Victor Borge Net Worth 2022

January 1, 2020

Victor Borge Net Worth

How much is Victor Borge worth? For this question we spent 21 hours on research (Wikipedia, Youtube, we read books in libraries, etc) to review the post.

The main source of income: Comedians
Total Net Worth at the moment 2022 year – is about $10 Million.



Victor Borge information Birth date: January 3, 1909, Copenhagen, Denmark Death date: December 23, 2000, Greenwich, Connecticut, United States Birth place: Copenhagen Profession:Comedian, Pianist, Conductor, Actor Nationality:Denmark Spouse:Sarabel Sanna Scraper (m. 1953–2000), Elsie Chilton (m. 1933–1953) Children:Ronald Borge, Frederikke Borge, Sanna Feinstein, Vebe Borge, Janet Crowle

Height, Weight

:How tall is Victor Borge – 1,62m.
How much weight is Victor Borge – 76kg


Victor Borge Net Worth
Victor Borge Net Worth
Victor Borge Net Worth
Victor Borge Net Worth


Victor Borge (b. January 3, 1909, Copenhagen, Denmark d. December 23, 2000, Greenwich, Connecticut) was a humorist, entertainer and world-class pianist affectionately known as the Clown Prince of Denmark and the Great Dane.He was a popular artist in his native Denmark until…
Biography,Early life and careerRosenbaum was born in Copenhagen, Denmark, into a Jewish family. His parents, Bernhard and Frederikke (Lichtinger) Rosenbaum, were both musicians: his father a violist in the Royal Danish Orchestra, and his mother a pianist. Borge began piano lessons at the age of two, and it was soon apparent that he was a prodigy. He gave his first piano recital when he was eight years old, and in 1918 was awarded a full scholarship at the Royal Danish Academy of Music, studying under Olivo Krause. Later on, he was taught by Victor Schioler, Liszts student Frederic Lamond, and Busonis pupil Egon Petri.Borge played his first major concert in 1926 at the Danish concert-hall Odd Fellow Pal?et (The Odd Fellows Lodge building). After a few years as a classical concert pianist, he started his now famous stand up act, with the signature blend of piano music and jokes. He married American Elsie Chilton in 1933, the same year he debuted with his revue acts. Borge started touring extensively in Europe, where he began telling anti-Nazi jokes.When the German armed forces occupied Denmark on April 9, 1940, during World War II, Borge was playing a concert in Sweden and managed to escape to Finland. He traveled to America on the United States Army transport American Legion, the last neutral ship to make it out of Petsamo, Finland,[11] and arrived 28 August 1940, with only $20 (about $342 today), with $3 going to the customs fee. Disguised as a sailor, Borge returned to Denmark once during the occupation to visit his dying mother.[12]Move to AmericaEven though Borge did not speak a word of English upon arrival, he quickly managed to adapt his jokes to the American audience, learning English by watching movies. He took the name of Victor Borge, and in 1941, he started on Rudy Vallees radio show.[13] He was hired soon after by Bing Crosby for his Kraft Music Hall program.[14]Borge rose quickly to fame, winning Best New Radio Performer of the Year in 1942. Soon after the award, he was offered film roles with stars such as Frank Sinatra (in Higher and Higher). While hosting The Victor Borge Show on NBC beginning in 1946,[15] he developed many of his trademarks, including repeatedly announcing his intent to play a piece but getting distracted by something or other, making comments about the audience, or discussing the usefulness of Chopins Minute Waltz as an egg timer.[16] He would also start out with some well-known classical piece like Beethovens Moonlight Sonata and suddenly move into a harmonically similar pop or jazz tune, such as Cole Porters Night and Day or Happy Birthday to You.Borges styleOne of Borges other famous routines is Phonetic Punctuation, in which he read a passage from a book and added exaggerated sound effects to stand for all of the punctuation marks, such as periods, commas, and exclamation marks.[17] Another is his Inflationary Language, in which he added one to every number or homophone of a number in the words he spoke. For example: once upon a time becomes twice upon a time, wonderful becomes twoderful, forehead becomes fivehead, anyone for tennis becomes anytwo five elevennis, I ate a tenderloin with my fork and so on and so forth becomes I nine an elevenderloin with my fivek and so on and so fifth.[14]Borge performing before an audience in 1957Borge used physical and visual elements in his live and televised performances. He would play a strange-sounding piano tune from sheet music, looking increasingly confused, turning the sheet upside down or sideways, he would then play the actual tune, flashing a joyful smile of accomplishment to the audience (he had, at first, been literally playing the tune upside down or sideways). When his energetic playing of another song would cause him to fall off the piano bench, he would open the seat lid, take out the two ends of an automotive seat belt, and buckle himself onto the bench, for safety. Conducting an orchestra, he might stop and order a violinist who had played a sour note to get off the stage, then resume the performance and have the other members of the section move up to fill the empty seat while they were still playing. From off stage would come the sound of a gunshot. His musical sidekick in the 1950s, Leonid Hambro, was a well-known concert pianist. In 1968, classical pianist Sahan Arzruni joined him as his straight man, performing together on one piano a version of Liszts Second Hungarian Rhapsody, considered a musical-comedic classic.[18]He also enjoyed interacting with the audience. Seeing an interested person in the front row, he would ask them, Do you like good music? or Do you care for piano music? After an affirmative answer, Borge would take a piece of sheet music from his piano and say, Here is some, and hand it over. After the audiences laughter died down, he would say, Thatll be $1.95 (or whatever the current price might be). He would then ask whether the audience member could read music, if the member said yes, he would ask a higher price. If he got no response from the audience after a joke, he would often add …when this ovation has died down, of course. The delayed punch line to handing the person the sheet music would come when he would reach the end of a number and begin playing the penultimate notes over and over, with a puzzled look. He would then go back to the person in the audience, retrieve the sheet music, tear off a piece of it, stick it on the piano, and play the last couple of notes from it.Making fun of modern theater, he would sometimes begin a performance by asking if there were any children in the audience. There always were, of course. He would sternly order them out, then say, We do have some children in here, that means I cant do the second half in the nude. Ill wear the tie. (pause) The long one. (pause) The very long one, yes.[19]In his stage shows in later years, he would include a segment with opera singer Marylyn Mulvey. She would try to sing an aria, and he would react and interrupt, with such antics as falling off the bench in surprise when she hit a high note. He would also remind her repeatedly not to rest her hand on the piano. After the routine, the spotlight would fall upon Mulvey and she would sing a serious number with Borge accompanying in the background.Later careerBorge appeared on Toast of the Town hosted by Ed Sullivan several times during 1948. He became a naturalized citizen of the United States the same year. He started the Comedy in Music show at John Golden Theatre in New York City on 2 October 1953. Comedy in Music became the longest running one-man show in the history of theater with 849 performances when it closed on 21 January 1956, a feat which placed it in the Guinness Book of World Records.[20]Continuing his success with tours and shows, Borge played with and conducted orchestras including the Chicago Symphony Orchestra,[21] the New York Philharmonic[22] and London Philharmonic.[23] Always modest, he felt honored when he was invited to conduct the Royal Danish Orchestra at the Royal Danish Theatre in Copenhagen, Denmark, in 1992.His later television appearances included his Phonetic Punctuation routine on The Electric Company in a filmed sketch.[24] He would also use this sketch on The Electric Companys LP record to follow, during its Punctuation song.[25] In addition, he appeared several times on Sesame Street,[26][27][28][29] and he was a guest star during the fourth season of The Muppet Show.[30][31][32]Victor Borge continued to tour until his last days, performing up to 60 times per year when he was 90 years old.Other endeavorsBorge made several appearances on the long-running TV show Whats My Line?, both as a celebrity panelist, and as a contestant with the occupation poultry farmer (the latter was not a comedy routine, as a business venture, Borge raised and popularized Rock Cornish game hens starting in the 1950s).[33]Borge helped start several trust funds, including the Thanks to Scandinavia Fund,[34] which was started in dedication to those who helped the Jews escape the German persecution during the war.[34]Aside from his musical work, Borge wrote three books, My Favorite Intermissions[35] and My Favorite Comedies in Music[36] (both with Robert Sherman), and the autoBiography, Smilet er den korteste afstand (The Smile is the Shortest Distance) with Niels-Jorgen Kaiser.[37]In 1979, Borge founded the American Pianists Association (then called the Beethoven Foundation) with Julius Bloom and Anthony P. Habig. The American Pianists Association now produces two major piano competitions: the Classical Fellowship Awards and the Jazz Fellowship Awards.[38]


Wikipedia Source: Victor Borge

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