How rich is Shaun Tan? Net Worth, Height, Weight


Shaun Tan Net Worth

Shaun Tan how much money? For this question we spent 3 hours on research (Wikipedia, Youtube, we read books in libraries, etc) to review the post.

The main source of income: Authors
Total Net Worth at the moment 2024 year – is about $155,6 Million.



Shaun Tan information Birth date: 1974-01-01 Birth place: Perth, Western Australia, Australia Profession:Writer, Director, Actor Nationality:Australian

Height, Weight

:How tall is Shaun Tan – 1,86m.
How much weight is Shaun Tan – 64kg


Shaun Tan Net Worth
Shaun Tan Net Worth
Shaun Tan Net Worth
Shaun Tan Net Worth


Shaun Tan (born 1974) is an Australian illustrator and author of childrens books and speculative fiction cover artist. He won an Academy Award for The Lost Thing, a 2011 animated film adaptation of a 2000 picture book he wrote and illustrated. Beside The Lost Thing, The Red Tree and The Arrival are chapterbooks he has written and illustrated.Tan was born in Fremantle, Western Australia and grew up in the northern suburbs of Perth, Western Australia in 1974 and, after freelancing for some years from a studio at Mount Lawley, relocated to Melbourne, Victoria in 2007. In 2006, his wordless graphic novel The Arrival won the Book of the Year prize as part of the New South Wales Premiers Literary Awards. The same book won the Childrens Book Council of Australia Picture Book of the Year award in 2007. and the Western Australian Premiers Book Awards Premiers Prize in 2006.Tan was the University of Melbournes Department of Language Literacy and Arts Education Illustrator In Residence for two weeks through an annual Fellowship offered by the May Gibbs Children’s Literature Trust.In 2010, Shaun Tan was the Artist Guest of Honour at the 68th World Science Fiction Convention held in Melbourne, Australia.For his career contribution to childrens and young adult literature in the broadest sense Tan won the 2011 Astrid Lindgren Memorial Award from the Swedish Arts Council, the biggest prize in childrens literature.Tans work has been described as an Australian vernacular that is at once banal and uncanny, familiar and strange, local and universal, reassuring and scary, intimate and remote, guttersnipe and sprezzatura. No rhetoric, no straining for effect. Never other than itself.
Biography,Early lifeAs a boy, Tan spent time illustrating poems and stories and drawing dinosaurs, robots and spaceships. At school he was known as a talented artist. At the age of eleven, he became a fan of The Twilight Zone television series as well as books that bore similar themes. Tan cites Ray Bradbury as a favorite at this time. These stories led to Tan writing his own short stories. Of his effort at writing as a youth, Tan tells, I have a small pile of rejection letters as testament to this ambition! At the age of sixteen, Tans first illustration appeared in the Australian magazine Aurealis in 1990.Transition to illustrationTan almost studied to become a geneticist, and enjoyed chemistry, physics, history and English while in high school as well as art and claimed that he did not really know what he wanted to do. During his university studies, Tan decided to move from academic studies to working as an artist.Tan continued his education at the University of Western Australia where he studied Fine Arts, English Literature and History. While this was of interest to him, there was little practical work involved. In 1995, he graduated with a Bachelor of Arts.Work processInitially, Tan worked in black and white because the final reproductions would be printed that way. Some black and white mediums he used included pens, inks, acrylics, charcoal, scraperboard, photocopies and linocuts. Tans current colour works still begin as black and white. He uses a graphite pencil to make sketches on ordinary copy paper. The sketches are then reproduced numerous times with different versions varying with parts added or removed. Sometimes scissors are used for this purpose. The cut and paste collage idea in these early stages often extend to the finished production with many of his illustrations using such materials as glass, metal, cuttings from other books and dead insects.Tan describes himself as a slow worker who revises his work many times along the way. He is interested in loss and alienation, and believes that children in particular react well to issues of natural justice. He feels he is like a translator of ideas, and is happy and flattered to see his work adapted and interpreted in film and music (such as by the Australian Chamber Orchestra).InfluencesTan draws from a large source of inspiration and cites many influences on his work. His comment on the subject is: I’m pretty omnivorous when it comes to influences, and I like to admit this openly. Some influences are very direct. The Lost Thing is a strong example where Tan makes visual references to famous artworks. Many of his influences are a lot more subtle visually, some of the influences are ideological. Below are some influences he has named in various interviews:Films: Brazil, Yellow SubmarineFilmmakers: Tim Burton, Terry Gilliam, Stanley Kubrick, Ridley ScottArtists and illustrators: Francis Bacon, Hieronymous Bosch, Raymond Briggs, Ron Brooks, Frederick Clement, Joseph Cornell, Giorgio de Chirico, Milton Glaser, Edward Gorey, John Olsen, Michael Leunig, Rene Magritte, Sidney Nolan, Gerald Scarfe, Katsushika Hokusai, J. Otto Seibold, Peter Sis, Lane Smith, Ralph Steadman, Arthur Streeton, Brett Whiteley, John Brack, Fred Williams, and Chris Van AllsburgOther: paintings in galleries, an arrangement of clouds, a lighting effect, a picture in a newspaper, or indeed supermarket plumbing,[11] incidents, textures and accidental compositions created by objects, things from other cultures and times, Polish poster art, streets, clouds, jokes, times of the day, people, animals, the way paint runs down a canvas, or colors go together.PatronageThe Shaun Tan Award for Young Artists is sponsored by the City of Subiaco and open to all Perth school children between 5 and 17 years. The award is aimed at encouraging creativity in two-dimensional works. It is held annually with award winners announced in May and finalists works exhibited at the Subiaco Library throughout June.[12]


Wikipedia Source: Shaun Tan

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