Sarah Dash Net Worth
How much is Sarah Dash worth? For this question we spent 18 hours on research (Wikipedia, Youtube, we read books in libraries, etc) to review the post.
The main source of income: Musicians
Total Net Worth at the moment 2021 year – is about $117 Million.
Sarah Dash information Birth date: August 18, 1945 Birth place: Trenton, New Jersey United States Profession:Soundtrack, Actress
:How tall is Sarah Dash – 1,73m.
How much weight is Sarah Dash – 56kg
Sarah Dash (born August 18, 1945) is a singer and actress. Her first notable appearance on the music scene was as a member of Patti LaBelle & the Bluebelles. Dash has had a full career, moving from singer, to songwriter, session musician, sideman for famous bands that include LaBelle, The Rolling Stones, and Keith Richards.
Biography,Early careerBorn in Trenton, New Jersey, she moved to Philadelphia in the mid-1960s where she got reacquainted with fellow adopted Philadelphian Nona Hendryx and Philadelphia natives Patricia Patsy Holte (AKA Patti LaBelle) and Sundray Tucker. In 1961, following the break-up of a rival girl group, Hendryx and Dash joined Holte and Tucker in The Ordettes. In 1961, Tucker was replaced by Philadelphia-born Cindy Birdsong and the quartet became The Bluebelles in 1962. The group changed their name again to Patti LaBelle and the Bluebelles after Holte was advised to adapt the stage name of Patti Labelle. Among the Bluebelles hits including the doo-wop classic, I Sold My Heart to the Junkman and doo-wop-esque R&B ballads Youll Never Walk Alone and Danny Boy, the top forty classic, Down the Aisle, the soul standard All or Nothing and their now-legendary rendition of Over the Rainbow, which LaBelle later transformed into a tour-de-force in her 1981 solo cover. Dash sings with a sharp soprano.LabelleThis section of a Biography, of a living person does not include any references or sources. Please help by adding reliable sources. Contentious material about living people that is unsourced or poorly sourced must be removed immediately.Find sources: Sarah Dash – news · newspapers · books · scholar · JSTOR · free images (July 2015) (Learn how and when to remove this template message)In 1967, Birdsong left the group to join The Supremes and four years later, The Bluebelles changed their name to Labelle and began recording material that set them apart from other girl groups including songs of political, social and sexual matters transforming them into a hard-rocking, sexually and politically-outspoken group. Much like The Supremes Mary Wilson, Dash was often the middle of two of the groups extremes, Nona Hendryx and Patti LaBelle, who often had differed in the groups change of direction before LaBelle eventually agreed to go along with it. After a tour of England where they changed managers hiring Vicki Wickham, in 1971, the group ditched their bouffant wigs and dresses for Afros and jeans releasing transitional records such as Labelle (which included the Hendryx-penned sexual Morning Much Better) and Moon Shadow (which featured the groups gospel-fueled renditions of the Pete Townshend penned, Wont Get Fooled Again, and Cat Stevens Moonshadow).During this period, the group got notice by the mainstream after opening for blue-eyed soul singer-songwriter Laura Nyro and British rock group The Who during their tours, leading up to the 1973 release of Pressure Cookin, which featured more songwriting from Hendryx and a more unified group effort in which Dash sung co-lead on including the groups memorable ballad, Can I Speak to You Before You Go to Hollywood?, where Dash sings most of the song with Hendryx singing in the beginning and LaBelle bringing up the rear near the end of the song. Dash was a major vocal force for the group. Dashs strong vocals in the group provided for balance and stability when LaBelle and Hendryx occasionally went off on vocal tangents or were pulling audience members up onto the stage to dance. Dash also functioned as songwriter for several songs. It also marked a political consciousness in the choice of cover songs and lyrics chosen on original compositions. One song, for example, was a medley of psychedelic styled Something in the Air, a mixture of a Townshend inspired album of songs written by a roadie, John Speedy Keen, who had written a track on his bands album, The Who Sell Out, and The Revolution Will Not Be Televised by African-American activist, Gil Scott-Heron.Despite the groups cult raves of their early material, their critical success didnt translate to commercial acclaim until the releases of 1974s Nightbirds (which featured the groups biggest smash single of their careers, Lady Marmalade) and 1975s Phoenix. Following the release of 1976s Chameleon and a 1977 tour, the group agreed to split after the trio failed to come to terms with material (the group were working on an album titled Shaman when they split) and had finally rocked and rolled themselves out.Solo careerIn 1978, Dash released her self-titled debut album, which included the top-ten disco hit, Sinner Man. She also performed vocals on several ballads, notably You, and Were Lovers After All, and I Cant Believe Someone Like You Could Really Love Me, (with a full gospel choir backing), she also had another minor disco hit with (Come and Take) This Candy from Your Baby. Dash enjoyed much success and television and public appearances with Sinner Man. At this time, she was asked to compose and sing For The Love of You (the theme song for the 1980s PBS show Watch Your Mouth) and Bringing It All Home. She also guest-starred on an episode of Watch Your Mouth, playing a fictional character, a super diva with an attitude, Tessie Bright.However, on the Kirshner albums, and especially Ooh La La, Sarah Dash, (1980) she was given substandard material to work with, although she wrote I Feel Good Being Me for this album. It featured one disco track, Ooh La La, Too Soon, which was used in a Sassoon jeans commercial, and Phyllis Hyman provided backing vocals to the album. After releasing one more album Close Enough, for Kirshner, which features ballads such as Somebodys Angel and God Bless You, and the rocker, Paradise, Dash left Kirshner for other opportunities.In 1983, Dash released two dance singles for Megatone Records in San Francisco, both produced by Patrick Cowley. The first, Low Down Dirty Rhythm was basically ignored, but the second single Lucky Tonight (featuring background vocals by Sylvester), was much more successful, even rising to the #5 spot on Billboards Dance Chart, and was even a Billboard Pick of the Week.Dashs next endeavor was the recording she made on the Rap record, Satisfaction, for High Fidelity Three in 1985. Also during this time, Dash did session work for The OJays, Nile Rodgers of Chic (duetting on a ballad with Rodgers, My Love Song for You from, The Adventures in the Land of the Good Groove), The Marshall Tucker Band, and David Johansen.In the later 1980s, she teamed up with musician Dr.York for the duet Its Too Late (for which York took out advertisement space on the cover of Billboard magazine, to little success).Then in 1988 she was signed to Manhattan Records, (via EMI) and released the album entitled Youre All I Need. This set included a title track duet with Patti Labelle, a further duet Dont Make Me Wait with Ray, Goodman & Brown, and To Tell You The Truth. It was met with only moderate success, and Dash has not recorded an album since. Subsequently, Dash released another unnoticed dance single in 1990, When You Talk to Me/ Manhandled, with Disc jockey Jellybean Benitez.A dance music single with gospel lyrics called Hold On (Hell Be Right There), produced by Jason King and Gavin Bradley, was released in 2012.
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