How rich is Alan Garner? Net Worth


Alan Garner Net Worth

How much is Alan Garner worth? For this question we spent 29 hours on research (Wikipedia, Youtube, we read books in libraries, etc) to review the post.

The main source of income: Authors
Total Net Worth at the moment 2024 year – is about $15,4 Million.



Alan Garner information Birth date: October 17, 1934 Birth place: Congleton, Cheshire, England, UK Profession:Writer, Producer, Miscellaneous Crew Nationality:British Spouse:Griselda Garner

Height, Weight

:How tall is Alan Garner – 1,80m.
How much weight is Alan Garner – 77kg


Alan Garner Net Worth
Alan Garner Net Worth
Alan Garner Net Worth
Alan Garner Net Worth


Alan Garner OBE (born 17 October 1934) is an English novelist best known for his childrens fantasy novels and his retellings of traditional British folk tales. His work is firmly rooted in the landscape, history and folklore of his native county of Cheshire, North West England, being set in the region and making use of the native Cheshire dialect.Born in Congleton, Garner grew up around the nearby town of Alderley Edge, and spent much of his youth in the wooded area known locally as The Edge, where he gained an early interest in the folklore of the region. Studying at Manchester Grammar School and then briefly at Oxford University, in 1957 he moved to the nearby village of Blackden, where he bought and renovated an Early Modern building known as Toad Hall. His first novel, The Weirdstone of Brisingamen, was published in 1960. A childrens fantasy novel set on the Edge, it incorporated elements of local folklore in its plot and characters. Garner completed a sequel, The Moon of Gomrath (1963), but left the third book of the trilogy he had envisioned. Instead he produced a string of further fantasy novels, Elidor (1965), The Owl Service (1967) and Red Shift (1973).Turning away from fantasy as a genre, Garner produced The Stone Book Quartet (1979), a series of four short novellas detailing a day in the life of four generations of his family. He also published a series of British folk tales which he had rewritten in a series of books entitled Alan Garners Fairy Tales of Gold (1979), Alan Garners Book of British Fairy Tales (1984) and A Bag of Moonshine (1986). In his subsequent novels, Strandloper (1996) and Thursbitch (2003), he continued writing tales revolving around Cheshire, although without the fantasy elements which had characterised his earlier work. In 2012, he finally published a third book in the Weirdstone trilogy, Boneland.
Biography,Early life: 1934–56I had to get aback [to familial ways of doing things], by using skills that had been denied to my ancestors, but I had nothing that they would have called worthwhile. My ability was in language and languages. I had to use that, somehow. And writing was a manual craft. But what did I know that I could write about? I knew the land.Alan Garner, 2010Garner was born in the front room of his grandmothers house in Congleton, Cheshire, on 17 October 1934. He grew up nearby, in Alderley Edge, a well-to-do village that had effectively become a suburb of Manchester. His rural working-class family, had been connected to Alderley Edge since at least the sixteenth century, and could be traced back to the death of William Garner in 1592. Garner claims that his family had passed on a genuine oral tradition involving folk tales about The Edge, which included a description of a king and his army of knights who slept under it, guarded by a wizard. In the mid-nineteenth century Alans great-great grandfather Robert had carved the face of a bearded wizard onto the face of a cliff next to a well, known locally at that time as the Wizards Well.Robert Garner and his other relatives had all been craftsmen, and, according to Garner, each successive generation had tried to improve on, or do something different from, the previous generation. Garners grandfather, Joseph Garner, could read, but didnt and so was virtually unlettered. Instead he taught his grandson the folk tales he knew about The Edge. Garner later remarked that as a result he was aware of [the Edges] magic as a child, and he and his friends often played there. The story of the king and the wizard living under the hill played an important part in his life, becoming, he explained, deeply embedded in my psyche and heavily influencing his later novels.Garner faced several life-threatening childhood illnesses, which left him bed ridden for much of the time. He went to a local village school, where he found that, despite being praised for his intelligence, he was punished for speaking in his native Cheshire dialect, for instance, when he was six his primary school teacher washed his mouth out with soapy water. Garner then won a place at Manchester Grammar School, where he received his secondary education, entry was means-tested, resulting in his school fees being waived. Rather than focusing his interest on creative writing, it was here that he excelled at sprinting. He used to go jogging along the highway, and later claimed that in doing so he was sometimes accompanied by the mathematician Alan Turing, who shared his fascination with the Disney film Snow White and the Seven Dwarfs.[11] Garner was then conscripted into national service, serving for a time with the Royal Artillery while posted to Woolwich in Southeast London.[12]At school, Garner had developed a keen interest in the work of Aeschylus and Homer, as well as the Ancient Greek language. Thus, he decided to pursue the study of Classics at Magdalen College, Oxford, passing his entrance exams in January 1953, at the time he had thoughts of becoming a professional academic. He was the first member of his family to receive anything more than a basic education, and he noted that this removed him from his cultural background and led to something of a schism with other members of his family, who could not cope with me, and I could not cope with them. Looking back, he remarked, I soon learned that it was not a good idea to come home excited over irregular verbs. In 1955, he joined the university theatrical society, playing the role of Mark Antony in a performance of William Shakespeares Antony and Cleopatra where he co-starred alongside Dudley Moore and where Kenneth Baker was the stage manager. In August 1956, he decided that he wished to devote himself to novel writing, and decided to abandon his university education without taking a degree, he left Oxford in late 1956.[12] He nevertheless felt that the academic rigour which he learned during his university studies has remained a permanent strength through all my life.The Weirdstone of Brisingamen and The Moon of Gomrath: 1957–64Aged 22, Garner was out cycling when he came across a hand-painted sign announcing that an agricultural cottage in Toad Hall – a Late Medieval building situated in Blackden, seven miles from Alderley Edge – was on sale for ?510. Although he personally could not afford it, he was lent the money by the local Oddfellow lodge, enabling him to purchase and move in to the cottage in June 1957.[13] In the late nineteenth century the Hall had been divided into two agricultural labourers cottages, but Garner was able to purchase the second for ?150 about a year later, he proceeded to knock down the dividing walls and convert both halves back into a single home.[13]In 1957, Garner purchased and began renovating Toad Hall at Blackden, CheshireGarner had begun writing his first novel, The Weirdstone of Brisingamen: A Tale of Alderley, in September 1956. However it was while at Toad Hall that he finished the book. Set in Alderley Edge, it revolved around two children, Susan and Colin, who are sent to live in the area with their mothers old nurse maid, Bess, and her husband, Gowther Mossock. Setting about to explore the Edge, they discover a race of malevolent creatures, the svart alfar, who dwell in the Edges abandoned mines and who seem intent on capturing them, until they are rescued by the wizard Cadellin who reveals that the forces of darkness are massing at the Edge in search of the eponymous weirdstone of Brisingamen.[14] Whilst engaged in writing in his spare time, Garner attempted to gain employment as a teacher, but soon gave that up, believing that I couldnt write and teach, the energies were too similar, and so began working as a general labourer for four years, remaining unemployed for much of that time.Garner sent his debut novel to the publishing company Collins, where it was picked up by the companys head, Sir William Collins, who was on the look out for new fantasy novels following on from the recent commercial and critical success of J.R.R. Tolkiens The Lord of the Rings (1954–55).[15] Garner, who went on to become a personal friend of Collins, would later relate that Billy Collins saw a title with funny-looking words in it on the stockpile, and he decided to publish it.[15] On its release in 1960, The Weirdstone of Brisingamen proved to be a critical and commercial success,[16] later being described as a tour de force of the imagination, a novel that showed almost every writer who came afterwards what it was possible to achieve in novels ostensibly published for children.[17] Garner himself however would later denounce this novel as a fairly bad book in 1968.[18]With his first book published, Garner abandoned his work as a labourer and gained a job as a freelance television reporter, living a hand to mouth lifestyle on a shoestring budget. He also worked on a sequel to The Weirdstone of Brisingamen, which would be known as The Moon of Gomrath. The Moon of Gomrath also revolves around the adventures of Colin and Susan, with the latter being possessed by a malevolent creature called the Brollachan who has recently entered the world. With the help of the wizard Cadellin, the Brollachan is exorcised, but Susans soul also leaves her body, being sent to another dimension, leading Colin to find a way to bring it back.[19] Critic Neil Philip characterised it as an artistic advance but a less satisfying story.[19] In a 1989 interview, Garner stated that he had left scope for a third book following the adventures of Colin and Susan, envisioning a trilogy, but that he had intentionally decided not to write it, instead moving on to write something different. However Boneland, the conclusion to the sequence, was belatedly published in August 2012.[20]Elidor, The Owl Service and Red Shift: 1964–73In 1962 Garner began work on a radio play named Elidor, which would result in the completion of a novel of the same name.[21] Set in contemporary Manchester, Elidor tells the story of four children who enter into a derelict Victorian church, in which they find a portal to the magical realm of Elidor. Here, they are entrusted by King Malebron to help rescue four treasures which have been stolen by the forces of evil who are attempting to take control of the kingdom. Successfully doing so, the children return to Manchester with the treasures, but are pursued by the malevolent forces who need them to seal their victory.[21]As I turned toward writing, which is partially intellectual in its function, but is primarily intuitive and emotional in its execution, I turned towards that which was numinous and emotional in me, and that was the legend of King Arthur Asleep Under the Hill. It stood for all that Id had to give up in order to understand what Id had to give up. And so my first two books, which are very poor on characterization because I was somehow numbed in that area, are very strong on imagery and landscape, because the landscape I had inherited along with the legend.Alan Garner, 1989Before writing Elidor, Garner had seen a dinner service set which could be arranged to make pictures of either flowers or owls. Inspired by this design, he produced his fourth novel, The Owl Service.[22] The story was also heavily influenced by the Medieval Welsh tale of Math fab Mathonwy from, the Mabinogion.[22] The Owl Service was critically acclaimed, winning both the Carnegie Medal and Guardian Childrens Fiction Prize.[22] It also sparked discussions among critics as to whether Garner should properly be considered a childrens writer, given that this book in particular was deemed equally suitable for an adult readership.[22]It took Garner six years to write his next novel, Red Shift.[23] In this, he provided three intertwined love stories, one set in the present, another during the English Civil War, and the third in the second century CE.[24] Philip referred to it as a complex book but not a complicated one: the bare lines of story and emotion stand clear.[24] Academic specialist in childrens literature Maria Nikolajeva characterised Red Shift as a difficult book for an unprepared reader, identifying its main themes as those of loneliness and failure to communicate.[25] Ultimately, she thought that repeated re-readings of the novel bring about the realisation that it is a perfectly realistic story with much more depth and psychologically more credible than the most so-called realistic juvenile novels.[26]The Stone Book series and folkloric collections: 1974–94From 1976 to 1978, Garner published a series of four novellas, which have come to be collectively known as The Stone Book quartet: The Stone Book, Granny Reardun, The Aimer Gate, and Tom Fobbles Day.[24] Each focused on a day in the life of a child in the Garner family, each from a different generation.[23] In a 1989 interview, Garner noted that although writing The Stone Book Quartet had been exhausting, it had been the most rewarding of everything hed done to date. Philip described the quartet as a complete command of the material he had been working and reworking since the start of his career.[24] Garner pays particular attention to language, and strives to render the cadence of the Cheshire tongue in modern English. This he explains by the sense of anger he felt on reading Sir Gawain and the Green Knight: the footnotes would not have been needed by his father.[citation needed]In 1981, the literary critic Neil Philip published an analysis of Garners novels as A Fine Anger, which was based on his doctoral thesis, produced for the University of London in 1980.[27] In this study he noted that The Stone Book quartet marks a watershed in Garners writing career, and provides a suitable moment for an evaluation of his work thus far.[23]Strandloper, Thursbitch and Boneland: 1995–presentGarner at his home in Blackden, 2011In 1996, Garners novel Strandloper was published. His collection of essays and public talks, The Voice That Thunders, contains much autobiographical material (including an account of his life with bipolar disorder), as well as critical reflection upon folklore and language, literature and education, the nature of myth and time. In The Voice That Thunders he reveals the commercial pressure placed upon him during the decade-long drought which preceded Strandloper to forsake literature, and become instead a popular writer, cashing in on my established name by producing sequels to, and making series of, the earlier books.[28] Garner feared that making series … would render sterile the existing work, the life that produced it, and bring about my artistic and spiritual death[29] and felt unable to comply.Garners novel, Thursbitch, was published in 2003. Garners novel, Boneland, was published in 2012, nominally completing a trilogy begun some 50 years earlier with The Weirdstone of Brisingamen.


Wikipedia Source: Alan Garner

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