabetic complications Whitfield died on September 16, 2008 at approximately 3:30 pm local time. He is interred in the Forest Lawn Memorial Park (Hollywood Hills).


Wikipedia Source: Norman Whitfield

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