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Anton Bruckner Net Worth
How rich is Josef Anton Bruckner? For this question we spent 10 hours on research (Wikipedia, Youtube, we read books in libraries, etc) to review the post.
The main source of income: Musicians
Total Net Worth at the moment 2024 year – is about $217,6 Million.
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Biography
Josef Anton Bruckner information Birth date: September 4, 1824, Ansfelden, Austria Death date: October 11, 1896, Vienna, Austria Birth place: Ansfelden, Upper Austria, Austria Profession:Soundtrack, Music Department Parents:Therese Helm, Anton Bruckner Sr.
Height, Weight
:How tall is Anton Bruckner – 1,87m.
How much weight is Anton Bruckner – 83kg
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Anton Bruckner (German: [?ant?n ?b??kn?] (13px ), (1824-09-04)4 September 1824 – 11 October 1896(1896-10-11)) was an Austrian composer known for his symphonies, masses, and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner', s compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies.Unlike other musical radicals, such as Richard Wagner or Hugo Wolf who fitted the enfant terrible mould, Bruckner showed extreme humility before other musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music.His works, the symphonies in particular, had detractors, most notably the influential Austrian critic Eduard Hanslick, and other supporters of Johannes Brahms (and detractors of Wagner), who pointed to their large size, use of repetition, and Bruckner', s propensity to revise many of his works, often with the assistance of colleagues, and his apparent indecision about which versions he preferred. On the other hand, Bruckner was greatly admired by subsequent composers, including his friend Gustav Mahler, who described him as ", half simpleton, half God", .
Biography,Early lifeThe house in Ansfelden, Austria, where Anton Bruckner was bornAnton Bruckner was born in Ansfelden (then a village, now a suburb of Linz) on 4 September 1824. The ancestors of Bruckners family were farmers and craftsmen, their history can be traced to as far back as the 16th century. They lived near a bridge south of Sindelburg, which led to their being called Pruckhner an der Pruckhen (bridgers on the bridge). Bruckners grandfather was appointed schoolmaster in Ansfelden in 1776, this position was inherited by Bruckners father, Anton Bruckner senior, in 1823. It was a poorly paid but well-respected position in the rural environment. Music was a part of the school curriculum, and Bruckners father was his first music teacher. Bruckner learned to play the organ early as a child. He entered school when he was six, proved to be a hard-working student, and was promoted to upper class early. While studying, Bruckner also helped his father in teaching the other children. After Bruckner received his confirmation in 1833, Bruckners father sent him to another school in Horsching. The schoolmaster, Johann Baptist Wei?, was a music enthusiast and respected organist. Here, Bruckner completed his school education and learned to play the organ excellently. Around 1835 Bruckner wrote his first composition, a Pange lingua – one of the compositions which he revised at the end of his life. When his father became ill, Anton returned to Ansfelden to help him in his work.Teachers educationSt Florians Priory, where Bruckner lived on many occasions during his lifeBruckners father died in 1837, when Bruckner was 13 years old. The teachers position and house were given to a successor, and Bruckner was sent to the Augustinian monastery in Sankt Florian to become a choirboy. In addition to choir practice, his education included violin and organ lessons. Bruckner was in awe of the monasterys great organ, which was built during the late baroque era and rebuilt in 1837, and he sometimes played it during church services. Later, the organ was to be called the Bruckner Organ. Despite his musical abilities, Bruckners mother sent her son to a teaching seminar in Linz in 1841.After completing the seminar with an excellent grade, Bruckner was sent as a teachers assistant to a school in Windhaag. The living standards and pay were horrible, and Bruckner was constantly humiliated by his superior, teacher Franz Fuchs. Despite the difficult situation, Bruckner never complained or rebelled, a belief of inferiority was to remain one of Bruckners main personal characteristics during his whole life. He would stay at Windhaag from age 17–19, teaching subjects that had nothing to do with music.Prelate Michael Arneth noticed Bruckners bad situation in Windhaag and awarded him a teachers assistant position in the vicinity of the monastic town of Sankt Florian, sending him to Kronstorf an der Enns for two years. Here he would be able to have more of a part in musical activity. The time in Kronstorf was a much happier one for Bruckner. Between 1843 and 1845, Bruckner was the pupil of Leopold von Zenetti in Enns. Compared to the few works he wrote in Windhaag, the Kronstorf compositions from 1843–1845 show a significantly improved artistic ability, and finally the beginnings of what could be called the Bruckner style. Among the Kronstorf works is the vocal piece Asperges (WAB 4), which the young teachers assistant, out of line of his position, signed with Anton Bruckner m.p.ria. Comp[onist]. This has been interpreted as a lone early sign of Bruckners artistic ambitions. Otherwise, little is known of Bruckners life plans and intentions.[11]Organist in Sankt FlorianThe Bruckner Organ in Sankt FlorianAfter the Kronstorf period, Bruckner returned to Sankt Florian in 1845, where, for the next 10 years, he would work as a teacher and an organist. In May 1845, Bruckner passed an examination, which allowed him to begin work as an assistant teacher in one of the village schools of Sankt Florian. He continued to improve his education by taking further courses, passing an examination giving him the permission to also teach in higher education institutes, receiving the grade very good in all disciplines.[12] In 1848 Bruckner was appointed an organist in Sankt Florian and in 1851 this was made a regular position. In Sankt Florian, most of the repertoire consisted of the music of Michael Haydn, Johann Georg Albrechtsberger and Franz Joseph Aumann.[13] During his stay in Sankt Florian Bruckner continued to work with Zenetti.[14]Study periodIn 1855, Bruckner, aspiring to become a student of the famous Vienna music theorist Simon Sechter, showed the master his Missa solemnis (WAB 29), written a year earlier, and was accepted. The education, which included skills in music theory and counterpoint among others, took place mostly via correspondence, but also included long in-person sessions in Vienna. Sechters teaching would have a profound influence on Bruckner. Later, when Bruckner began teaching music himself, he would base his curriculum on Sechters book Die Grundsatze der musikalischen Komposition (Leipzig 1853/54).[15]In 1861, Bruckner studied further with Otto Kitzler, who was nine years younger than he and who introduced him to the music of Richard Wagner, which Bruckner studied extensively from 1863 onwards. Bruckner considered the earliest orchestral works (the study Symphony in F minor, the three orchestral pieces, the March in D minor and the Overture in G minor, which he composed in 1862-1863), mere school exercises, done under the supervision of Otto Kitzler. He continued his studies to the age of 40. Broad fame and acceptance did not come until he was over 60 (after the premiere of his Seventh Symphony in 1884). In 1861 he had already made the acquaintance of Franz Liszt who, like Bruckner, had a strong, Catholic religious faith and who first and foremost was a harmonic innovator, initiating the new German school together with Wagner. In May 1861 he made his concert debut, as both composer and conductor of his Ave Maria, set in seven parts.[16] Soon after Bruckner had ended his studies under Sechter and Kitzler, he wrote his first mature work, the Mass in D Minor. From 1861 to 1868, he alternated his time between Vienna and Sankt Florian. He wished to ensure he knew how to make his music modern, but he also wanted to spend time in a more religious setting.The Vienna periodBruckner, c. 1860In 1868, after Sechter had died, Bruckner hesitantly accepted Sechters post as a teacher of music theory at the Vienna Conservatory, during which time he concentrated most of his energy on writing symphonies. These symphonies, however, were poorly received, at times considered wild and nonsensical. His students at the Conservatory included Richard Robert.[17]He later accepted a post at the Vienna University in 1875,[18] where he tried to make music theory a part of the curriculum. Overall, he was unhappy in Vienna, which was musically dominated by the critic Eduard Hanslick. At the time, there was a feud between advocates of the music of Wagner and Brahms, by aligning himself with Wagner, Bruckner made an unintentional enemy out of Hanslick. He was not without supporters, though. Deutsche Zeitungs music critic Theodor Helm, and famous conductors such as Arthur Nikisch and Franz Schalk constantly tried to bring his music to the public, and for this purpose proposed improvements for making Bruckners music more acceptable to the public. While Bruckner allowed these changes, he also made sure in his will to bequeath his original scores to the Vienna National Library, confident of their musical validity.[citation needed]In addition to his symphonies, Bruckner wrote masses, motets and other sacred choral works, and a few chamber works, including a string quintet. Unlike his romantic symphonies, some of Bruckners choral works are often conservative and contrapuntal in style, however, the Te Deum, Helgoland, Psalm 150 and at least one Mass demonstrate innovative and radical uses of chromaticism.Biographers generally characterize Bruckner as a simple provincial man,[19] and many biographers have complained that there is huge discrepancy between Bruckners life and his work. For example, Karl Grebe said: his life doesnt tell anything about his work, and his work doesnt tell anything about his life, thats the uncomfortable fact any Biography, must start from.[20] Anecdotes abound as to Bruckners dogged pursuit of his chosen craft and his humble acceptance of the fame that eventually came his way. Once, after a rehearsal of his Fourth Symphony in 1881, the well-meaning Bruckner tipped the conductor Hans Richter: When the symphony was over, Richter related, Bruckner came to me, his face beaming with enthusiasm and joy. I felt him press a coin into my hand. Take this he said, and drink a glass of beer to my health. Richter, of course, accepted the coin, a Maria Theresa thaler, and wore it on his watch-chain ever after.Bruckner was a renowned organist in his day, impressing audiences in France in 1869, and England in 1871, giving six recitals on a new Henry Willis organ at Royal Albert Hall in London and five more at the Crystal Palace. Though he wrote no major works for the organ,[21] his improvisation sessions sometimes yielded ideas for the symphonies. He taught organ performance at the Conservatory, among his students were Hans Rott and Franz Schmidt. Gustav Mahler, who called Bruckner his forerunner, attended the conservatory at this time.[22]Bruckner was a lifelong bachelor who made numerous unsuccessful marriage proposals to teenage girls. One such was the daughter of a friend, called Louise, in his grief he is believed to have written the cantata Entsagen (Renunciation). His affection for teenage girls led to an accusation of impropriety where he taught music, and while he was exonerated, he decided to concentrate on teaching boys afterwards. His calendar for 1874 details the names of girls who appealed to him, and the list of such girls in all his diaries was very long. In 1880 he fell for a 17-year-old peasant girl in the cast of the Oberammergau Passion Play. His interest in young girls seems to have been motivated by his fear of sin, he believed that (unlike older women) he could be certain that he was marrying a virgin. His unsuccessful proposals to teenagers continued when he was past his 70th birthday, one prospect, Berlin hotel chambermaid Ida Buhz, came near to marrying him but broke off the engagement when she refused to convert to Catholicism.[23][24][25] He suffered from periodic attacks of depression, with his numerous failed attempts to find a female companion only adding to his unhappiness.[26]In July 1886, the Emperor decorated him with the Order of Franz Joseph.[27] He most likely retired from his position at the University of Vienna in 1892, at the age of 68. He wrote a great deal of music that he used to help teach his students.Bruckner died in Vienna in 1896 at the age of 72. He is buried in the crypt of the monastery church at Sankt Florian, immediately below his favorite organ.[28] He had always had a morbid fascination with death and dead bodies, and left explicit instructions regarding the embalming of his corpse.The Anton Bruckner Private University for Music, Drama, and Dance, an institution of higher education in Linz, close to his native Ansfelden, was named after him in 1932 (Bruckner Conservatory Linz until 2004). The Bruckner Orchester Linz was also named in his honor.
Summary
Wikipedia Source: Anton Bruckner