Peter Sellers Net Worth

January 1, 2020

Peter Sellers Net Worth

How much is Peter Sellers worth? For this question we spent 9 hours on research (Wikipedia, Youtube, we read books in libraries, etc) to review the post.

The main source of income: Actors
Total Net Worth at the moment 2021 year – is about $10 Million.



Peter Sellers information Birth date: September 8, 1925, Southsea, United Kingdom Death date: July 24, 1980, Fitzrovia, United Kingdom Birth place: Southsea Height:5 ft 8 in (1.73 m) Profession:Actor, Screenwriter, Film director, Comedian, Singer Nationality:United Kingdom Spouse:Lynne Frederick (m. 1977–1980) Children:Victoria Sellers, Michael Sellers, Sarah Sellers

Height, Weight

:How tall is Peter Sellers – 1,76m.
How much weight is Peter Sellers – 79kg


Peter Sellers Net Worth
Peter Sellers Net Worth
Peter Sellers Net Worth
Peter Sellers Net Worth


Peter Sellers, CBE was a British film actor, comedian and singer. He performed in the BBC Radio comedy series The Goon Show, featured on a number of hit comic songs and became known to a world-wide …
Biography,Early life (1925–35)Blue plaque memorial at Sellerss birthplace in Castle Road, PortsmouthSellers was born on 8 September 1925, in Southsea, a suburb of Portsmouth. His parents were Yorkshire-born William Bill Sellers (1900–62) and Agnes Doreen Peg (nee Marks, 1892–1967). Both were variety entertainers, Peg was in the Ray Sisters troupe. Although christened Richard Henry, his parents called him Peter, after his elder stillborn brother. Sellers remained an only child. Peg Sellers was related to the pugilist Daniel Mendoza (1764–1836), whom Sellers greatly revered, and whose engraving later hung in his office. At one time Sellers planned to use Mendozas image for his production companys logo.Sellers was two weeks old when he was carried on stage by Dick Henderson, the headline act at the Kings Theatre in Southsea: the crowd sang For Hes a Jolly Good Fellow, which caused the infant to cry. The family constantly toured, causing much upheaval and unhappiness in the young Sellerss life.Sellers maintained a very close relationship with his mother, which his friend Spike Milligan later considered unhealthy for a grown man. Sellerss agent, Dennis Selinger, recalled his first meeting with Peg and Peter Sellers, noting that Sellers was an immensely shy young man, inclined to be dominated by his mother, but without resentment or objection. As an only child though, he spent much time alone.[11]In 1935 the Sellers family moved to North London and settled in Muswell Hill.[12] Although Bill Sellers was Protestant and Peg was Jewish, Sellers attended the North London Roman Catholic school St. Aloysius College, run by the Brothers of Our Lady of Mercy. The family was not rich, but Peg insisted on an expensive private schooling for her son.[13] According to biographer Peter Evans, Sellers was fascinated, puzzled, and worried by religion from a young age,[14] particularly Catholicism, while Roger Lewis believed that soon after entering Catholic school, Sellers discovered he was a Jew—he was someone on the outside of the mysteries of faith.[15] Later in his life, Sellers observed that while his fathers faith was according to the Church of England, his mother was Jewish, and Jews take the faith of their mother.[15] According to Milligan, Sellers held a guilt complex about being Jewish and recalls that Sellers was once moved to tears when he presented him with a candlestick from a synagogue for Christmas, believing the gesture to be an anti-Jewish slur.[14]Sellers became a top student at the school, excelling in drawing in particular. However, he was prone to laziness, but his natural talents shielded him from criticism by his teachers.[16] Sellers recalled that a teacher scolded the other boys for not studying, saying: The Jewish boy knows his catechism better than the rest of you![17][a]Early performances (1935–39)Accompanying his family on the variety show circuit,[19] Sellers learned stagecraft, but received conflicting encouragement from his parents and developed mixed feelings about show business. His father doubted Sellerss abilities in the entertainment field, even suggesting that his sons talents were only enough to become a road sweeper, while Sellerss mother encouraged him continuously.[20]While at St Aloysius College, Sellers began to develop his improvisational skills. He and his closest friend at the time, Bryan Connon, both enjoyed listening to early radio comedy shows. Connon remembers that Peter got endless pleasure imitating the people in Monday Night at Eight. He had a gift for improvising dialogue. Sketches, too. Id be the straight man, the feed, … Id cue Peter and hed do all the radio personalities and chuck in a few voices of his own invention as well.[21]With the outbreak of the Second World War in 1939, St Aloysius College was evacuated to Cambridgeshire. Because his mother did not allow Sellers to go,[22] his formal education ended at fourteen. Early in 1940, the family moved to the north Devon town of Ilfracombe, where Sellerss maternal uncle managed the Victoria Palace Theatre,[22] Sellers got his first job at the theatre, aged fifteen, starting as a caretaker.[23] He was steadily promoted, becoming a box office clerk, usher, assistant stage manager and lighting operator. He was also offered some small acting parts.[23] Working backstage gave him a chance to study actors such as Paul Scofield. He became close friends with Derek Altman, and together they launched Sellerss first stage act under the name Altman and Sellers, consisting of playing ukuleles, singing, and telling jokes.[23]During his backstage theatre job, Sellers began practising on a set of drums that belonged to the band Joe Daniels and his Hot Shots. Daniels noticed his efforts and gave him practical instructions. The instrument greatly suited Sellerss temperament and artistic skills.[24] Spike Milligan later noted that Sellers was very proficient on the drums and might have remained a jazz drummer, had he lacked his skills in mimicry and improvisation.Second World War (1939–45)As the Second World War progressed, Sellers continued to develop his drumming skills, and played with a series of touring bands, including those of Oscar Rabin, Henry Hall and Waldini, as well as his fathers quartet, before he left and joined a band from Blackpool.[25] Sellers became a member of the Entertainments National Service Association (ENSA), which provided entertainment for British forces and factory workers during the war.[25] Sellers also performed comedy routines at these concerts, including impersonations of George Formby, with Sellers accompanying his own singing on ukulele.[26]In September 1943, he joined the Royal Air Force, although it is unclear whether he volunteered or was conscripted,[27] his mother unsuccessfully tried to have him deferred on medical grounds. Sellers wanted to become a pilot, but his poor eyesight restricted him to ground staff duties.[28] He found these duties dull, so auditioned for Squadron Leader Ralph Readers RAF Gang Show entertainment troupe: Reader accepted him and Sellers toured the UK before the troupe was transferred to India.[29] His tour also included Ceylon and Burma, although the duration of his stay in Asia is unknown, and Sellers may have exaggerated its length.[30] He also served in Germany and France after the war.[30] According to David Lodge who became friends with Sellers, he was one of the best performers ever on the drums and developed a fine ability to impersonate military officers during this period.[31]Early post-war career and The Goon Show (1946–55)In 1946, Sellers made his final show with ENSA starring in the pantomime Jack and the Beanstalk at the Theatre Marigny in Paris.[32] He was posted back to England shortly afterwards to work at the Air Ministry,[33] and demobilised later that year.[32] On resuming his theatrical career, Sellers could get only sporadic work.[34] He was fired after one performance of a comedy routine in Peterborough, the headline act, Welsh vocalist Dorothy Squires, however, persuaded the management to reinstate him.[35] Sellers also continued his drumming and was billed on his appearance at The Hippodrome in Aldershot as Britains answer to Gene Krupa.[34] In March 1948 Sellers gained a six-week run at the Windmill Theatre in London, which predominantly staged revue acts: he provided the comedy turns in between the nude shows on offer.[36]Sellers wrote to the BBC in 1948, and was subsequently auditioned. As a result, he made his television debut on 18 March 1948 in New To You. His act, largely based on impressions, was well received, and he returned the following week.[37] Frustrated with the slow pace of his career, Sellers telephoned BBC radio producer Roy Speer, pretending to be Kenneth Horne, star of the radio show Much-Binding-in-the-Marsh. Speer called Sellers a cheeky young sod for his efforts, but gave him an audition. This led to his brief appearance on 1 July 1948 on ShowTime[38] and subsequently to work on Rays a Laugh with comedian Ted Ray.[39] In October 1948, Sellers was a regular radio performer, appearing in Starlight Hour, The Gang Show, Henry Halls Guest Night and Its Fine To Be Young.[40]By the end of 1948, the BBC Third Programme began to broadcast the comedy series Third Division, which starred, among others, Harry Secombe, Michael Bentine and Sellers.[41] One evening, Sellers and Bentine visited the Hackney Empire, where Secombe was performing, and Bentine introduced Sellers to Spike Milligan.[42] The four would meet up at Graftons public house near Victoria, owned by Jimmy Grafton, who was also a BBC script writer. The four comedians dubbed him KOGVOS (Keeper of Goons and Voice of Sanity)[b] Grafton later edited some of the first Goon Shows.[44]Sellers (top), with Spike Milligan (left) and Harry Secombe (right) in The Goon ShowIn 1949, Sellers started to date Anne Howe,[45][c] an Australian actress who lived in London.[47] Sellers proposed to her in April 1950[48] and the couple were married in London on 15 September 1951,[49] their son, Michael, was born on 2 April 1954,[50] and their daughter, Sarah, followed in 1958.[51]Sellerss introduction to film work came in 1950, where he dubbed the voice of Alfonso Bedoya in The Black Rose.[52] He continued to work with Bentine, Milligan, and Secombe. On 3 February 1951, he made a trial tape entitled The Goons, and sent it to the BBC producer Pat Dixon, who eventually accepted it. The first Goon Show[43] was broadcast on 28 May 1951.[53] Against their wishes, they appeared under the name Crazy People. Sellers appeared in The Goons until the last programme of the ten-series run, broadcast on 28 January 1960.[43] Sellers played four main characters—Major Bloodnok, Hercules Grytpype-Thynne, Bluebottle and Henry Crun—and seventeen minor ones.[54]Starting with 370,000 listeners, the show eventually reached up to seven million people in Britain,[43] and was described by one newspaper as probably the most influential comedy show of all time.[55] For Sellers, the BBC considers it had the effect of launching his career on the road to stardom.[56]In 1951 the Goons made their feature film debut in Penny Points to Paradise.[57] Sellers and Milligan then penned the script to Lets Go Crazy, the earliest film to showcase Sellerss ability to portray a series of different characters within the same film, and he made another appearance opposite his Goons co-stars in the 1952 flop, Down Among the Z Men.[58] In 1954, Sellers was cast opposite Sid James, Tony Hancock, Raymond Huntley, Donald Pleasence and Eric Sykes in the British Lion Film Corporation comedy production, Orders Are Orders. John Grierson believes that this was Sellerss breakthrough role on screen and credits this film with launching the film careers of both Sellers and Hancock.[59]Im All Right Jack and early years in film (1956–59)Sellers pursued a film career and took a number of small roles such as a police inspector in John and Julie (1955).[60] He accepted a larger part in the 1955 Alexander Mackendrick-directed Ealing comedy The Ladykillers in which he starred opposite Alec Guinness, Herbert Lom and Cecil Parker as Harry Robinson, the Teddy Boy, biographer Peter Evans considers this Sellerss first good role.[61] The Ladykillers was a success in both Britain and the US,[62] and the film was nominated for an Academy Award for Best Original Screenplay.[63]The following year Sellers appeared in a further three television series based on The Goons, which aired on Britains new ITV network. The series were The Idiot Weekly, Price 2d, A Show Called Fred and Son of Fred.[64] In 1957 film producer Michael Relph became impressed with Sellerss portrayal of an elderly character in Idiot Weekly, and cast the 32-year-old actor as a 68-year-old projectionist in Basil Deardens The Smallest Show on Earth, supporting Bill Travers, Virginia McKenna and Margaret Rutherford.[65] The film was a commercial success and is now thought of as a minor classic of British screen comedy in the post-war era.[66] Following this, Sellers provided the growling voice of Winston Churchill to the BAFTA award winning film The Man Who Never Was.[67] Later in 1957 Sellers portrayed a television star with a talent for disguises in Mario Zampis offbeat black comedy The Naked Truth, opposite Terry-Thomas, Peggy Mount, Shirley Eaton and Dennis Price.[68][69]Sellerss difficulties in getting his film career to take off, and increasing problems in his personal life, prompted him to seek periodic consultations with astrologer Maurice Woodruff, who held considerable sway over his later career.[70] After a chance meeting with a North American Indian spirit guide in the 1950s, Sellers became convinced that the music hall comedian Dan Leno, who died in 1904, haunted him and guided his career and life-decisions.[71][72]In 1958 Sellers starred with David Tomlinson, Wilfrid Hyde-White, David Lodge and Lionel Jeffries as a chief petty officer in Val Guests Up the Creek.[73] Guest later claimed that he had written and directed the film as a vehicle for Sellers, and thus had started Sellerss film career.[74] To practice his voice, Sellers purchased a reel-to-reel tape recorder.[75] The film received critical acclaim in the United States[76] and Roger Lewis viewed it as an important practice ground for Sellers.[75] Next, Sellers featured with Terry-Thomas as one of a pair of comic villains in George Pals tom thumb (1958), a musical fantasy film, opposite Russ Tamblyn, Jessie Matthews and Peter Butterworth. Terry-Thomas later said that my part was perfect, but Peters was bloody awful. He wasnt difficult about it, but he knew it.[77] The performance was a major landmark in Sellerss career and became his first contact with the Hollywood film industry.[78]Sellers released his first studio album in 1958 called The Best of Sellers, a collection of sketches and comic songs,[79] which were undertaken in a variety of comic characters.[80] Produced by George Martin and released on Parlophone,[81] the album reached number three in the UK Albums Chart,[82] The same year, Sellers made his first film with John and Roy Boulting in Carlton-Browne of the F.O., a comedy in which he played a supporting role for the films lead, Terry-Thomas.[83] Before the release of that film, the Boultings, along with Sellers and Thomas in the cast, started filming Im All Right Jack, which became the highest grossing film at the British box office in 1960.[84] In preparation for his role as Fred Kite, Sellers watched footage of union officials.[85] The role earned him a BAFTA, and the critic for The Manchester Guardian believed it was Sellerss best screen performance to date.[86]In between Carlton-Browne of the F.O. and Im All Right Jack, Sellers starred in The Mouse That Roared, a film in which Jean Seberg also appeared, and was directed by Jack Arnold. He played three leading and distinct roles: the elderly Grand Duchess, the ambitious Prime Minister and the innocent and clumsy farm boy selected to lead an invasion of the United States.[87] The film received universal and high praise by critics.[88][89]After completing Im All Right Jack, Sellers returned to record a new series of The Goon Show.[90] Over the course of two weekends, he took his 16mm cine-camera to Totteridge Lane in London and filmed himself, Spike Milligan, Mario Fabrizi, Leo McKern and Richard Lester. Originally intended as a private film, the eleven-minute short film The Running Jumping & Standing Still Film was screened at the 1959 Edinburgh and San Francisco film festivals. It won the award for best fiction short in the latter festival, and received an Academy Award nomination for Best Short Subject (Live Action).[91][92][93] In 1959 Sellers released his second album, Songs For Swinging Sellers, which—like his first record—reached number three in the UK Albums Chart.[82] Sellerss last film of the fifties was The Battle of the Sexes, a comedy directed by Charles Crichton.[94]The Millionairess, Lolita, The Pink Panther and divorce (1960–63)In 1960 Sellers portrayed an Indian doctor, Dr Ahmed el Kabir in Anthony Asquiths romantic comedy The Millionairess, a film based on a George Bernard Shaw play of the same name. Sellers was not interested in accepting the role until he learned that Sophia Loren was to be his co-star.[95] When asked about Loren, he explained to reporters I dont normally act with romantic, glamorous women … shes a lot different from Harry Secombe.[96] Sellers and Loren developed a close relationship during filming, culminating in Sellers declaring his love for her in front of his wife.[97] Sellers also woke his son at night to ask: Do you think I should divorce your mummy?[98][d] Roger Lewis observed that Sellers immersed himself completely in the characters he enacted during productions, that hed play a role as an Indian doctor, and for the next six months, hed be an Indian in his real [daily] life.[101] The film inspired the George Martin-produced novelty hit single Goodness Gracious Me, with Sellers and Loren, which reached number four in the UK Singles Chart in November 1960.[102] A follow-up single by the duo, Bangers and Mash, reached number 22 in the UK chart.[102] The songs were included on an album released by the couple, Peter & Sophia, which reached number five in the UK Albums Chart.[82]In 1961 Sellers made his directorial debut with Mr. Topaze, in which he also starred.[103] The film was based on the Marcel Pagnol play Topaze.[104] Sellers portrayed an ex-schoolmaster in a small French town who turns to a life of crime to obtain wealth. The film and Sellerss directorial abilities received an unenthusiastic response from the public and critics alike, and Sellers rarely referred to it again.[105][106][107] The same year he starred in the Sidney Gilliat-directed Only Two Can Play, a film based on the novel That Uncertain Feeling by Kingsley Amis.[108] He was nominated for the Best British Actor award at the 16th British Academy Film Awards for his role as John Lewis, a frustrated Welsh librarian whose affections swing between the glamorous Liz (Mai Zetterling), and his long-suffering wife Jean (Virginia Maskell).[109]Peter Sellers as Inspector Clouseau in The Pink PantherIn 1962 Sellers played a retired British army general in John Guillermins Waltz of the Toreadors, based on the play of the same name. The film was widely criticised for its slapstick cinematic adaption, and director Guillermin himself considered the film an amateurish effort.[110] However, Sellers won the San Sebastian International Film Festival Award for Best Actor and a BAFTA award nomination for his performance, and it was well received by the critics.[110][111] Stanley Kubrick asked Sellers to play the role of Clare Quilty in the 1962 film Lolita, opposite James Mason and Shelley Winters.[112] Kubrick had seen Sellers in The Battle of the Sexes and listened to the album The Best of Sellers, and was impressed by the range of characters he could portray.[113] Sellers was apprehensive about accepting the role, doubting his ability to successfully portray the part of a flamboyant American television playwright who was according to Sellers a fantastic nightmare, part homosexual, part drug addict, part sadist.[114] Kubrick encouraged Sellers to improvise and stated that he would often reach a state of comic ecstasy.[115] Kubrick had American jazz producer Norman Granz record portions of the script for Sellers to listen to, so he could study the voice and develop confidence, granting Sellers a free artistic licence.[113] Sellers later claimed that his relationship with Kubrick became one of the most rewarding of his career.[116] Writing in The Sunday Times, Dilys Powell noted that Sellers gave a firework performance, funny, malicious, only once for a few seconds overreaching itself, and in the murder scene which is both prologue and epilogue achieving the macabre in comedy.[117] Towards the end of 1962, Sellers appeared in The Dock Brief, a legal satire directed by James Hill and co-starring Richard Attenborough.[118]Sellerss behaviour towards his family worsened in 1962, according to his son Michael, Sellers asked him and his sister Sarah who we love more, our mother or him. Sarah, to keep the peace, said, I love you both equally. I said, No, I love my mum. This prompted Sellers to throw both children out, saying that he never wanted to see them again.[119] At the end of 1962, his marriage to Anne broke down.[120][e] In 1963, Sellers starred as gang leader Pearly Gates in Cliff Owens The Wrong Arm of the Law,[122] followed by his portrayal of a vicar in Heavens Above!.[123]Ill play Clouseau with great dignity, because he thinks of himself as one of the worlds best detectives. Even when he comes a cropper, he must pick himself up with that notion intact. The original script makes him out to be a complete idiot. I think a forgivable vanity would humanize him and make him kind of touching. Its as if filmgoers are kept one fall ahead of him.—Sellers on portraying Clouseau.[124]After his fathers death in October 1962, Sellers decided to leave England and was approached by director Blake Edwards who offered him the role of Inspector Clouseau in The Pink Panther, after Peter Ustinov had backed out of the film.[125] Edwards later recalled his feelings as desperately unhappy and ready to kill, but as fate would have it, I got Mr. Sellers instead of Mr. Ustinov—thank God![126] Sellers accepted a fee of ?90,000 (?704,054 in 2021 pounds)[127] for five weeks work on location in Rome and Cortina.[128] The film starred David Niven in the principal role, with two other actors—Capucine and Claudia Cardinale—having more prominent roles than Sellers.[129] However, Sellerss performance is regarded as being on par with that of Charlie Chaplin and Buster Keaton, according to biographer Peter Evans.[129] Although the Clouseau character was in the script, Sellers created the personality, devising the costume, accent, make-up, moustache and trench coat.[124]The Pink Panther was released in the UK in January 1964[130] and received a mixed reception from the critics,[131] although Penelope Gilliatt, writing in The Observer, remarked that Sellers had a flawless sense of mistiming in a performance that was one of the most delicate studies in accident-proneness since the silents.[132] Despite the views of the critics, the film was one of the top ten grossing films of the year.[133] The role earned Sellers a nomination for the Golden Globe Award for Best Actor – Motion Picture Musical or Comedy at the 22nd Golden Globe Awards,[134] and for a Best British Actor award at the 18th British Academy Film Awards.[135]Dr. Strangelove, health problems, a second marriage and Casino Royale (1964–69)Sellers in the 1966 film After the FoxIn 1963, Stanley Kubrick cast Sellers to appear in Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb alongside George C. Scott, Sterling Hayden, Keenan Wynn and Slim Pickens. Sellers and Kubrick got on famously during the films production and had the greatest of respect for each other, also sharing a love of photography.[136] The director asked Sellers to play four roles: US President Merkin Muffley, Dr. Strangelove, Group Captain Lionel Mandrake of the RAF and Major T. J. King Kong.[137] Sellers was initially hesitant about taking on these divergent characters, but Kubrick prevailed.[137] According to some accounts, Sellers was also invited to play the part of General Buck Turgidson, but turned it down because it was too physically demanding.[138] Kubrick later commented that the idea of having Sellers in so many of the films key roles was that everywhere you turn there is some version of Peter Sellers holding the fate of the world in his hands.[139] Sellers was especially anxious about successfully enacting the role of Kong and accurately affecting a Texan accent.[140] Kubrick requested screenwriter Terry Southern to record in his natural accent a tape of Kongs lines.[141] After practising with Southerns recording, Sellers got sufficient control of the accent, and started shooting the scenes in the aeroplane. After the first days shooting, Sellers sprained his ankle while leaving a restaurant and could no longer work in the cramped cockpit set.[142] Kubrick then re-cast Slim Pickens as Kong.[143] The three roles Sellers undertook were distinct, variegated, complex and refined,[144] and critic Alexander Walker considered that these roles showed his genius at full stretch.[145] Sellers played Muffley as a bland, placid intellectual in the mould of Adlai Stevenson,[146] he played Mandrake as an unflappable Englishman,[144] and Dr. Strangelove, a character influenced by pre-war German cinema, as a wheelchair-bound fanatic.[147] The critic for The Times wrote that the film includes, three remarkable performances from Mr. Peter Sellers, masterly as the President, diverting as a revue-sketch ex-Nazi US Scientist … and acceptable as an RAF officer,[148] although the critic from The Guardian thought his portrayal of the RAF officer alone was, worth the price of an admission ticket.[149] For his performance in all three roles, Sellers was nominated for an Academy Award for Best Actor at the 37th Academy Awards,[150] and the Best British Actor award at the 18th British Academy Film Awards.[135]Between November 1963 and February 1964, Sellers began filming A Shot in the Dark,[151] an adaptation of a French play, LIdiote by Marcel Achard.[152] Sellers found the part and the director, Anatole Litvak, uninspiring, the producers brought in Blake Edwards to replace Litvak. Together with writer William Peter Blatty, they turned the script into a Clouseau comedy, also adding Herbert Lom as Commissioner Dreyfus and Burt Kwouk as Cato. During filming, Sellerss relationship with Edwards became strained, the two would often stop speaking to each other during filming, communicating only by the passing of notes.[153] Sellerss personality was described by others as difficult and demanding, and he often clashed with fellow actors and directors.[154] Upon its release in late June 1964, Bosley Crowther noted the joyously free and facile way in which Sellers had developed his comedy technique.[155]I feel extremely vulnerable, and I need help a lot. A lot. I suppose I feel mainly I need the help of a woman. Im continually searching for this woman. They mother you, theyre great in bed, theyre like a sister, theyre there when you want to see them, theyre not there when you dont. I dont know where they are. Maybe theyre around somewhere. Ill find one, one of these days.—Sellers on his need for women.[156]Towards the end of filming, in early February 1964, Sellers met Britt Ekland, a Swedish actress who had arrived in London to film Guns at Batasi. On 19 February 1964, just ten days after their first meeting, the couple married.[140] Sellers soon showed signs of insecurity and paranoia, he would become highly anxious and jealous, for example, when Ekland starred opposite attractive men.[157] Shortly after the wedding, Sellers started filming on location in Twentynine Palms, California for Billy Wilders Kiss Me, Stupid, opposite Dean Martin and Kim Novak.[158] The relationship between Wilder and Sellers became strained, both had different approaches to work and often clashed as a result.[159] On the night of 5 April 1964, prior to having sex with Ekland, Sellers took amyl nitrites (poppers) as a sexual stimulant in his search for the ultimate orgasm,[160] and suffered a series of eight heart attacks over the course of three hours as a result.[161] His illness forced him to withdraw from the filming of Kiss Me, Stupid and he was replaced by Ray Walston.[162] Wilder was unsympathetic about the heart attacks, saying that you have to have a heart before you can have an attack.[163]After some time recovering, Sellers returned to filming in October 1964, playing King of the Individualists alongside Ekland in Carol for Another Christmas,[164][f] a United Nations special, broadcast on the ABC channel on 28 December 1964.[165] Sellers had been concerned that his heart attacks might have caused brain damage[164] and that he would be unable to remember his lines, but he was reassured that his memory and abilities were unimpaired after the experience of filming.[166] Sellers followed this with the role of the perverted Austrian psychoanalyst Doctor Fritz Fassbender in Clive Donners Whats New Pussycat?, appearing alongside Peter OToole, Romy Schneider, Capucine, Paula Prentiss and Ursula Andress.[129] The film was the first screenwriting and acting credit for Woody Allen, and featured Sellers in a love triangle.[167][168] Because of Sellerss poor health, producer Charles K. Feldman insured him at a cost of $360,000[169] ($2,779,957 in 2021 dollars).[170]Peter Sellers and Britt Ekland in 1964Sellers became a close friend of Antony Armstrong-Jones, 1st Earl of Snowdon, a photographer who was then married to Princess Margaret. Snowdon shared a love of women, photography, fine wine and fast cars with Sellers, both were also prone to bouts of depression.[171] They spent many weekends together with their wives and went on several holidays on board Sellerss yacht Bobo in Sardinia.[171] On 20 January 1965, Sellers and Ekland announced the birth of a daughter, Victoria.[172] They moved to Rome in May to film After the Fox, an Anglo-Italian production in which they were both to appear.[173] The film was directed by Vittorio De Sica, whose English Sellers struggled to understand.[174] Sellers attempted to have De Sica fired, causing tensions on the set.[174] Sellers also became unhappy with his wifes performance, straining their relationship[175] and triggering open arguments during one of which Sellers threw a chair at Ekland.[176] Despite these conflicts, the script was praised for its wit.[177][178]Following the commercial success of Whats New Pussycat?, Charles Feldman again brought together Sellers and Woody Allen for his next project, Casino Royale, which also starred Orson Welles,[179] Sellers signed a $1 million contract for the film[180] ($7,182,635 in 2021 dollars).[170] Seven screenwriters worked on the project,[179] and filming was chaotic.[181] To make matters worse, according to Ekland, Sellers was so insecure, he wont trust anyone.[182] A poor working relationship quickly developed between Sellers and Welles: Sellers eventually demanded that the two should not share the same set.[183] Sellers left the film before his part was complete. A further agents part was then written for Terence Cooper, to cover Sellerss departure.[184][g]Shortly after leaving Casino Royale, Sellers was appointed a Commander of the Most Excellent Order of the British Empire (CBE) in honour of his career achievements.[187] The day before the investiture at Buckingham Palace, Sellers and Ekland argued, with Ekland scratching his face in the process, Sellers had a make-up artist cover the marks.[188] Ekland later reported that although the couple argued, Sellers never hit her.[189] During his next film, The Bobo, which again co-starred Ekland, the couples marital problems worsened. Three weeks into production in Italy, Sellers told director Robert Parrish to fire his wife, saying Im not coming back after lunch if that bitch is on the set.[190] Ekland later stated that the marriage was an atrocious sham at this stage.[191] In the midst of filming The Bobo, Sellerss mother had a heart attack, Parrish asked Sellers if he wanted to visit her in hospital, but Sellers remained on set. She died within days, without Sellers having seen her.[192] He was deeply affected by her death and remorseful at not having returned to London to see her.[193] Ekland served him with divorce papers shortly afterwards. The divorce was finalised on 18 December 1968, and Sellerss friend Spike Milligan sent Ekland a congratulatory telegram.[194] Upon its release in September 1967, The Bobo was poorly received.[195]Sellerss first film appearance of 1968 was a reunion with Blake Edwards for the fish-out-of-water comedy The Party, in which he starred alongside Claudine Longet and Denny Miller. He appears as Hrundi V. Bakshi, a bungling Indian actor who accidentally receives an invitation to a lavish Hollywood dinner party. His character, according to Sellerss biographer Peter Evans, was clearly an amalgam of Clouseau and the doctor in The Millionairess.[196] Roger Lewis notes that like a number of Sel


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